The PInk Spiders and Dwight Twilley

The Pink Spiders

The Pink Spiders “Freakazoid”

This is a Nashville band that wants to make a bold statement. Influences from power pop, glam, and indie rock are all mixed in a musical stew. “Gold Confetti” is a great start, with its upbeat, sing-along chorus dripping in attitude. But even better is the follow-up single “Let’s Go Home” with its super energetic hooks, and its quiet verse builds to a catchy chorus. The guitars here bring it all together as the band uses classic song structures (that are out of vogue today) to form something quite unique, and “Devotion” is another winner with its Cars-like synths.

Next, lead singer Matt Friction sings “Can’t Stop Letting You Down” and seems to channel Marc Bolan without the falsetto. The band wants this to be a party album, as each hook takes a winding stylistic shift in the second half. The band can go “hard rock” anthem with ease on “Stoned To The Bone,” and the next few songs go straight party rock, and you’ll never get bored here, and no filler. The closest analogy I can come up with is Sweet meets Panic! At The Disco. Yes, it could’ve used a ballad to break things up, but this deserves attention and is highly recommended for sure.

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Dwight Twilley

Dwight Twilley “The Best of Dwight Twilley The Tulsa Years 1999​-​2016 Vol 1”

Dwight Tilley had a revived sense of purpose after releasing several collections of rarities (Between The Cracks) at the end of the 20th century. He began the journey to elder statesman status in power pop with 1999’s Tulsa and continued to be very productive for the following 15 years. This new compilation of Twilley’s later work proves he was not only a great songwriter but also remained a potent force in melodic rock and roll.

Nothing in the collection sounds dated, as it’s timeless rock. Check out these new Twilley classics; “It’s Hard To Be A Rebel,” “No Place Like Home,” and “Speed of Light.” With 20 tracks there are plenty of gems to choose from.

If you’re a fan of Dwight Twilley’s work, The Best of Dwight Twilley: The Tulsa Years 1999-2016 Vol 1 is a must-have. There are previously unreleased songs from albums like Tulsa, The Luck, 47 Moons, Green Blimp, Soundtrack, and Always. Dwight’s 12-page booklet with photos and notes about his inspiration and the songs’ backgrounds is included. Highly Recommended.

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Lane Steinberg and It’s Karma It’s Cool

Lane Steinberg

Lane Steinberg “Headspace”

Lane Steinberg(The Wind, 8×8) is back with his current Headspace. Steinberg is an excellent songwriter, and although this isn’t as dense as his 8×8 compositions, it’s just as infectious. Opening with the strong title track a sweet piano-bass combo with a creative guitar break, its influences are equal parts Rundgren and Nilsson. “Under Summer Skies” is an elegant lounge melody that layers its vocals on a bed of jazzy pop piano and strings. Another similar gem is “Lovesick Jones,” a tale of a self-destructive romantic, and a “kid that’s fully grown.”

A more Bacharachian shuffle is “The Best Part” with its subtle orchestral touches, and Lane has his quirkiness in overdrive on “Finally Next To You” and “Super Flumina Babylonius.” While he loses a little momentum after this, his last track “Antidote” is a bouncy, guitar gem that finishes this highly satisfying listen. Steinberg is a unique talent and one that deserves to be explored. Highly Recommended for sure.

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It's Karma It's Cool

It’s Karma It’s Cool “Thrift Store Troubadours”

UK band It’s Karma It’s Cool has evolved over the years. While the band’s point of view remains delightfully unique, the melodic elements are subdued in favor of densely layered psyche-pop fuzz and percussion. The opener “How Be You Be Blue?” has a lovely harmonic chorus, as the guitar echoing distortions contrast with the verses. Unfortunately, it becomes an issue on “Warmer Climes,” as the lead singer Jim Styring gets drowned out by the rhythm section.

Thankfully, the next few songs are better, “Old Bones” has a good guitar melody, and “Winter Coats” has guest Peter Holsapple(DBs) on Mandolin. The band leans more into progressive territory with “Broken Hearted Foundations” and “Vacations in a Taxi Cab.” My favorites here are “The Terms of Letting Go,” a novel way of grieving a lost love, and “Roll The Credits,” a paean to a supporting guitarist “in that power pop video.” Overall, I would’ve liked more musical hooks, but still a decent album, worth exploring. Check it out.

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July Singles: The Worriers, Tamar Berk, Vanilla, Tommy Sistak, The Slip-Ons, Hurry


It’s July! Trust Your Gut, the latest album by The Worriers (due in September) have this cool video for now. The band, led by lead singer Lauren Denitzio, has a highly approachable songwriting style full of folksy flourishes and driving guitars. Tamar Berk is back after her winning turn last year on Start At The End. She hasn’t missed a beat, and I look forward to more strong memorable melodies, as the preview shows. Vanilla also comes back with new music from the Pish Posh collection recorded at Abbey Road Studios in London. Speaking of Abbey Road, local Beatlesque troubadour Tommy Sistak wants to “Take Me Along.” Next, Singer Brock Pytel (Canadian pop-punk band The Doughboys) and Brian Minato (Sarah McLachlan) are  SLIP~ons, and they bring GBV energy with them. Finally, I don’t know much about Philly power pop band Hurry, but they have nice harmonies – kinda like Teenage Fanclub and the album is due in August. Enjoy the fireworks!





Power Popaholic Interview: Ryan Dusick of Maroon 5

Ryan Dusick (Maroon 5)

Aaron talks with former Maroon 5 drummer about his career, Kara’s Flowers, and the transformation into Maroon 5 with Adam Levine emerging as the band’s leader, how he left the band, and his new career as a therapist. His journey is chronicled in the book “Harder to Breathe: A Memoir of Making Maroon 5, Losing It All, and Finding Recovery”
🎸 Visit this link to get the book: Amazon