Uni-Boys and No. 2

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Uni Boys

Uni Boys “Do It All Next Week”

California-based Uni-Boys channel power pop’s late 70’s and early 80’s era, and fans of The Plimsouls, 20/20, and The Jags will embrace their sound. While “You Worry About Me” and “Downtown” has the style down perfectly, it really fires things up with the hook-filled “On Your Lovin’ Mind,” where the guitars remind me of Bram Tchaikovsky. The production is mostly, clean and avoids the overly processed problems of that time period.

The “boys” are Noah Nash (guitar/vocals), Reza Matin (guitar/vocals), Artie Fitch (drums), and Michael Chipolletti (bass/vocals). The terrific guitars ensure most everything here works, although some tunes need stronger vocals (“Long Time No See”) or a less tinny production (“Hypocrite”). Plenty of highlights include “Up To You,” the multi-tracked strum of “Caroline Kills,” “Daily Dose,” and the Lou Reed-like strut of “I Wanna Rock You.” Highly Recommended.

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No. 2

No. 2 “First Love”

Portland’s No.2 has a compelling sound courtesy of singer/guitarist Neil Gust (Heatmiser). The opener “I’m On A Mission” has deep KISS-like riffs, about first loves, lusts, and heartbreak. While the songs are written from a queer perspective, the themes are universal. “Ravers In The Sky” is a good follow-up with a wicked guitar break. The energy level of the album eventually devolves into mid-tempo noir stories, as “A.O.R.” tells of a relationship at a college radio station.

Some nice prog-like melodies emerge with “Time’s Up,” and the rocker “You Might Be Right” is another highlight. The title track “First Love” is a slowly building tune that eventually gains momentum with some layered harmonies. However, the lack of riffs on other songs makes them forgettable. Overall a decent album that deserves to be heard.

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EP Reviews: Late Cambrian, Michael Simmons, The Glad Machine, Mom, Los Andes, The Legal Matters

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Lately, there has been so much good music in my inbox that I simply can’t put both singles and EPs together in a single post so…. here are my favorite EPs for September.

Late Cambrian have always been a unique blend of pop, dance, and experimental rock without sounding artificial. Future Snacks starts with the synth-blended “The Last Wave,” but comes up with a plenty of compelling melodies, like the bouncy “Its Always Something” and multi-tracked harmonies of “Sydney Sweeney.”

Michael Simmons, the super talent behind Sparkle*Jets U.K. has a lot on his plate. He has a massive group of covers called Singing In My Heart, but even better is his musical versions of rare Dutch power pop band Darryl-Ann’s singles. Each track of Happy Traum is a winner. Pure magic, so don’t miss it.

The Glad Machine goes full throttle on power pop, and fans of The Posies, Jellyfish, and Velvet Crush will appreciate the catchy “San Francisco” and the looser guitar on “Baby It’s You.” Not a bad track here, swirling guitar riffs of “Virginia” rule the day. One of the best EPs of the year among a crop of treasures.

UK-based Mom has been pumping out catchy 70’s inspired guitar nuggets every few months, and fans of The Ramones, The Cars, and The Rubinoos will dig this one. Highlight here is “To The Beat” and “Now Until Forever.”

Buenos Aires-based Los Andes has the formula down, and “Julie” featuring Xoel Lopez will hook you even if you don’t “hablar español”. The band also pulls the talents of legendary musicians Lukah Boo, Star Trip, and Hank Idory. No filler and gorgeous musicianship that proves power pop is much loved beyond the borders of the USA. Bravo!

Your token FREEBIE, The Legal Matters give you a Trapper Keeper stuffed with beautiful covers of their favorite tunes. Big Star’s “When My Baby’s Beside Me” and Teenage Fanclub’s “Don’t Look Back” are my faves here.

The Power Popaholic Interview: Phil Thornalley

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 Phil Thornalley

Aaron chats with Phil Thornalley, former producer/bass player of The Cure, songwriter of many hits, and recently his solo work Astral Drive and his newest album “Now That I Have Your Attention” on Lojinx Records. A “must get” album for fans of Jeff Lynne, Electric Light Orchestra (ELO), Todd Rundgren, Tom Petty, and The Traveling Wilburys. Read the review here.
🎸 Visit this link to get their album: Amazon
Check out “Fast Car”

Fresh September video singles: Airport 77s, The Thirsty Curses, Ines South, Madison Cunningham, TAM

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I get a variety of different bands contributing to my inbox, and some are just too good to ignore. Firstly, a heads up on what I think will be a great album; The Airport 77s are set to release We Realize You Have A Choice on JEM Records, and the opening single simply rocks. Review coming soon, but this was too good a video to pass unpromoted. The Thirsty Curses do a puppet version of Natural Born Killers with a compelling melody. Ines South looks like she’s having fun here, and the song “Sun’s Son” is a fun single too. Another up-and-coming star is Madison Cunningham, her LP is out this week and she reminds me a little of Sheryl Crow. Finally, TAM is LA artist Tommy Mai, and he gives us a cool “mental souvenir” with its late 1970s vibe.





Collective Soul and Young Guv

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Collective Soul

Collective Soul “Vibrating”

The days of classic rock bands soldiering on with new material are fewer and further between, but Collective Soul has an enviable track record. They have nearly 30 years of solid anthemic rock under their collective veteran belts, and Vibrating continues that tradition. Densely saturated melodies and hooks continue to be the focus of the songwriting, and Ed Roland knows his fan base well. Drawing from the band’s grungey roots, he always manages to craft expressive and emotional statements, and the “power” in this pop is undeniable.

The first 3 songs are easy to love, “Cut The Cord,” and “Reason,” are loaded with that familiar energy, especially “All Our Pieces,” which boasts an excellent sing-along hook. The band then calms down a bit with mid-tempo rockers, “Take” and “Undone” and Roland and the band do a great job with these tracks. Past the midpoint, it gets less predictable as “A Conversation With” reminds me of Peter Gabriel a little. Things aren’t as memorable until “Back Again” a slow-building rocker that seems to be directed at an ex-lover and Roland sells it well with his deep tremolo. Overall, a highly recommended addition to the Collective Soul catalog.

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The Airport 77s

Young Guv “III & IV”

One of the brightest young power pop artists I’ve heard recently is Toronto’s Ben Cook, aka Young Guv. His first EP made my 2019 Best-of list and his continued growth as an artist is heartening to rock fans who fear those classic influences are on the wane. Drawn from the influences of The Byrds, Beatles, Todd Rundgren, and others he creates irresistible melodies than evoke the past without sounding like a tribute band. This collection is a combination of two albums with a bonus track. Both albums were created in the isolated New Mexico wilderness, and are focused on the power of love.

Starting with the opening jangle of  “I Couldn’t Leave You If I Tried” it feels like a lost Teenage Fanclub classic, with a hook that doesn’t overstay its welcome. If anything III is nearly flawless. For example, the Big Star-like “Only Wanna See You Tonight” and the Britpop fuzz of “Scam Likely,” each song is efficiently composed and rendered. Once we get to IV, Ben takes a few more stylistic liberties but the earworms are still here, from the tambourine shakes and handclaps of “Too Far Gone” to the West Coast strum and slide guitar of “Change Your Mind.” Further on the songs get longer, and they don’t always stick (“Overcome”) or feel more like sketches (“Cold In The Summer.”)  However, Guv’s batting average over 24 tracks is pretty darn good. Highly Recommended.

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