Lane Steinberg(The Wind, 8×8) is back with his current Headspace. Steinberg is an excellent songwriter, and although this isn’t as dense as his 8×8 compositions, it’s just as infectious. Opening with the strong title track a sweet piano-bass combo with a creative guitar break, its influences are equal parts Rundgren and Nilsson. “Under Summer Skies” is an elegant lounge melody that layers its vocals on a bed of jazzy pop piano and strings. Another similar gem is “Lovesick Jones,” a tale of a self-destructive romantic, and a “kid that’s fully grown.”
A more Bacharachian shuffle is “The Best Part” with its subtle orchestral touches, and Lane has his quirkiness in overdrive on “Finally Next To You” and “Super Flumina Babylonius.” While he loses a little momentum after this, his last track “Antidote” is a bouncy, guitar gem that finishes this highly satisfying listen. Steinberg is a unique talent and one that deserves to be explored. Highly Recommended for sure.
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UK band It’s Karma It’s Cool has evolved over the years. While the band’s point of view remains delightfully unique, the melodic elements are subdued in favor of densely layered psyche-pop fuzz and percussion. The opener “How Be You Be Blue?” has a lovely harmonic chorus, as the guitar echoing distortions contrast with the verses. Unfortunately, it becomes an issue on “Warmer Climes,” as the lead singer Jim Styring gets drowned out by the rhythm section.
Thankfully, the next few songs are better, “Old Bones” has a good guitar melody, and “Winter Coats” has guest Peter Holsapple(DBs) on Mandolin. The band leans more into progressive territory with “Broken Hearted Foundations” and “Vacations in a Taxi Cab.” My favorites here are “The Terms of Letting Go,” a novel way of grieving a lost love, and “Roll The Credits,” a paean to a supporting guitarist “in that power pop video.” Overall, I would’ve liked more musical hooks, but still a decent album, worth exploring. Check it out.
It’s July! Trust Your Gut, the latest album by The Worriers (due in September) have this cool video for now. The band, led by lead singer Lauren Denitzio, has a highly approachable songwriting style full of folksy flourishes and driving guitars. Tamar Berk is back after her winning turn last year on Start At The End. She hasn’t missed a beat, and I look forward to more strong memorable melodies, as the preview shows. Vanilla also comes back with new music from the Pish Posh collection recorded at Abbey Road Studios in London. Speaking of Abbey Road, local Beatlesque troubadour Tommy Sistak wants to “Take Me Along.” Next, Singer Brock Pytel (Canadian pop-punk band The Doughboys) and Brian Minato (Sarah McLachlan) are  SLIP~ons, and they bring GBV energy with them. Finally, I don’t know much about Philly power pop band Hurry, but they have nice harmonies – kinda like Teenage Fanclub and the album is due in August. Enjoy the fireworks!
Pete Ham, the lead vocalist and multi-instrumentalist for the band Badfinger, was one of the great emerging stars of the early 1970s. One of the first power pop bands, the Beatle’s shadow loomed large over the group, and despite his tragic story, his musical skill was undeniable. Rather than me go into history on the band – get Without You: The Tragic Story of Badfinger by the late great Dan Matovina. That tells the tale.
All of Badfinger’s hits are here “No Matter What,” “Day After Day,” “Baby Blue,” and many more. The project, which includes 35 new recordings of songs Ham wrote or co-wrote, will benefit Mental Health America of Southeast Florida. The project’s goal is boosted by the wide range of musicians who pay homage to Ham classics and deep cuts on the two-disc set.
I enjoyed many of the covers, including Dan Baird (Georgia Satellites) as part of The Chefs on a fun, infectious “I Can’t Take It.” I also liked The Smokin Novas faithful take on “Shine On” and the reverent approach by Shelby Lynne on “Day After Day.” Other standouts include “Mary Lou Lord’s “Baby Blue,” Rob Bonfiglio’s “Lonely You,” and the spirited country version of “Lay Me Down” by Diane Ward. Like all big compilations, there are tracks I didn’t like – but don’t let them sway you. Badfinger fans will enjoy this for sure. Highly Recommended.
Long Island musician Vance Brescia formed a Beatles-influenced punk-pop band in the early ’80s, very much in parallel to Tommy Marolda (The Toms) from New Jersey or Paul Collins’s band The Beat from Los Angeles. The Mosquitos were also ahead of their time, as the sound was a mix of Merseybeat, punk, and new wave. They were poised for 80s stardom. The title track from the band’s EP “That Was Then, This Is Now” was chosen by Arista Records’ Clive Davis for The Monkees to record as their comeback single in 1986 following a couple of nominations at the New York Music Awards. The Monkees version entered the Top 20 that summer. Shortly thereafter, the band split up.
The band never really had a major album release, so this massive project was expanded to a 47-song double CD by Kool Kat Musik. This allowed for the publication of nearly all of their original songs, demos, and covers. Highlights include “I Know A Secret,” “I’m So Ashamed,” “Put Your Foot Down,” and others. More than enough to make this highly recommended.