Doug Derek & The Hoax "Who The Hell Is Doug Derek?"

If you ever dreamed of finding that “unknown” pop nugget in the back of the record store’s cut out bin, then Doug Derek & The Hoax will make you smile. Much like when Not Lame unearthed “The Toms” a few years ago, Doug Derek was a little known garage band from New Haven, CT during the same period (1980-81). The album is a snapshot in time of the skinny tie era of power pop similar to Paul Collins’ Beat, The Plimsouls and even Peter Case a little bit. The big “hit” here is the opening two tracks “Bobby’s Gotta Get Back To Boston” and ” I Don’t Really Like It Here” which would fit just perfectly on those DIY power pop compilations that Rhino Records made long ago. The remaining tracks are good too, another standout is “Airwaves” which almost sounds like a Rubinoos song with it’s excellent guitar breaks and earnest chorus, about a band’s rise to fame. This album would most definitely have been a hit at the time, but it fell through the cracks — until now. Enjoy!

My Space | CD Baby | Kool Kat Musik | Not Lame

The Romeo Flynns "Pictures Of You"

Straight from the east side of Detroit, The Romeo Flynns burst on the scene with a sound along the lines of Sweet and Cheap Trick. It starts out as a concept album about a painful breakup. The lead track “Pictures of You” has an almost Meatloaf meets Kiss quality with horns playing accents around heavy guitar riffs. The next track “Gonna Feel Alright” is easily one of the best songs on the album, with a stomping beat and a rock energy and swagger that compares well Tom Petty’s Heartbreakers. Lead singer D. Lawrence Lee’s vocals sound like both Petty and Bruce Springsteen in places. “Better Man Than Me” keeps the rock train rolling with smart riffs and a catchy chorus. It all has a retro 80s and 90s feel in places, but it delivers the goods if you want a good classic rock album. “Wasting my Heart” is more melodic than the earlier tracks with the addition of background strings and is the closest track here to traditional power pop. “Just Fade Away” is another standout track with a rich harmonic chorus. I wasn’t so thrilled with the power ballad “Kristine” – which is a bit too similar to the Kiss song “Beth” but it ends strong with a terrific cover of the Kink’s “Better Things.” A very enjoyable rock album that will thrill if you like Detroit Rock, Brit Rock and the huge sound that comes with it. You won’t be disappointed.

Romeo Flynn’s Site | My Space | CD Baby

The Bellfuries Interviewed by Powerpopaholic

I just got finished with my interview with The Bellfuries. If you missed the review of the album “Palmyra” then I suggest you take a look – it’s up there for a 2008 top ten nomination. I wanted to learn a little more about the band, so I put together a few questions for band leader Joey Simeone. Check the artists interview button on the right side, or this direct link to the Bellfuries Interview here.

Enjoy it! More reviews coming up for October soon.

The Smith Bros. "Restless"

The Smith Bros. are back — fans of Velvet Crush and Posies should rejoice. I enjoyed the debut and this is a solid follow up showing both musical and songwriting growth. The buzzsaw riffs and subdued vocals are back in all it’s hook-filled glory. “How Wrong You Are” is a Posies styled mid-tempo guitar lead single that does everything you’d expect. The vocals of the brothers Smith come close to a combination of Evan Dando (Lemonheads) and Tim Rogers (You Am I). The follow up “Down To You” is similar but “She’s Under My Skin” takes it up a notch gets a little funky with a Jellyfish-like quality in the chorus. The next song “Talk of the Town” is just brilliant –in that combines the lyrical wit of Elvis Costello and the sighing harmonies of the Beach Boys with the support of a wall of Rickenbacker guitar chords. The following tune “Restless” seems also cut from that cloth and the tone gets more hopeful. “Every Day Gets Better” is the template of a power pop song and manages to inject a real enthusiasm and freshness in the standard three-minutes plus pop song. There is a lot of music here too (13 tracks). Each one filled with ultra-melodic guitar hooks and simple, memorable melodies. Best here is there is no drop off in quality of the music. Even the ballad “Little Things” is interesting and the sunshine pop of “My Great Regret” is another excellent Costello-meets-Beach Boys flavored single and would have been a perfect ending. By the time we get to the “bonus” country-pop song “Daydream” (which sounds like a holdover from the first album) you realize you’ve been on a musical journey. And what a trip – I highly advise you get this if you like any of the bands I mentioned above. This also makes my crowded top ten of 2008 list this year.

My Space | Itunes

The Mommyheads "You’re not a dream"

Long mentioned on a musical “where-are-they-now?” list was acclaimed indie band The Mommyheads (Adam Elk, Dan Fisherman, Michael Holt and Jeff Palmer) and even though their debut on Geffen Records turned heads among critics, they’ve been silent for ten years since. Well, as fate would have it, the death of The Mommyheads’ original drummer, Jann Kotik, in 2007, helped bring the band back together and they decided to reform to honor their friend. They resemble less the old emo-pop tunesmiths, and a more mature Death Cab for Cutie without all the indie drama and a heaping of XTC influence. I was a bit sour on the opener “Work” – a moody excercise, suited to an albums end. But this is an album that takes a few listens to fully stick. And stick it will, from the great single “Help Me” with it’s wonderful chord changes and guitar strumming. The follow up “Angels and Weathermen” is almost as catchy with some smart lyrics as well. The songs are a complex weave of melody and meaning, for example the mid-tempo “Washing Machine” where lead singer Adam pleads “Devils grinning/my souls spining/in your washing machine” – this is an excellent track and a highlight. The quick simple pop song is still a strength here with the “Stupid Guy” – a light keyboard lead song of melodic ear candy. The rest of the album doesn’t sustain the momentum as well, but it still has moments of brilliance sprinkled throughout. A welcome reunion that deserves your attention. I expect wider distribution of the album soon.

My Space | Bladen County Records

Listen to the “Help Me”

Listen to the “Stupid Guy”