Let’s start with some outstanding new EPs. Guilty Party is the new project of Angelo Celli (Bracket) and it has his signature fuzzy power riffs and melodic Superdrag-ish punk pop. “Baby Bird” is a solid highlight. Movie Movie is an NYC-based band that cleanly combines power pop, glam, and 1980s rock influences. “Big City Tonight” is a fast-paced rocker, but all these tracks are distinct and worth exploring. Kai Danzberg, the German pop maestro has an acoustic unplugged session with some of his favorite songs. Australian Davey Lane (You Am I) started a new project with bass player Luke Thomas and drummer Brett Wolfenden called The Pictures. Its rich deep rock sound is pretty refreshing, and finally veteran popster Martin Newell returns with a new EP and an album on the way, as The Cleaners From Venus, he explores London from the local perspective both in lo-fi and melodic as ever.
The Airport 77s and The Smithereens
The Airport 77s “We Realize You Have a Choice”
After a year of teasers, videos, and singles, The Airport 77s finally released their full-length album, and I’m glad to say it was worth the wait. The trio consists of guitarist Andy Sullivan, bassist Chuck Dolan, and drummer John Kelly. From the opening riffs of “One Good Thing About Summer,” you’ll hear a compelling combination of The Who, The Cars, and even T-Rex.
The band really delivers lyrically and musically. “Birthday Girl” has a great party spirit, and “Losers Win” has a fun descriptive lyric set to a Raspberries-like riff. The band rocks out on the fast-paced “The Way She Moves,” and goes full bore 1980s with the synth-driven “Bad Together.” Stylistically it moves from the glam-styled guitars on “The Illustrated Book of Cupid” to the Rubinoos-like power pop of “All Torn Up Over Tina.” Not a note of filler here and it makes my top ten list for best power pop album of 2022. Highly recommended, so don’t miss it.
The Smithereens “The Lost Album”
It’s been nearly 5 years since the passing of Smithereens lead singer Pat Dinizio, but the band has remained a fan favorite and continues to play at venues, often in tribute to his distinct songwriting skills. Originally recorded back in 1993, after the New Jersey quartet found themselves dropped by Capitol Records, and before they signed with RCA. It’s a time capsule for the band, and surely a “lost” treasure by fans.
As an album, it does feel more like a group of clean demos. The band admits the album is “80 percent finished and rough mixed.” The trademark guitar sound that exemplifies the Smithereens is not always there, but you can imagine it there in songs like “Everyday World” and “Pretty Little Lies.” In fact, you do have plenty of potential hits here including “Out of This World,” “A World Apart,” and “Face The World With Pride.” Other tracks aren’t filler, but just don’t stick as well. Fans will surely love this, and that’s who this album is for. A great addition to the band’s catalog.
September Singles, Freebies, and Eps: The Orion Experience, Danny Wilkerson, Canadian Invasion, Geoff Palmer, Bill DeMain, Rooftop Screamers, and more
It’s the World Premiere of The Orion Experience‘s new single “Moving” is a loving tribute to the 80’s legend Kate Bush. A favorite artist of lead singers Orion Simprini and Linda XO, they do a killer version with sharp riffs and harmonies. More will be coming, but for now, check out last year’s rich tapestry of danceable pop Fever Dream EP.
Danny Wilkerson (Pengwins) comes up with a sweet love tune “Strawberry Sherry,” and a new album isn’t far behind. It’s been a long time since I’ve heard from the underrated Philly band Canadian Invasion, the new EP features re-mastered tracks from Songs for the Atco Ghost (2006) – it’s a FREEBIE, so pick it up. And Geoff Palmer is back with a tribute to the great Dee Dee Ramone by Standing in the Spotlight. Highlights include “Brooklyn Babe,” “Baby Doll”, and “Emergency” which are just a few gems off this fun EP. Missing summer yet? This FREEBIE and massive treasure trove from Ice Cream Man Power Pop, Indian Summer is a perfect gift. Plus a few more singles for you; Bill DeMain sings about the “Lone Ranger” with swooning strings akin to Jeff Lynne. Finally, the Rooftop Screamers get the great Tim Smith (Jellyfish, The Lickerish Quartet) to sing about “The Great Unknown.”
The Power Popaholic Interview: Dean Rolland of Collective Soul
Dean Rolland of Collective Soul
WITH CONCERT FOOTAGE! Aaron chats with Dean Rolland, guitarist for Collective Soul. We talk about the new album “Vibrating” and the concert tour. Read the review here.🎸 Visit this link to get their album: Amazon
Check out “All Our Pieces”
Uni-Boys and No. 2
Uni Boys “Do It All Next Week”
California-based Uni-Boys channel power pop’s late 70’s and early 80’s era, and fans of The Plimsouls, 20/20, and The Jags will embrace their sound. While “You Worry About Me” and “Downtown” has the style down perfectly, it really fires things up with the hook-filled “On Your Lovin’ Mind,” where the guitars remind me of Bram Tchaikovsky. The production is mostly, clean and avoids the overly processed problems of that time period.
The “boys” are Noah Nash (guitar/vocals), Reza Matin (guitar/vocals), Artie Fitch (drums), and Michael Chipolletti (bass/vocals). The terrific guitars ensure most everything here works, although some tunes need stronger vocals (“Long Time No See”) or a less tinny production (“Hypocrite”). Plenty of highlights include “Up To You,” the multi-tracked strum of “Caroline Kills,” “Daily Dose,” and the Lou Reed-like strut of “I Wanna Rock You.” Highly Recommended.
No. 2 “First Love”
Portland’s No.2 has a compelling sound courtesy of singer/guitarist Neil Gust (Heatmiser). The opener “I’m On A Mission” has deep KISS-like riffs, about first loves, lusts, and heartbreak. While the songs are written from a queer perspective, the themes are universal. “Ravers In The Sky” is a good follow-up with a wicked guitar break. The energy level of the album eventually devolves into mid-tempo noir stories, as “A.O.R.” tells of a relationship at a college radio station.
Some nice prog-like melodies emerge with “Time’s Up,” and the rocker “You Might Be Right” is another highlight. The title track “First Love” is a slowly building tune that eventually gains momentum with some layered harmonies. However, the lack of riffs on other songs makes them forgettable. Overall a decent album that deserves to be heard.
