Shake Some Action "Fire and Ice"

This was a facinating process to witness. An album being recorded and contructed over the course of the year and every detail recorded on the artists blog track by track (In fact the song demos are still there for free download). The sound of this band has evolved in the process from the earlier rough garage jangle sound to a sophisticated studio effort. This is more of James Hall’s baby and it shows. Those guitars are still there and he mixes in a few new influences. Opening with “Stand and Deliver” it mixes psychedelic vocals and ringing guitar rhythms that reminds me a little of U2 mixed with The Happy Mondays. Hall’s musical skills are on display with the steady bass and looping guitar arpeggio of  “Touch The Sky.” If you’re a bit nostalgic for those 80’s jangle hooks of  The Mighty Lemon Drops, The Cure and Psychedelic Furs you get a real gift with several tracks like the hook-filled “Fire and Ice”, “Can You Feel?” and “I Wasn’t Born Yesterday.” The trippy “Bottom Of The Sea” sets a real nice Pink Floyd styled mood and “Where is The Sun?” is a shimmering gem with a rich harmonic chorus. But if you’re a fan that misses the band’s older, rougher sound, then Hall throws you bone with “Open Your Eyes” in a Pretty Things garage mode. Fans of the old sound may not warm up so quickly, but I did as the songwriting is more refined and the instrumental work more meticulous.

Shake Some Action | E Music | Amazon

Rubek and Reno Bo

Rubek “Tender Hooks”
Rubek is the not so secret identity of singer songwriter Matt Burke. The debut album is a set of tight melodic tunes along the lines of Jon Brion, Josh Rouse or David Mead. The album title is certainly apparent from the opener “Losing Sleep” and those melodic hooks just draw you into the song. The simple country pop of the follow up “Work It Out” is another excellent tune with strong arrangement and light airy vocals. This slow deliberate approach is what follows on the next few songs (“Hard Land” and “My Best Plans”), and on “The Brightest Star” you figure Burke’s listened to plenty of Gram Parsons and The Jayhawks, with it’s multi-layered rhythms. By mid-album “Reasonable Man” is a rare break with a pure pop approach that works well, and a few tunes are more interested in sonic textures (“Butterfly”) at this point.  The finale “God Help Me Out Here” is a dramatic Big Star-styled orchestral epic. Overall, the album has a big sound but the production is understated enough to let the melodies come through and shine.

My Space | CD Baby

Reno Bo “Happenings and Other Things”
Much thanks to Malin from our Facebook Page for turning me on to this album from last year that slipped by. Reno Bo is a songwriter and musician who spent the better part of the last three years on the road, as a touring bass player for Strokes guitarist Albert Hammond Jr. and NYC garage rockers The Mooney Suzuki. Reno steps out on his own to make this soulful blend of Beatles with shades of Tom Petty, Led Zeppelin and Neil Young. “There’s A Light” is a great big arena anthem full of loud guitars and strong melody. Fans of Oasis will flip for “Off Your Back” with it’s pounding piano and echoing chorus. The guitar work overall is superior with “Sugar Suite Blues” rocking a la Jimmy Page and “Shake Me Up” is produced by Adam Schlesinger (Fountains of Wayne, Tinted Windows.) Nothing groundbreaking here, but it doesn’t have to be. Overall a great album with no filler that appeals to the classic rock geek in all of us. Soak it in and enjoy.

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John Brodeur "Get Through"

John Brodeur captured my ear with his album “Tiger Pop” in 2001. It was an impressive debut, and now the re-issue project is in progress. Well almost a decade later the sophomore album is here. The process turned into a journey for Brodeur who has been kicking this album around since 2004 with help from many musicians, Pete Donnelly (The Figgs, Candy Butchers) and Ryan Barnum (Strange Faces) among them. Opening with the uplifting “Making A Change” it is an excellent motivational song, lead by melody and solid guitar chords. The guitar crunch is turned up a notch for the driving “I’m Bad” where John reflects on life’s horrible choices, it’s a loud Superdrag styled melodic feast. “Security” is another fast paced gem that demands repeat plays, but the theme doesn’t change even though the styles do. The piano ballad “Silence, Please” about the bad experiences on the road, slowly builds to epic proportions like a Ben Folds song. “Fight” has a Nirvana-like structure, and a wicked guitar solo in the break that propels the chorus along. “Let’s Pretend” has a Magical Mystery Tour styled percussive composition, done slightly off kilter that tells you the lyric “Let’s Pretend We Are Happy” is a vow of disillusionment. This feeling continues with “Meltdown” and culminates with another stunner. “Get Through” is a delicately crafted wake up call, that life is worth living and “If it’s all that you can do, just get through.” This is a brilliant album that has finally gotten through to music fans last year. Don’t overlook it now that it’s here.

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