The Athens, GA quartet Modern Skirts got very good reviews on their debut in 2005, but the new album draws you in with their sunny harmonies, well-placed strings, understated keyboards and quirky lyrics concerning matters of the heart. The opening track “Chanel” will appeal to fans of Field Music and the lighter side of Phantom Planet. The gentle single “Soft Petals” is a tuneful distraction with a melancholy hue to the spacious production. The standout here is the Ben Folds Five-like “Radio Breaks” a wonderful hook filled gem with a glorious piano melody. The next song, “Yugo” ambles along to a truly beautiful chorus that recalls Adrian Whitehead’s studied lush pop sweetness. Lead singer Jay Gulley has mentioned “It’s all about the song, not about trying to sound cool or show off on your instrument, it’s trying to get stuck in people’s heads.” And these tracks do stick. But at the albums mid point, it concentrates more on quirky novelty productions like the sparse Harper’s Bizarre feel of “Astronauts” and faux Billy Bragg-like “Motorcade.” Other songs here don’t approach the genius of the album’s first half, but aren’t bad at all, especially the emotional ballad “Mrs.” and the hopeful group hug that is “Eveready” with it’s combo of distorted guitar and piano solo. No doubt worth more than a casual listen.
JoyFocus "Cyber Suburban Electro Rock Circus"
Musician Rikk Currence & singer Holly Joy have self produced this radio friendly, accessible slice of modern pop called “Cyber Suburban Electro Rock Circus.” Although the group is unsigned, this is by no means a lame DIY sounding pair of amateurs. The music is slick and dramatic, boasting heavy rock riffs and a professional pop sheen, that is meticulously produced. Holly’s vocals are sunny and seductive, and comes across like a combination of Shania Twain and Britney Spears, without all the faux diva theatrics. By contrast Rikk plays a hard rock axe similar to Def Leppard or Brian May, which makes this pairing sound unique. Opening with the single-ready “Audrey Is Gone” where Rikk’s near metal riffs give way to Joy’s story of a woman’s freedom from life’s burdens. The group doesn’t wear it’s Christian values 100% on it’s sleeve but it’s there for sure in the lyrics. You can’t help be impressed with the instrumental skill that Currence displays on “Grey Day My Way” with it’s orchestral details. Highlights here are a cover of the Eurythmics “Here Comes the Rain Again” and the catchy chorus in “All That You Need.” My biggest issue with the album is a few songs just go on a bit too long (“Prayer”) and get overly pious (“Halos & Flames” and “Salvation”) for my taste. For some, this doesn’t really qualify as power pop, and will be too mainstream for others, but it is highly polished pop for sure. You can only get this on the JoyFocus website.
My Space | JoyFocus website
The Wigs "File Under: Pop Vocal"
Jim Cushinery, Marty Ross, and Bobby Tews have finally arrived. The story of The Wigs is a bit of an west coast legend. Formed in Milwaukee and after building a local fanbase in 1982, they piqued the interest of CBS Records and recorded a shining gem of an album, but ended up with infamous manager Stanley Polley (Badfinger fans take note). As the paperwork was being drawn up to commence recording of The Wigs’ major label debut, CBS became embroiled in a hostile takeover attempt and the album was allowed to die on the vine with a limited release. Now, on the 25th anniversary of “File Under: Pop Vocal’s” release, Marty and Jim have undertaken a remix of the original tapes, for a first-time ever release on CD.
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The “toot-my-own-horn” department: The Powerpopaholic has been honored by Filter Magazine, in the FMA Website Spotlight.
The Tattle Tales "Hearts In Tune"
The Tattle Tales specialize in fun modern pop-punk that follows in the footsteps of Green Day and Weezer, and Bowling for Soup. You can hear all the youthful exuberance in the opening track “Lucky Girl.” The track speeds along on a traditional pop structure with buzzsaw guitars and a nice twist ending in the lyrics. The combo of guitar and synths on the following “Unconditionally” recall both The Posies and Velvet Crush, where tight melodies hover above the sonic landscape. “Austin Boys” starts softly with a ballad and after a minute explodes in harmonies and guitar textures for the chorus. Next to Rooney, this is the best you’ll get to “modern-styled” power pop I can think of. The sweet meter goes off the charts with “One Lawn Away” where alternating male and female vocals tell an modern version of that old chestnut “dreaming about the girl/boy next door.” Lest things get too sweet, heavy punk riffs come in next with “Oh, God” and “So Wanna Kiss You” lead by Anya. “Sweater” and “Evelyn” stick to the Weezer formula a bit closer, and aren’t as compelling, and “September Girls” drags on way too long. But that is easily made up by the wonderful “When I Get To Heaven,” with a hook that will stick to your brain like a cotton candy and Jellyfish-worthy chord changes. “Her New Company” pumps up the layered textures, much like Superdrag. Way better than most new pop for teens, or young adults with all the right influences that old fogies like me appreciate. This is a great album that pop fans should support.
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L’Avventura "Your Star Was Shining"
It is most satisfying when you hear an artist who sounds like he’s lived through this music. And lead singer/songwriter Jeff Davis set up shop with Fergus Griffin (guitar) and Also Silver (bass) to write a big fat love letter to all the girls he’s loved before. The group settled together in San Francisco involved producer Bond Bergland, and producer Jeff Saltzman (Green Day, Two Gallants, The Killers) and included drummer Michael Urbano (Sheryl Crow, Cake, John Hiatt). “Your Star Was Shining” is a gloriously tuneful collection of rock-songs with an emphasis on songwriting and melody. It seems equal influence between Bryan Ferry, T-Rex and Elvis Costello and the opening track “Swandive” is a great opening here, as the rock star Lothario picks up the girl. The next track “Pretend You Don’t See Me” is a slick slice of Britpop with sophisticated arrangements and the delicate “Rocket Girl” is a sweet sister track to Paul Simon’s “Judy’s Comet.” This showcases the brilliant acoustic balladry and it’s one of the best tracks here. Since almost all the songs are about girls, it’s fitting that each one has it’s own unique flavor and most are great pop. “Miss Yugoslavia” is a bouncy mid-tempo number that recalls both McCartney and The Honeydogs, and Davis really sounds Costello-like here. The strutting guitar riffs in “Black Venus” make it another gem, recalling The Stones “Brown Sugar” (in both subject and style). “Queen Of The Forest” is full of sophisticated pop charm and stands as another winning track. I was more enamored by the slower songs on the album, as you can really appreciate the well written lyrics throughout. No fillers here, and the ending track is “Here’s To Absent Friends” melts The Beatles with Oasis-like swagger “We fanned the bonfire/ And we got guitars/ I’ll see you in the ethers, baby” in a richly orchestrated finale.
Overall, a real winner of a debut here and no doubt it makes my top 10 for 2009. Highly recommended and even better… we highly suggest you visit L’Avventura’s Website before March 1st.
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