The Incurables and Labradors

The Incurables “The Fine Art of Distilling”
St. Louis musician Jimmy Griffin is a virtuoso guitarist that has a band with more than enough ability to create memorable singles in a “Wings meets Wallfowers” style. Starting with “16 Lines” its a masterful use of the slow building verse to a rich chorus. “Fall So Hard” has a great barroom jangle, very much in the Tom Petty meets Beatles mode. The unassuming song dresses its melodies with breaks full of amazing Stratocaster solo magic. Griffin’s raspy vocal is perfectly suited to “Famous Last Words” with Byrdsian styled riffs and lovely male-female harmonies. This is followed by “FM” a gem about the loss of the art of radio DJ where he asks “Is there anyone alive on the other side of my radio?” All the tracks grow on you and have surprising lyrical depth, like the subtle “Wish” and the hook filled “I Will Burn” which remind me of the Honeydogs. You’ll also here echos of The Stones on “Break the Heart of the World.” Highly Recommended!

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Labradors “Growing Back”
Hard rocking band from Italy in the vein of Sugar, Weezer, and Nada Surf. One would never know, as they sound exactly like most American rock bands without any accent. “Punch” starts out the hard charging set with its punk undertones where they sing “I deserve a punch in my face,” and “Be My Camille” sound almost identical to The Virgins. “Astrology” has a Thin Lizzy-like swagger and then “Sundance” finally gets laid back and casual… remember Sugar Ray? While everything here sounds good, its a case of having the influences prevent the band from really standing out on its own. The vocals are also uneven, occasionally they’ll use dissonant punk harmonies that just don’t work. However, a handful of tracks are memorable including “Afraid/Happy” and the Guided By Voices-like “Some Of The Kids.” Give it a try.

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Concert Review: IPO New York 2013

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Okay, so I made my annual trek out to Manhattan to visit David Bash at the International Pop Overthrow once again. This was a special opening night, as Starbelly was appearing and I made it just in time for their hard rocking set. When David introduced the band, he said “This band epitomizes power pop,” and he was correct. The reunion of Bryan Ewald (guitar), Dennis Schocket (bass) and Cliff Hillis (guitar) was magical. Next came The Whims (a local band I will be reviewing next week) followed by my old friends The Hillary Step, who played a wonderful acoustic set previewing tracks from a new EP due this summer. The venue, National Underground was a small, but lively bar – the only hindrance being a support pole directly in front of the stage. The Festival continues through this Sunday. See the schedule here.

Jeremy Porter & The Tucos and Ex Norwegian

Jeremy Porter & The Tucos “Partners In Crime”
Michigan’s Jeremy Porter is no stranger to power pop, alt. rock and country. He’s gained his chops in many bands, but with his buddies Jason Bowes (bass) and Gabriel Doman (drums) they are a tight energetic trio.

Starting with “Castaways,” its a catchy 3 minute rock song very similar style to The DB’s or REM brand of power pop. “Little Miss Awesome” is a slicker, 80’s styled tune that showcases Porter’s guitar riffs between each chorus. The country jangle comes out on “Wedding Day” and “Still Waiting Here.” And the band sounds like its having a great time on the bouncy “Pizza Girl” and the twisting lyrics of “What You’re Doing Today.” Each song is interesting (no filler here) and its played just right. Highly recommended.

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Ex Norwegian “Crack”
Roger Houdaille’s continues to take Ex-Norwegian in bold directions, but always keeping those hooks in mind. “Your Own Swing” is a pretty basic sing-along that warms you up, but he throws a perfect curve with “Bibi Kan Werk It” which is part Weezer and part Beach Boys including a terrific melodic chorus.

“Aventura” has a bit more glam guitar, and the hook on “I’m A Fighter, Not A Lover” is even better with Michelle “Big Meech” Grand leading the vocals here. Then Roger struts in full Ziggy Stardust mode on “Full Time Lover.” With the unique harmony of Roger, Michelle and Giuseppe Rodriguez, the band is morphing into the America’s version of The Wellingtons. No real filler here, each tune has a strong beat and tries to experiment with unique sounds  and like all great power pop this Crack can be just as addictive.

Willie Wisely says “No more albums”

I have a busy week planned (with IPO NYC coming up any day now) and I get this news from Willie Wisely’s blog basically saying  that albums are “too hulking, too far between, too all consuming” and “the whole thing is too painfully putzy to be enjoyed any longer.” So he’ll be making singles and EPs from now on. While I love a great single, and lots of people cherry pick from an LP – any one who grew up loving the long-play format will loathe its demise.

And while Bob Lefsetz may disagree, in music there is nothing better than listening to a great concept album beginning to end. Think about Dark Side of The Moon or Who’s Next. And while most albums are not worthy of that greatness, I wouldn’t want to discourage artists from trying. It’s like the 5-course prix fixe restaurant going out of business because Chipotle moved next door.

Above is a writing session demo for the first new single, Willie goes back and forth with power-pop favorite, Cliff Hillis.