It’s Over! "That Girl"

powerpopaholic 2 Comments

A fun mix of Merseybeat and Garage sound straight from Kansas City, MO. The album “That Girl” starts out with a wild hook and “To Be In Love” evokes a Spongetones-styled pop bounce. The next tune “Come Back Home” is another tight gem, with an organ joining in to the rolling chorus and frontman Jamie Searle’s melodic screech. It also has a wicked solo guitar break and is easily the best song here. Then on “Hallelujah” the guitar starts to resemble a bit of McCartney’s Wings circa “Band on The Run” – and all it’s jangle and bass-play, you start to believe the lyric “I’m gonna throw out all my cares today, It’s okay.” After such a good run of Beatlesque songs including the very Monkees-like “Angela” the album takes a looser sound with “My Dear Wife” and it’s Eastern rhythms, similar to Camper Van Beethoven. This easy loose guitar jam style dominates the rest of the album. It gets almost into a pop hoedown with “Swing & Sway” and country-blues of “That Ain’t All.” It’s all good, especially the Elvis Costello-like angry man vitriol on “When the Sun Goes Down” so this is most a worthy addition to your “have a drink and dance in the bar” music collection. Unlike the band’s name, I hope the music isn’t over after one album.

My Space | CDBaby | Itunes

Listen to “To Be In Love”

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Garfield’s Birthday "Let Them Eat Cake"

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Garfield’s Birthday has nothing to do with a fat orange cat, but a prime example of british power pop. The album “Let Them Eat Cake” starts with the excellent single “Molly’s Eyes” complete with reverb and melodic hooks that remind me of early Teenage Fanclub with Belle and Sebastian doing vocals. The group was formed by brothers Shane and Simon Felton, who have slowly been gaining acclaim over the years from Wales to Liverpool. The pop stylings also recall a bit of The Shoes and The Cosmic Rough Riders. The excellent “Take A Ride” is a nice Hollies-styled tune updated for the times. This is followed by the Byrds-Beatles combo of “We Know Your Name.” Lots of classic Rickenbacker guitar sounds surround this release. “You Should Know Better By Now” has lovely gentle harmonies of the boys that compare nicely to The Everly Brothers. Every track here is pretty good and the album picks up tempo at the end with the funky psyche-pop of “Sugar Pop.” A wonderful album any way you slice it.

Garfield’s Birthday web site | My Space | Kool Kat Musik

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Craig Marshall "Point of View"

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Austin, TX singer/songwriter Craig Marshall has put forth his third album “Point of View” and it’s a pure delight to those who like pop similar to Marshall Crenshaw, Richard X. Heyman or P. Hux. Marshall’s deep perspective on life and melodic gifts can best compare him to Badfinger’s late Pete Ham. Carefully arranged songs with a dynamic chorus are par for the course here and the opener “Difficult” is a good example. Then the next track,” I Know What it’s Like” is a bouncy Beatlesque melody with a dynamic catchy chorus and beautiful middle break. Pop Culture Press has called Craig, “Austin’s best-kept power pop secret, and has been quietly releasing records of true melodic grandeur in recent years.” The adult themes match the achingly poignant melody in the ballad “Paper Cut” and the jangle-tambourine goodness of “Radio Girl” are exactly what you expect and can enjoy from this album. Some songs add blissful layered harmonies like in “When You Come Back Down” or mine the Mersey-beat guitar play of “One Face in The Crowd” to perfection. With all these great songs it’s easy to recommend this album, or even give his past albums a second listen.

Craig’s web site | My Space | CDBaby | Not Lame

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Town and Country "My Blue Heaven"

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“Town and Country” is a sweetly made pop album by Dan Weir and friends, a Nick Lowe-styled blend of guitar and pub rock beats and melodic hooks. “Daytime Emmy” has a sticky bass line and Dan’s soothing vocal keeps the listener paying attention. The songwriting is similar to a mix of  Glen Tilbrook or Al Stewart. Next in “Variations on a Theme By Mo” the theme is “you lie, you suck”- sung like a up-tempo love song. “Bella Vista” takes a slight twang in Americana pop similar to The Eagles. The best power pop standard here is “The Rest of The Night” with a wonderful jangle guitar and uplifting, harmonic chorus. This album is a perfect example of a hidden musical gem waiting to be discovered. In a rotten mix up, this EP is placed on e-music under a similar named band’s discography. However, it’s a wonderful surprise to anyone downloading it. Hopefully a full length follow up is in the works.

My Space | E Music | Itunes

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The Explorers Club "Freedom Wind"

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A lot of bands try to emulate the classic Beach Boys sound. Most have successfully copied the chord structures and instrumentation. Very, very few have been able to come close to the vocal dynamics of the original boys. The Explorers Club have done this, through lush arrangements and genuine four part harmonies. This type of sweet wistful sunshine pop is what “Freedom Wind” does better than most contemporaries. I heard bits and pieces in the previous year, that indicated a great Beach Boys-styled group. Jason Brewer’s vocals here are impeccable and if you are a Brian Wilson devotee, you can’t get any better. It’s songs about girls on the beach, circa 1966 before the ambitions of Pet Sounds would bring the boys dynamic to the brink and over the edge, with Smile. The title track “Freedom Wind” has the soulful vocal to an organ lead chorus with swirling harmonies you can almost imagine a less gin-soaked Dennis Wilson here. “Last Kiss” and “Do You Love Me?” are note perfect BB songs. “Don’t Forget The Sun” also makes use of the rich wall of harmonic sound that could fit on BB’s “Today” album. It’s not all sun and surf, as “Honey I Don’t Know Why” sounds like an outtake from a “Love You” 1976 session. And the sleepy “In the Country” is like a Carl Wilson solo track from 1972. The soaring vocals on “Forever” is so good it will make the hair on the back of your neck stand up. Every song here shines — not a bad one to be found. It stands alongside the work of Jeffrey Foskett or Jeff Larson easily. This top ten for 2008 nominee, picks up for millions of Beach Boys fans who want new music and the endless summer to continue into the 21st century.

My Space | Dead Oceans Label direct | itunes | emusic

Listen to “Do You Love Me?”

Listen to more of the album through muxtape

This is a great example of 4 part harmonic skill during the rehearsal.
And this is a really good example of why a band should leave the PR and advertising to professionals. Guys, don’t quit your day job.

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