Julie Ocean "Long Gone And Nearly There"

It’s a real shame when you discover a great new group only to find out they are history. This Washington D.C. pop combo is a supergroup of sorts, parts of former bands (Velocity Girl, The Saturday People, Swiz) and then the day job of Jim Spellman (who works for CNN) got in the way when he was relocated to Denver. The group released “Long Gone and Nearly There” in May and now it becomes another legendary one album wonder (like “The La’s”). The short ten song debut is a collection of near flawless two minute power pop gems delivered with an irresistible guitar-pop fizz. “Ten Lonely Words” and “#1 song” borrows from the best of Bob Mould and Sugar, The Undertones, Velvet Crush and Teenage Fanclub. Add to this the Beach Boys harmonies all over each chorus throughout the album. “#1 song” has a good lyric about the disposable nature of power pop singles (I can recall Joe Jackson’s “Pop Single” saying the same thing). Amazingly, it never drags, as every song here is a short, snappy standout from the early Beatles stab of “There’s A Place (In The Back of My Mind),” to the fast tempo beat of “Bright Idea.” Lead singer Spellman’s Evan Dando-esque vocal inflections backed by woo-woo harmonies and those big fat pop hooks don’t get any better. The only drawback here is that it ends way too soon as the entire album is only about 25 minutes long (including the Well Wishers, this looks like a musical trend). Despite this it’s contender in my book for power pop album of the year. I’ll stop writing and just urge you to listen to the song below – it’s a MUST.

My Space | emusic | Itunes | Listen on La La

Listen to the “#1 Song”

Here is the video for “Ten Lonely Words”

Marykate O’Neil "mkULTRA" EP

Another long time IPO favorite and Brooklynite, Marykate O’Neil releases her new EP “mkULTRA” today. Marykate accurately described this as an “after-the-party” album, with introspective songs that feel very personal. Not so much a happy pop album, but it does have strong melodies and songwriting. “Green Street” describes a moment after a relationship has failed, and the wish for friendship. It’s a good song that evokes Carole King and Aimee Mann and has a nice driving chorus. “Map” has an interesting percussive treatment along with a great vocal performance. “Trouble” is a creepy ballad with a ghostly multi-track “even I knew… trouble” about the substance abuse that builds to a loud guitar crescendo. Included is a cover of Randy Newman’s “Living Without You” and Jill Sobule’s “Happy.” A good follow up to 2006’s critically acclaimed 1-800-Bankrupt.

Marykate’s web site | CD Baby | Amazon

The Well Wishers "Jigsaw Days"

Jeff Shelton has always been a pop favorite with The Spinning Jennies and his current band, The Well Wishers. The new album “Jigsaw Days” brings Jeff back to his power pop roots, and it’s obvious here that The Well Wishers are the heir apparent to The Posies. “Heroes” is a dead ringer for that classic sound, full of buzzing guitars and sweet hooks. “All The Suckers” continues this template, with Shelton’s vocals anchoring the chiming melody. And there is much more where that came from. The acoustic, folk-pop styled “Florida” has a wonderful jangle and it’s instantly memorable. “Moving Mountains” and “Love Lies” are additional standouts with an upbeat tempo and harder guitar sound. Some tunes get more contemplative, like “Drunk On The Tilt-O-Wheel” which recall Teenage Fanclub’s best ballads. Fans of Matthew Sweet, Nada Surf, Bob Mould will also find a lot to love here. Other than “Poor Old Man” (I felt it was a bit long) every track here shines like a diamond. With only ten tracks here, Shelton has cut the fat from this album and has given us power pop fans the red meat we crave. This is a worthy of top ten album for 2008 as well. A great release that will please fans and casual listeners alike.

My Space | Not Lame | CD Baby | Jam Recordings

The Not Lame Special FREE Music download

This is a great sampler of tracks from our friend Bruce at Not Lame Recordings. New songs from All Day Sucker, The Crash Moderns, Vibeke, Khalid Hanifi, Saul Zonana, The Model Rockets and Readymade Breakup. It’s only around till the end of October Check it out here!

Also get ready next month for International Pop Overthrow coming to New York City November 4th through the 10th this year. The venue this year will be at Kenny’s Castaways and the set list includes The Moptops, Steve Caraway, Readymade Breakup, Maple Mars, Private Jets, The Brixton Riot and The Romeo Flynns, just to name a few. It’s your one stop to see these fantastic new bands in one place.

Tim Anthony "Retrofit" and "The Happy Door"

Holiday treats come early! Tim Anthony (formerly of The Brambles) is enjoying a bit of a resurgence, now that his 2005 album “The Happy Door” has been re-released in the US. Voted the #1 release in Spain that year it’s full of classic power pop that fans of Richard X. Heyman and Dwight Twilley will flip for. Even Amplifier magazine called The Happy Door “40 minutes of melodic magic.” A lot of the music here was crafted for movies and tv for instant catchiness. These are well crafted slices of timeless pop, from the quick snappy melody of “Mary Ellen” to the powerful jangle riffs of “No Words” every song rocks and pops here, with no filler to be found. With the help of power pop guru Ed James on drums, harmonies and strings it effortlessly glides through 12 Beatle influenced songs. Fans of The Toms,The Rubinoos and The Flashcubes will love this as well. And every song here has a great back story that’s described in the liner notes. If you loved the innocence and pop hooks of “That Thing You Do” this is highly recommended.

MySpace | CD Baby | Not Lame

Fans of The Brambles and Tim Anthony may want to dig deeper into his past, and that is who “Retrofit” is partially made for. These historic recordings were made by Anthony with Tommy Allen and Gary Frenay (The Flashcubes). Included is Anthony’s first local hit “Don’t Forget Me” with his first band, The Agents. As a period piece, this album is fascinating. Fans of The Flashcubes, 20/20 and The Records will appreciate the 80’s style as well as an early version of “Mary Ellen” and listening to Anthony’s style develop. “No One Can” and “She Broke My Heart” sound like legit new wave pop hits. Others may find it hopelessly dated and prefer the more polished album above. But even then, this is worth more than a single listen, and if you loved “The Happy Door” why not?

MySpace | CD Baby | Not Lame