So, sometimes record companies send me video singles to listen to, and I have tried to weed out the mundane and give you some insight into some good fresh new talent. Check these out. Let me know if you like them!
Paul McCann is back! Lost in the Moment is a power pop gem. Looking forward to this album.
Punk rockers Key of Caustic “Pretty Little Suicide” fun garage rock.
Ariel Bui has a very retro-feel on “Sixteen”
The Adam and his cool single “Cathy” has a great riff and hook. Not much of a video, but a good song!
Royal Sugar uses modern pop with some glam guitar riffs creeping around the background on “Fleeting Love”
The BeatersBand again has a retro feel, and it’s so damn catchy!
On their 13th album, Sloan retains its title as the best indie power pop band left standing. The Canadian quartet has a career that spans over 40 years, and “steady” not only describes the band’s lineup but also its consistent stylistic approach. The chugging guitar on “Magical Thinking” starts us off, with hooks a plenty and a “ba-ba-ba” chorus. Then we launch into the catchy rocker “Spend The Day” a song that’s defined Sloan’s sound for years with a wicked guitar break, and it leads right into the gentle harmonies and handclaps of Jay Ferguson’s “She Put Up With What She Put Down.” Each song leaves an impression, and the album gets even better the further along we go.
Chris Murphy’s “Human Nature” is a brilliant piano-based song about our love of gossip. But what’s amazing is how the band can take Beatlesque elements and make it totally their own, my favorite track here is “Nice Work If You Can Get It,” a dreamy Rickenbacker riff based on “Day Tripper” – it’s an instant classic. Not a weak track to be found, and without a doubt (like their 2018 opus 12) this easily gets added to my top ten list for 2022.
For many years Richard X. Heyman was the original power pop DIY, one man band, and even though he branched off playing with The Doughboys several years ago, he remains a singularly unique songwriting talent. 67,000 miles an hour refers to the speed of the earth as it moves in orbit around the sun. RXH goes through a variety of styles here, but he starts off with an absolute gem “You Can Tell Me,” full of harmonies and sweet chord progressions. The rich horns of “Misspent Youth” goes through visions of his life in New York, and “Traveling Salesman” is a garage rocker with a distinct riff.
With 18 tracks you’ll find plenty of great songs here like “Crave,” a bouncy rocker with synth keys and pounding drums, and the mature hooks on “When The New Dawn Comes.” The soulful vocals of the mid-tempo ballad “Plans” are another highlight. Sometimes RXH finds a musical idea, like “Ready For A Fall” with its stylized harmonies, but it doesn’t quite work. However, enough tracks do work and that makes it highly recommended in my book.
Aaron chats with brothers Sean and Brendan Kelly from the band A Fragile Tomorrow. This band has evolved over the years and now it’s more art pop/rock than anything else. Read the review here.
🎸 Visit this link to get their album: Amazon
This Boston quartet may call themselves a “bummer pop band,” but Self Help really packs an emo-punch. The album was created over ten days with producer Andy Park (Death Can For Cutie). The concept is wrapped around the emotional journeys one takes through therapy. The lyrics are strong, the melodies are loaded with power, and Amy Hoffman’s strong vocals on the opener “Doorknob Confessional” recalls Alanis Morissette. Daniel Radin’s vocals in “Good Reason” are equally impressive, noting that “everything that happens is for some goddamn good reason.”
“Smile With Your Teeth” is another tune that deserves attention, and “BYOB” muses on the emotional spiral of alcoholism. The stories are neatly matched instrumentally, but the approach loses some stream in the second half. On “Team Sports” Amy confesses “Lately I could use a hand, but I’m not sure how to ask for it.” This album is a definite helping hand to anyone dealing with intense feelings. Highly Recommended.
The young Madison, Wisconsin band is desperately trying to grow after their brilliant debut, Collector in 2020. They throw in a lot of ideas here, some work and others don’t. The massive variety of styles and shifting instrumental changes make for unpredictable and exciting listening.
The light harmonies of “Prize Contest Life” in the song’s middle are contrasted with its screaming noise-pop bookends. Next, “Cujo Kiddies” shuffles along its catchy verses with just enough synth & beat to make it very danceable. They still can play loud and fuzzy with “This Time” and “The Hardest Part,” as it brings to mind the band’s debut. Then “If Only” adds a friendly little Wilco-styled alt. Americana to the mix, while “Tightrope” is like a long-lost Weezer song. The most impressive tune here “(With Respect To) Loyal Serfs” is a slowly building gem that settles in with its heavy riffs and hooks. Overall, a good album that has plenty of fun music. Definitely, music that deserves to be heard.
Greg Pope’s rich guitar sound is distinctive, and he journeys down a more traditional rock sound on this latest LP. “As You Love” reminds me of Matthew Sweet with its chugging guitar rhythm. Pope crafts rock opera-styled drama in under 3 minutes with “Words No One Can Say.”It’s as if Queen and Blue Oyster Cult are combined on “Smile, Nod and Slowly Back Away,” The songs are musically consistent with just enough hook to draw you in. “Savior of The Local Rock Scene” is another love letter to the golden age of Rock, with glammy riffs and energy.
While the immediacy isn’t as pronounced as in past works, Pope knows how to tell a good story. “Sorry I Wrote This Song” is about having your partner realize your songwriting cuts a little too close. “Traditions” bounces along, and is also very inviting. All the songs are good, but the standout to me is “Holding On To A Sunny Day,” a classic hook-filled melody shining with optimism. Overall very highly recommended.
Veteran musician Edward O’Connell returns with a new album 8 years after Vanishing Act. With a full studio band, and guest backing from vocalists Parthenon Huxley (The Orchestra), Thomas Walsh (Pugwash), and more, this proves to be a solid effort. “Golden Light” echos Tom Petty in style, and its solid hook carries you through the song effortlessly. The title track “Feel Some Love” and “Buddy Crocker” recalls mid-tempo Elvis Costello with their wry humor and bittersweet lyrics.
The album’s second half is more reflective, “As No One Once Said” is a compelling ballad, and another effective standout is the soulful pop “Who’s Watching Your Baby,” which shows parental worry with a bluesy guitar break. While the songs here are not as catchy, they keep the same “Costello meets Petty” style, and that’s better than most music out there. Definitely, music that deserves to be heard.
