The Parade "Sunshine Girl: The Complete Recordings"

The Parade were Murray MacLeod (also a member of The Roger Nichols Trio/Small Circle of Friends), Jerry Riopelle (Phil Spector protégé and former Philles staff producer), and Smokey Roberds (songwriter and actor). Originally signed to A&M Records, and recorded with session legends including drummer Hal Blaine, bassist Carol Kaye and saxophonist Steve Douglas, “Sunshine Girl” cracked the Billboard Top 20 in 1967, emerging as one of the first and most successful records to embody the summery, harmony-rich sound that would later be dubbed “Sunshine Pop”. Other than Curt Boettcher, and his groups Sagittarius and Millennium – The Parade was it. The Parade was very talented and highly commercial without being completely derivative. Most aspects of the Sunshine Pop era (1967-1968) live on in today’s power pop artists. I’ve owned a rare UK import CD of the first album, and here it’s been remastered and sounds even better. This new re-release includes a pile of bonus tracks. You can get this album at most retailers now (Not Lame and Itunes included).

Jeff Bruckner "Take Me To The West Coast"

With the help of Stephen Butler (Smash Palace) on guitar and Anthony Bezich on drums, Jeff Bruckner’s debut is a combination of Raspberries and Cheap Trick-styled power pop sure to please. The opening tracks of “Chicago” and “Not Feelin’ It,” are rocking songs with meaty hooks, big enough to catch you quickly and not let you go. The more laid back tone of “Point of View” has a bit of Wilco’s early touch. The Posies-like “Murdering Man” is another standout here with Butler’s great guitar work and the playful lyrics (“Well I shot a man with spray on tan/With a shotgun/No, a rubber band”). Behind it all is Bruckner’s earnest and well thought out stories. This is an excellent power pop album and the hits keep coming with Pezband-like “Song To Pay For You” and the forceful “Quarterback Lover.” Even the power  ballad “Love Me Now” is a well executed like torch song, without venturing into cheesiness – a bit like Lindsey Buckingham. Even the jangle filled ending track “Envy Of All Our Friends” is a wonderful mid-tempo song that would fit well on a modern movie soundtrack. No filler here either, so the whole album worth some heavy ipod rotation too. It’ll be on mine.

My Space | CD Baby

Christopher Cash "Invisible"

The four-piece Christopher Cash Band is a tight, fun-loving band of veterans from Southern California. Cash’s “Invisible” starts with the swirling psychedelic organ and sitar on the opening track “Morning Star.” It’s a great pop-psyche tune similar to The Grip Weeds with a vocal style similar to Pat DiNizio (The Smithereens) mixed with Neil Diamond. The following song “Not Going Back” has a haunting melody and subtle guitar work. The jangle and overall songwriting of the title track “Invisible” owes to the eighties (think an acoustic version of Psychedelic Furs) a little. Things get a bit heavier on the rock/blues “Empathy” with it’s simplistic anti-war message with a smokin’ guitar solo mid way in the song. “Blistering Velvet” is a catchy rock gem similar to The Smithereens and “Tangled in Wire” has some excellent metaphorical lyrics (“You’ll never fly with both feet on the ground/ You struggle and twist the more you resist”). Plenty of ballads are on the disc, like “Old Photograph” or the folky “Three Minutes Late” – they are decent, but not as compelling as the bluesier mid-tempo songs. “Coming Home” is similar to the Eagles or Tom Petty with an immediate hook in the chorus and my favorite song here. This is really good adult oriented pop/rock that has enough hooks and well crafted songwriting to make it a worthy purchase.

Christopher Cash Website | My Space | CD Baby | Not Lame

Vibeke "The World Famous Hat Trick"

Okay so you take Debbie Harry of Blondie and you make her the lead singer for The Knack. That’s it — you’ve basically got Vibeke. That’s pronounced Vee-Becca. Vibeke Saugestad, is a veteran of several bands, originally part of EMI-signed Weld, she hopped around and landed in the Norwegian group, The Yum Yums playing keyboard. In her new solo album, she brings smart classic pop with a sultry strong vocal and an angelic sigh, starting with the bouncy “He’s Peculiar.” The next song “Keep on Dreaming” marries the skinny tie guitar styles to Vibeke’s multi-tracked vocals. The songs then take a soulful journey – “Close The Door” is an excellent ballad with a hint of Chrissie Hynde here. Most of the tracks have a great accompanying guitar riff and drum beat, and like in “Meant To Be With You” it sounds like a great lost Rubinoos song. After a few listens, it’s not hard to get caught up with those choruses running in your head. More standouts here are “Know You Now” and the magical chord changes of  “Until the Sun Comes Out.” This last one is my favorite on the album here and on my ipod’s playlist. And the ballads, though not as memorable, are beautifully executed here. Even the albums closer “You Don’t Go Away” resemble an Aimee Mann song. And next to Mrs. Michael Penn, Vibeke has the best female pop vocal I’ve heard all year.

Pop Detective Website | My Space | CD Baby

Listen to “He’s Peculiar”

"Sleepy Hollow" a RARE power pop nugget

I normally never do straight album downloads on this blog, but this is a rare exception. “Sleepy Hollow” is one of those rare and obscure records from 1972 that was released as a tax scam (see the interview link below) and never noticed by the public. The music is similar to classic sound of The Beatles, Badfinger, or The Hudson Brothers. I’m open to suggestions as to who the band actually is and if any information can be found about them. The only info on them is identified on The Acid Archives and that isn’t much: “So this album gets big points for nostalgia value; like Blue Ash, Badfinger, Zerfas, Anonymous, We All Together, Jade and so on, it gives comfort to people who wish the Beatles never broke up.” For power pop fans, it’s unearthed treasure. I also found the era of tax scam records fascinating. So enjoy this one.

Download Album | Aaron Milenski Interview about the “Tax Scam” era