Fair Herald "Familiar Streets"

Not really power pop, but regular rock here. Fans of Counting Crows and Dave Matthews Band will find a lot to like about Fair Herald, with it’s laid back guitars and Mike Kuntz wailing lead vocals. The opening song “From Peotone” has a steady beat and effective piano lead, hits its comfort zone early and it continues with the mellow REM-like “Whirlwind” where Kuntz sings “There’s no where else to run anymore.” The next song is one of the albums best, “Coyote Nowhere” with it’s alt-country guitar ballad style and sunny mood and light percussion – similar to Whiskeytown or Old 97s. The remaining songs on the album tread on familiar guitar rock ground, and don’t really distinguish themselves from each other. There are exceptions though. “Never Said Hello” and Make Me Blue” are standouts as musings on a relationship with a musician, and both have an impressive guitar solo to end the songs. Fans of the above mentioned bands should check them out.

Fair Herald website | MySpace | CD Baby | Itunes

Rinaldi Sings "Bingo"

Rinaldi Sings is the new group fronted by singer and songwriter Steve Rinaldi. A big band with a big sound, they play uptempo moddish pop that nods to the band’s northern soul and sixties influences. He’s played in IPO Liverpool this year too. Rinaldi’s influence is more swinging Carnaby Street kitsch than Beatles and Bryds here. The horns and organ dominate most of the melodies, leaving the guitars as supporting players. Steve’s vocals are great, but for some strange reason they remind me of Greg Page (of The Wiggles) – maybe it’s the whole “feel-good” rock vibe here. Opening with the bouncy “You Take Me There” sets the album’s tone of distinctive cheeky optimism. Like the bubblegum pop hits of Tom Jones or Petula Clark with modern rhythms. A highlight is “End of An Error” which has an insanely catchy melody and harmony that resembles the best of The Beautiful South and other Manchester bands with those great Bacharach-ian horns. Other nostalgic trips like the wonderful “The Only Show in Town” get in a Harpers Bizarre mood. The beautiful orchestration is another detail that bumps this album up a notch. The Housemartins are another Hull band that draws comparison here, as far as hooks and horns, but Rinaldi’s voice is much stronger. No bad tracks here – a worthy earful of classic up-tempo pop music.

Rinaldi Sings website | MySpace | CD Baby


Rinaldi Sings “Avenues & Alleyways”

R.I.P. Gary Littleton

I would like to bow my head in respect and honor the memory of
Audities publisher Gary Littleton.

Gary suffered a massive stroke involving the right hemisphere of his
brain last June. After extensive therapy and rehab he was released from
hospital paralyzed on the left side of his body and confined to a
wheelchair. He continued to seek therapy and rehab in Tampa for
several months. He never was able to recover from this.

He passed away on June 28. Without him and the Audities mag/site/list – I would not be listening to great music, let alone blogging about it. He championed the genre like no other and will be missed.

“I can feel it, now its time
Open your eyes
Fears be gone, it wont be long
Theres a light in the sky
Its okay to look outside
The day it will abide
And watch the sunrise.”

– Big Star “Watch the Sunrise”

The Rip Off Artists "Esque"

Nick Pipitone and Peter Batchelder went on a mission. The manifesto for their group “The Rip Off Artists” is pretty straight forward, you can view it here. They follow all the right rules for great pop music. Beatlesque. Costelloesque. Bacharachesque. You get it. “Esque” follows through with an excellent group of songs. The opener “The Present, Tense” is a brainy Partridge-like lush guitar song and very much like the Honeydogs‘ non-country pop displayed recently. It’s followed by the Elvis Costello-like “What Just Happened?” with great orchestral breaks at the songs end point. The wonderful guitar and piano on “The Wishful Thinker” is like an outtake from XTC’sNonsuch“. Then the ballad “The Worst News in The World” reminds me of Mike Viola’s latest. The lyrics are playful and light hearted for “The Girl Behind The Bar” – as the author dreams about the bartender. “Sidetracked” uses a steady synth-beat and slide guitar to evoke regret and the crossing harmony will win you over. Lyrically it compares well to Fountains of Wayne’s slice of life absurdities. The album somehow gets even better as it continues, “Without You I’m Something” is a slice of pure pop heaven with chord progressions that rival the best of Bryan Scary. In between each couple of songs is an acted melodrama and it all ends of with the swirling Sqt. Pepper’s melody of “I Thought it Over” – my favorite song here. The themes presented in the lyrics are about contrasts in relationships, examples being lines that follow in “Love and Uncertainty,” “There’s a time and a place for us/ Just not now/ Not here” and it all works wonderfully.  A sure top ten album for 2008. 

Mission Accomplished (really)!

The Rip Off Artists site | MySpace | CD Baby

The Fore "Black & White"

Listeners, let’s go back, way back to those thrilling days of Beatlemania… The Fore are a group that sticks to the Beatles tribute formula to come up with original tunes, done in the Fab style circa 1964. Hey it worked for the Spongetones and several other bands, so another is not going to hurt. In fact it makes it tougher for them, because we judge them based on the Merseybeat template and how well they bend it. Lead by Spencer John Hannabuss (bass) and Matt Hardy (lead), the recreation is near flawless – in two minute power pop gems, like the opener “Love for Sale” with it’s “Ticket To Ride” guitar riff and smooth three part harmonies. After hearing “A Girl Like You”, you’ll swear this is a Beatles single that was lost in time. The group then breaks out into some skiffle and blues in “Little Louisa” and “If I Show You Love” echos “This Boy” quite nicely. If you miss the old Mersey sound, then The Fore fit the bill perfectly. The songs are well written and not just stolen riffs – “You’ll Be Mine“ is a swinging, screaming jangley slice of sweetness. Later on a few songs resemble The Searchers, and Gerry and The Pacemakers. It’s not the most original way to make power pop, but it sure sounds great. Soak in this nostalgic guilty pleasure with your early Spongetones and the Mop Tops. A real gem to be treasured here.

The Fore Web site | MySpace | CD Baby | Not Lame