Long mentioned on a musical “where-are-they-now?” list was acclaimed indie band The Mommyheads (Adam Elk, Dan Fisherman, Michael Holt and Jeff Palmer) and even though their debut on Geffen Records turned heads among critics, they’ve been silent for ten years since. Well, as fate would have it, the death of The Mommyheads’ original drummer, Jann Kotik, in 2007, helped bring the band back together and they decided to reform to honor their friend. They resemble less the old emo-pop tunesmiths, and a more mature Death Cab for Cutie without all the indie drama and a heaping of XTC influence. I was a bit sour on the opener “Work” – a moody excercise, suited to an albums end. But this is an album that takes a few listens to fully stick. And stick it will, from the great single “Help Me” with it’s wonderful chord changes and guitar strumming. The follow up “Angels and Weathermen” is almost as catchy with some smart lyrics as well. The songs are a complex weave of melody and meaning, for example the mid-tempo “Washing Machine” where lead singer Adam pleads “Devils grinning/my souls spining/in your washing machine” – this is an excellent track and a highlight. The quick simple pop song is still a strength here with the “Stupid Guy” – a light keyboard lead song of melodic ear candy. The rest of the album doesn’t sustain the momentum as well, but it still has moments of brilliance sprinkled throughout. A welcome reunion that deserves your attention. I expect wider distribution of the album soon.

My Space | Bladen County Records

Listen to the “Help Me”

Listen to the “Stupid Guy”

To follow an “office” theme this week: Owen Sartori, a singer-songwriter from, Minneapolis, MN, has been in a few bands prior to this, his debut release. The songs have some cleverly catchy lyrics and with strong melodies in the first half similar to Jason Falkner and Ben Folds. It opens with the radio-friendly track, “Could You Be The One,” and it has some mainstream break out potential with it’s melodic bass line, although it was a bit too slick for me. The follow up “The Cube” is along the same lines, but more authentic with it’s strong piano melody and biting chorus “such a cruel joke that this should be my life.” The enthusiasm on “I Knew You’d Come Along” is concrete – it’s a rich, textured single bursting at the seams, and my favorite here. The most Falkner-like track is “Punching Bag” with it’s “punchy” beat and strong boxing/relationship associations. Next, “Separate” is a great ballad with melancholic lyrics about a dissolving relationship. The quality dips a bit in terms of memorable hooks, although the funky “Hey Gorilla” and “Go On” make a good attempts to engage the listener. The amusing “Turning 30” is a rant about getting old, and not partying like your college days. The remaining tracks are missing the magic that those earlier tracks have, but don’t let that stop you from enjoying this very good album. Owen has a great future, based on this debut.

Owen’s Site | My Space | CD Baby

Listen to the “I knew you’d come along”

Listen to the “Punching Bag”

Semion is a London-based power pop quartet fronted by Gary Ford,with a skill in Fountains of Wayne meets The Jam energy. This starts with the ringing guitars of “Rum Runner”  and continues with the classic jangle of “Liverpool Sunset” and “Rubbing Alcohol”, both have a late seventies sound with great bouncing choruses. “Never Changes” has a cool dance beat with the guitars along the lines of The Ramones and The Bongos. The great chords and melodic skills really come out on the song “Honour” – and it’s my favorite on the album. And they have plenty of angry-man Ray Davies-styled observational lyrics in “Black Cloud” to go with the killer Kinks-like riffs. “Year of the Monkee” brings to mind Teenage Fanclub with it’s “ooh ooh” and multi-tracked vocals and splintering solos. They even have a song called “Jangle#1” – guess what that one sounds like? Echos of both Teenage Fanclub and Velvet Crush are also all over the albums later half with the sweet mid tempo “Another Clue” to the fuzzy guitar of “Get A Grip”. A few songs here don’t work as well melody-wise (“Transmission”), as the weaker tracks are collected at the albums end. I think most power pop fans will enjoy the spotless opening tracks and the band’s spirit and musicanship make up for any flaws here. It’s an easy album to recommend.

Semion’s Site | My Space | CD Baby | Not Lame | Kool Kat Musik