Film Review: 1974 On The Road With The Beach Boys

Musician Billy Hinsche has a long storied history, but in 1974 he played front and center in The Beach Boys during the “Holland-era” tour. Billy playing guitar and harmonizing with the Wilson brothers is all documented in this new film. Not so much a concert film, but a selection of never before seen “home movies” of the band onstage and off. Lots of footage of the late Dennis and Carl Wilson are shown, intercut with current interview clips of other players in the band and some archival photos. It also really lets you learn about various background players, like sound engineer Steven Moffitt and musician Ricky Fataar and how important they were to the stage show. Highlights include Al Jardine playing bits of “Heroes and Villians,” Carl getting silly at breakfast, Dennis coming off very cool and some concert footage. You really feel like you are hanging out with the band in spots and traveling with them on tour, boarding the band’s private Fairchild F-27 plane in Kansas City, landing in Chicago and then checking in the hotel with Brian Wilson upon landing. Hinsche filmed plenty of private moments with the band, like Dennis and Al discussing transcendental meditation or a rowdy game of backgammon. Most of the movie was shot on Portapak black and white video, so it’s not exactly high definition. But for Beach Boys fans this is must-see TV, in addition is the Hinsche penned theme “Under A Beach Boy Moon” performed by John Hunter Phillips. Don’t miss the extra features: “Director’s Comments” and “Where are they now?” with an update on what became of the players.

FREE Gamilons "Blue Whispers" EP from Kool Kat Musik

The Gamilons “Blue Whispers” EP is a project of Cliff Hillis (IKE, Starbelly). From what I’ve heard it’s a great hook-filled 3 song classic and I’ve been told a full length album is in the works. Best of all you can get it  for FREE (with any purchase from Kool Kat Musik) while supplies last. Listen to some of the music at the MySpace Page.

The Brambles "Lost Recordings"

The Brambles were a well established power pop trio from 1987 to 1993, consisting of Tim Anthony (vox/guitar), Tom Aureli (drum kit) and Lou Anthony (vox/bass). The band had a string of excellent light pop albums, notably Next Big Thing. Well a pile of old dusty 8-track tapes were recently found from that era. These songs were essentially demos,  and they capture the spirit and energy of The Brambles at the time. Lots of great stuff here, and fans of The Beatles, Elvis Costello and the La’s will be sure to enjoy this. This is straightforward pop full of jangling guitars and harmonies that stick in your head long after the song’s chorus fades. A few tracks here sound dated with some of the synth piano and drum machine beats that were very common in pop music back then. But the melodies come through – especially nice is the minor chords in “Listening Now” and urgency in “Kick Inside.” Other gems include “Girl Next Door” and “If It’s True.” Best of all the band has priced this collection super cheap.  The entire album is only a $1.99 download from CD Baby – for that price it’s not a “lost” recording – it’s found pop treasure!

MySpace | CD Baby

Patrick & Eugene "Don’t Stop"


If you enjoy the whimsy of Anglo-pop (Yes, I’m talking to you fans of Pugwash and The Duckworth Lewis Method) Patrick and Eugene are a a wonderfully quirky duo with a vaudevillian approach. Lots of fun here – album review coming soon.

Anton Barbeau "Plastic Guitar"

Anton Barbeau is a cult-hero’s cult hero. He is known for combining surreal lyrics with pop melodies, and is often described as being in the songwriting tradition of Robyn Hitchcock, Syd Barrett, and Julian Cope. He is similar to Todd Rundgren, in that his fan base can get frustrated looking for his greatness, and often getting it in eccentric compositions. His last album, In The Village Of The Apple Sun is a trippy Sgt. Pepper influenced pop pastiche, so this one is closer to his White Album I guess. Opening with the psyche-folk pop of “Bending Like A Spoon”and “Plastic Guitar” kind of recalls The Flaming Lips a little and it features strong repeating choruses and dissonant beats. The theme of this album is mortality, pronounced on songs like “Doctor Take Care” and the ballad “Boat Called Home.” Lots of odd percussion starts many songs, like “Dear Miss” and sometimes it goes to a chorus, or like “Raino Disco” it builds into a looping hypnotic melody. “Quorn Fingers” and Banana Song” have that Lennonesque experimental quality that could fit comfortably behind The Beatles “Revolution #9”. The straight pop tune here “Better Drink Your Water” is pretty accessible and you’ll find yourself clapping along. Be warned it’s not for everyone, and entering the universe of Barbeau is sometimes more about the journey than the result.