So Brian McClelland of power poppers The Maxtone Four is part of this favorite St. Louis band. The album collects tunes written and recorded between 2004 and 2007 with different styles of rock and pop sounds. The band has mastered the art of the perfect pop song here and even though the band is lead by songwriter guitarist Tom Stephens — everybody sings on the album. Starting with the group harmonies on “Your Buzz is Safe with Me Tonight” it soars and the hook sticks like glue. Sung by female lead Marcia Pandolfi, “Oh Keith” and “Cocksure” give us a very nice pair of Liz Phair-styled pop songs, but my favorite here is the irresistible jangle on “Your Love is Hot” with a Monkees meets Byrds melodic chorus. Each song has multiple layers of pop hooks, more highlights being “Dear Former Baby” and “Cool Bad Cherry” which bring to mind the best efforts of The Minus Five and The DB’s. And I dare you not to sing along with the fist pumping anthem “F___king A Right!” Also I was super impressed by the albums closer “Suburban Girl” which lets the groups Beatlesque flag fly high. Most of the total fourteen tracks here are true rock and pop bliss. Enjoy!

My Space | CD Baby | Not Lame

Truly different lo-fi disco indie-pop in the tradition of Apples in Stereo and Of Montreal. A Soft Kill is the third full-length album by the the one man band (Mario Hernandez) known as From Bubblegum To Sky. The hook-laden pop that may take three or four listens to stick. Using elements of Peggy March’s “I Will Follow Him” on the song “Say Goodbye” is a highlight here and then if you didn’t know better you’d swear that it’s Robert Schneider singing on “My Je M’appelle.” The Beach Boys production style meets Rubinoos guitar parts is all over “Even The Sunbeams.” So what’s with that name? As Mario puts it, “I chose the name From Bubblegum to Sky, because I didn’t want it to be like a “Mario Hernandez” thing. It would feel odd for me to see my name on a record like that. The things that people are doing to me, or I’m doing to them, or whatever experiences I’m having-that’s the band.” The smooth acoustic bounce of “Guest Relations” is a good tune, but the best song here is “The Flash” with it’s fuzz guitar melody and “ba ba ba” chorus. But other songs clearly miss the mark, notably “Captian Tennille,” “A Soft Kill” and “Flies on The King Of Failed.” The more it moves into twee shoegazer mode and away from pop melodies, it falls flat. Listen to the the entire Bubblegum To Sky album here. Want something different — check this out. Only the previous album is on CDBaby, but I expect this one to show up any day now.

MySpace | Eenie Meenie | CD Baby (last album) | E-Music

Listen to “I always fall apart”

The guitar pop of the Histrioniks have much in common with the Garage Rock Revival movement. Like a lot of other bands with echoing fuzz guitar leads and tambourine (like the Cynics and the Ugly Beats) they can be traced down to the late sixties. Now add to this mix the Lene Lovich-like vocals of Cat Levy. What comes out isn’t as retro sounding as Outrageous Cherry, but the organic minimalist quality of the songs make good listening. Immediately you’ll recognize this is great Beatnik pop music highlighted by the amazing “Too Black” with furiously pounding drums, monster guitar rhythms and Cat’s spoken/sung lyrics about suffocating memories “too black to see in.” The album is consistently good, “Shattered Youth” has elements of dance pop, and very much in the spirit of the B-52’s (without all that shiny optimism). The mystical “Miss” enters a more goth place and lovers of Bauhaus will appreciate the mope rock lyrics of “Misery.” The guitar work here is so compelling you get a reprise at the albums end. Well crafted, “Thin” is the epitome of music for a smokey dark room.

MySpace | The Histrioniks Website | CD Baby | Not Lame