Powerpopholic

Tim Anthony "Retrofit" and "The Happy Door"

October 24, 2008July 6, 2024 powerpopaholic

Holiday treats come early! Tim Anthony (formerly of The Brambles) is enjoying a bit of a resurgence, now that his 2005 album “The Happy Door” has been re-released in the US. Voted the #1 release in Spain that year it’s full of classic power pop that fans of Richard X. Heyman and Dwight Twilley will flip for. Even Amplifier magazine called The Happy Door “40 minutes of melodic magic.” A lot of the music here was crafted for movies and tv for instant catchiness. These are well crafted slices of timeless pop, from the quick snappy melody of “Mary Ellen” to the powerful jangle riffs of “No Words” every song rocks and pops here, with no filler to be found. With the help of power pop guru Ed James on drums, harmonies and strings it effortlessly glides through 12 Beatle influenced songs. Fans of The Toms,The Rubinoos and The Flashcubes will love this as well. And every song here has a great back story that’s described in the liner notes. If you loved the innocence and pop hooks of “That Thing You Do” this is highly recommended.

MySpace | CD Baby | Not Lame

Fans of The Brambles and Tim Anthony may want to dig deeper into his past, and that is who “Retrofit” is partially made for. These historic recordings were made by Anthony with Tommy Allen and Gary Frenay (The Flashcubes). Included is Anthony’s first local hit “Don’t Forget Me” with his first band, The Agents. As a period piece, this album is fascinating. Fans of The Flashcubes, 20/20 and The Records will appreciate the 80’s style as well as an early version of “Mary Ellen” and listening to Anthony’s style develop. “No One Can” and “She Broke My Heart” sound like legit new wave pop hits. Others may find it hopelessly dated and prefer the more polished album above. But even then, this is worth more than a single listen, and if you loved “The Happy Door” why not?

MySpace | CD Baby | Not Lame

Soft Targets "Heavy Rainbow"

October 23, 2008July 6, 2024 powerpopaholic

Soft Targets consist of singer/guitarist Jesse Corry and bassist/keyboardist Nathan Sadler and drummer Steven Gillespie. The debut album of this Tallahassee, Florida band is a blend of The Cure and Aztec Camera in terms of pop sounds. This is not quite power pop, and closer to indie pop with Corry’s vocals almost like Peter Murphy without the baritone. The melodies on the album are appealing in places with “Calm Me Down” being close to the style of the Talking Heads with some great guitar melody. In a funky way the song “The World Looks Bigger Now” is the most fully realized with harmonies and some nice arrangements, crisp guitar playing. The other songs that follow are pretty pedestrian, and don’t have the kind of hooks that stand out much. I was ready to write off the album at that point, but when the song “Skyscraper” took hold with a sharp guitar riff and catchy melody that merits attention. It’s got a glam-like heart with some nice harmonies and proves to be the best song on the album. After this we get the keyboard ballad “Sirens” which almost sound like Eric Matthews or Cardinal and makes a great contrast to the earlier tunes. The album picks up stream toward the end with other notable tracks (“Heavy Rainbow” and “Small Straight”) Overall, this album has several good tracks, and deserves some consideration.

MySpace | CD Baby

Listen to the “Calm Me Down”

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The Break and Repair Method "Milk The Bee"

October 22, 2008July 6, 2024 powerpopaholic 2 Comments

So where do you go when your group has sold millions of albums (Matchbox 20)? If you’re drummer/guitarist Paul Doucette you put out a solo album that breaks the mold of his typecast role. The Break and Repair Method is full of lush arrangements and Doucette’s vocals have an earnest intensity that rivals Matthew Sweet. Opening with “This City is Bound To Do Us In” has a casual pop sense and it uses Doucette’s rasp to great effect. The obvious single here is “You Won’t Be Able To Be Sad” – it has great anthemic hook and lots of passion in the melody. Doucette receives a little help from his friends (Nina Gordon and Tracy Bonham among them) and his wife (Moon Unit Zappa), who help round out the sound. The keyboards are a front and center here, and it works to great effect on “Calling All Electric Prints” which recall both Jeff Tweedy and Paul McCartney. The guitar work returns on “I’m At A Low” with a very jazzy riff that carries the song along. The piano/guitar combos that fill the song “Your Numbered Days” and”Won’t Get Worse” will bring up comparisons to XTC and other Beatlesque bands here. Fans of Matchbox Twenty will certainly enjoy this album but keep in mind this a definite departure from the norm of that band. It’s a smart and subtle album that deserves repeat listens here.

Break and Repair Method Website | MySpace | itunes

The Brigadier "Rhymes For Rainy Days" EP and more!

October 20, 2008July 6, 2024 powerpopaholic

Often artists come up with seasonal discs and The Brigadier is one of them. After the dazzling full length album this past May, we have two audio goodies to listen to. “Rhymes for Rainy Days” is group of reflective and fun songs about Autumn. Opening with “To go on Holiday” it combines a 10cc sense of jovial cheer to the rhythmic synths, where he wants to “…get away from all the British people.” It provides some autumn chuckles. “Guy Fawkes” is whimsical instrumental that leads us to the somber “The Same Old Sunday,” sung in a near whisper. The very pastoral imagery and cool vocal of “What happened to Autumn?” combines the provincial XTC sound with Lou Reed’s “Wild Side.” The other songs are quiet reflections (“No One’s Ever Here”) and don’t have as much punch, but are highly compelling to listen to.

I love a good Christmas album and “Six Christmas Tales” with The Brigadier (Matt Williams) plays like an intimate concert in your living room. The album has just enough Ray Davies’ English humour and lounge theatrics to make this a nice holiday album. “Santa Claus” is a soft shoe ballad to the jolly one himself, full of hope and corny sentiment (the stuff that Ringo used to do so well). “Christmas Ain’t Just for Kids” has a richer instrumentation and is very much like an XTC single with Brian May guitars in the background, and it’s a lot of fun to listen to. The fun of shopping is part of “The Christmas List” with it’s cheesy lyrical schedule of shopping “to-do” items and a solid guitar solo. There’s loads of talent Mr. Williams has displayed here. Thank goodness we have original holiday music here without the same old boring holiday chestnuts (Silver Bells, anyone?). Even though it’s low key and understated, it suits the weather and makes me look forward to the holidays.

Brigadier Website | MySpace | CD Baby (Rhymes for Rainy Days) | CD Baby (6 Christmas Tales)

The Very Most "Congratulations Forever"

October 20, 2008July 6, 2024 powerpopaholic

The Very Most opens with the upbeat, perky “Good Fight Fighting” where both the vocals float like The Beach Boys meets Belle and Sebastian – not since The Davenports or The Heavy Blinkers have I heard a such a wonderful light pop approach. The Very Most are an indie-pop band from Boise, Idaho. As an indie band with the help of a small group of musicians they carefully constructs layers upon layers of guitar, bass, drums, synths, percussion, piano, synths, bells and sound effects. Their music is dense, catchy, and has a decidedly positive, lyrical viewpoint. “Sod Off” is another sweet mid tempo synth and guitar song with Kris Doty’s sweet vocal. Another standout “Polygraph” uses modern indie pop elements, but retains the wonderful pop melody and has a great hook (even using castanets!). The follow up, “Neuron” has a slow yearning vocal, similar to the Smiths, but also great percussion work and a touch of child-like simplicity and innocence. “Bleess” is a very Colin Moulding (XTC) sounding song, with a guitar strum that hooks your brain immediately. Another gem, “Spilt, Spilt Milk” recalls those early REM ballads in a way with a sweet female harmonic chorus. “Profoundly Imperfect” has an even more REM-like tone and actually rocks the hardest on this album. It’s hard to find a bad track here, although a few tracks wander on a bit long (“Love At Home”) – this album will grow on you in a very good way. Even the ending track “Congratulations” ends on a very positive note with a not so hidden track called “Hidden Track” that is a very Brian Wilsonesque piano tune. Fans of The Shins, Belle and Sebastian, The Heavy Blinkers will not want to miss this one.

The Very Most Website | MySpace | CD Baby