The Jellybricks "Goodnight to Everyone"

The Jellybricks are power pop veterans and I welcome the fourth release with open ears. Produced by Saul Zonana and three years in the making, it doesn’t disappoint. Fans of IKE, Matthew Sweet and The Tories, who enjoy a heavier produced guitar sound will enjoy it for sure. “Ruin Us” is just an example of great shimmering melodic guitar pop. The Jellybricks’ maturing songwriting skills and musical prowess continue to impress with “Broken Record” and the opener “Eyes Wide” could easily be a radio-ready single if people gave them the chance. That said, compared to The Jellybricks earlier efforts, it may be a bit too slick in places (think Rooney) without being as memorable. But some tunes are just great standouts, like “Nobody Else” which almost sounds like a Squeeze-penned TV show theme song, and the band spreads the vocal performances around toward the albums end. These last few songs sound a bit scatter shot (like “Put it Down”), but the strong ender “Up To You” has enough strong energy to hit the mark and the wonderful ballad “Heartache Begins” with flowing harmonic chorus and slow drum beat bring the effort to a fitting fade out. Overall, no tracks here are poor and this has some excellent music that should not be missed.

Jellybricks’ Site | My Space | CD Baby | Emusic | Not Lame | Kool Kat Musik

Todd Herfindal "Collective"

It took a while, but I finally got to Meadows frontman, Todd Herfindal and his solo release of songs called “Collective.” Rather than it be a collective of odds and ends from the last Meadows album, it stands on it’s own as straight ahead pop/rock album. The style doesn’t fall far from the Meadows tree however, the opener “Air I’m Breathing” has an slick pop sheen with a very catchy chorus that falls between Tom Petty-Counting Crows rock and a dash of Crowded House pop. It’s a great message too, “I won’t waste another day on little things that don’t mean nothing.” The slide guitar solo is welcome on “Finally Movin’ On” although it’s a bit predictable in approach in songwriting. The guitars flexible riffs make the song “Waiting on the Sun” sound great, and this one most resembles Counting Crows. “Won’t Look Back” is an excellent ballad about your best female friend. Another standout is “Forget It All Again” a classic modern rock track that will please fans of The Honeydogs. Not a bad track on the album. Even the sappy sentiment on “This is a love song” has so much earnest good cheer and emotion it makes up for “silly love songs” type of lyric. Overall, this is one of those very commercial power pop albums you can give your musically challenged friends, and they’ll enjoy the clean arrangements and Herfindal’s perfect rock and roll lead vocal. One of the most accessible and good-natured albums I’ve heard all year.

Todd’s Site | My Space | CD Baby | Emusic | Not Lame

Eight Hit Songs from Obscure Movies

What the f___? You know these hit songs (some of them could fall under the category “Hit Songs we Love to Hate”) but do you know where they originally came from? I found this cool blog posting that goes into all the sordid details of these hits. Here is the list and links for each:

Cliff Hillis "The Long Now"

Cliff Hillis (formerly of Starbelly and IKE) pulls together his third solo record. After he left IKE, Hillis worked on some songs for movie soundtracks and even won last year’s Chili’s contest with his Beatles-style take on the eatery’s “Baby Back Ribs” jingle. This new Hillis album has a more mellow spin here, with the pleasing tight melodies that sound like Glenn Tilbrook (Squeeze) mixed with John Mayer. The smooth catchy opener “She Sees” shuffles along at a casual pace that switches to the guitar buzzing goodness of the great “Never Understand” with those great “ooh ooh” vocals in the chorus. The album boasts a cadre of pop experts including his band The Thinkers, as well as Eric Bazilian(The Hooters), Danny Wilde (The Rembrandts), and Willie Wisely. The song “Elevator” is another standout of awesome light pop melody and tempered beat that flows right into the chorus. “Northern Lights” echos back to earlier albums and flirts with a Posies-like sound with heavier guitar. The Beatlesque mid-tempo “Ought to know” is another great tune with an unusual synth break during the main banjo melody. Every song here is good, and even the ballads don’t get too weepy. The songs delve into subjects about maturing relationships and marriage – without the usual gloom and doom you hear with other artists. This is a good solid album you are sure to enjoy.

My Space | Tallboy Records | Not Lame

Signal Hill Transmission and Holmes EPs

Signal Hill Transmission “Smoking Gun”
This L.A. based four-piece returns and goes in a more pop direction, compared to the groups earlier efforts which were a alternative DIY or Roots styled. Very sharp clean commercial pop here, closer to classic Toad The Wet Sprocket on “On and Off” a super catchy single that is very welcome in replay mode on my ipod. The moody “Pause Then The Punchline” also weaves it’s way into your brain with a great chorus and lyrics. It gets even sparse on “One Way Ticket” like a Lemonheads-syled dippy-chorus that goes along and resigns itself, the lead vocal intones “I’m never gonna be what you want me to be, kid in a candy store, dream a big dream” – this is an excellent EP that does the very good job of making my mouth water for the next album. Check it out!

Signal Hill website | My Space | Itunes

Holmes “Basement Tapes EP”
Holmes has done some stellar work in the past, and now I guess he wants to let loose with something a bit different. It’s okay that the opener “Go Computer” sounds much like an old track off of a Devo album – it comes back to a great ballad in “Prove Me Wrong Again” where we here faint echos of ELO’s “Lorado Tornado” with a country twang similar to The Eels. But the most adventurous track here is a cover of Bowie’s “Let’s Dance” played as a gloomy slow dirge. It is nearly unrecognizable and yet very compelling to listen to. The ending track is closer to what Holmes last album sounds like, “Not A Political Song” with it’s catchy chorus and ironic lyrics about the end of the Bush era. It’s the highlight here with wonderful imagery of “Fat cats sitting atop a crumbling house” and “you’re history, you oughta sing along.” Most worthy and fitting, for Holmes – so when is the LP due?

Holmes’ Site | My Space | emusic