The Rationales "The Going and The Gone" EP

Singer/songwriter David Mirabella has been playing for years with people like Jeff Tweedy (Wilco), Phil Aiken (Buffalo Tom), and Dan Cray (Beyond Id). When it was time to start his own band, David used Craigslist to find band members Brian Binkowski (drums), Matt Goldfield (keyboard), John Maloney (bass) and Kevin McMahon (guitar). Together they formed the Rationales. Sounding like Whiskeytown meets Tom Petty with a bit of The Rolling Stones thrown in. They just finished the debut EP “The Going and Ther Gone” with six tracks. The Americana roots based group stradles the line between pop and rock without really planting their feet firmly in each genre for long. “Guardrail” is a Wilco-like mid tempo number with an inventive bassline and backing organ that drives the melody to a lush chorus. Another great pop song here is “No Guarantees” – it has the power pop bounce and twang that Rhett Miller and Old 97s did at their poppiest. This continues into the awesome “Far Away” with a ghostly harmonomic in chorus and Mirabella’s vocals are very Jagger-like here. The catchy driving rhythms are also on the song “On the Vine” – it compares well with Wilco’s “Summerteeth”-era roots pop. I really look forward to a full album from The Rationales, as this is an excellent EP.

The Rationales web site | MySpace | CD Baby

Someone Still Loves You Boris Yeltsin "Pershing"

Lets start off by referring to this band by the initials SSLYBY, as I like to keep my posts reasonable in word count. It’s often a name that initially seizes the attention of music lovers, but it’s the simple and infectious hooks that turn them into fans. Despite the name, this is a bright fluffy gem of modern indie pop. Opening with the catchy “Glue Girls” it has equal touches of New Pornographers, Belle and Sebastian, and the Shins. “Boring Fountain” is anything but, with a mesmerizing break full of bass and guitar goodness. Then, “Dead Right” flows along with easy going melody and the right touch of strings. If fans of the band Zumpano feel left out, the track “Think I Wanna Die” will bring them out into the sun. The track “HEERS” is a very precious ballad, similar to Elliot Smith. The mood shifts around with those perky guitars always popping into the melody, similar to the stylings of the band Of Montreal. A good example of this is “Oceanographer” with it’s echoing chorus and constant strumming – despite the goofy lyric it begs repeated listening. I totally disagree with Pitchfork here, that you have to offend someone to be memorable. The easy going pace of most of the music and the melodies, prevents it from being another annoying, pretentious Conor Oberst ripoff. On the other hand there isn’t a lot of substance here and that is what this album lacks. It’s light pop fluff, like cotton candy and that’s fine for me once in a while. If lyrics are your big thing might I suggest Milton and The Devil’s Party? If you just want some lazy sunday music, you can buy “Pershing” off the myspace page.

The SSLYBY web site | My Space

Listen to “Glue Girls”


Listen to “Think I Wanna Die”

Respect the clap! We need more clap!


Okay, we all know that great power pop involves handclaps (and harmonies) at the right moments in a song. Follow Kevin Hillard from Small Sins and the life of a professional pop handclapper. This is truly hilarious. I reviewed Small Sins a while ago so this video was a nice distraction.

2nd Day Crush "From the Nights You Lost Your Voice"

When when singer/songwriter Chris Drizen and met bassist Rick Barrio Dill at a Hollywood Hills party they decided to start a band. Then auditions for a guitarist brought them Rami Jrade and his friend drummer George Lind, and 2nd Day Crush was born. Two years later, we get “From the Nights You Lost Your Voice.” This debut album is a polished slice of indie rock, starting with the opening track “The Victim” — a mix of buzzing guitars and beat heavy rhythms. Similar in sound to Semisonic meets Coldplay with a bit of Green Day guitars thrown in. The next tune, “Put Down Your Guns” is a fast paced infectious melody with an easy to digest chorus and the right amount of modern influences. Other songs have bouncy pop to offset the guitar toughness, like in the great “Something Now” and Drizen’s vocals seems to channel both The Rembrandts and Neil Peart in the song “Better Than This.” My favorite here is “I Want To Be There Again” which is one of the better modern pop singles I have heard this year. Stylistically, the band moves around as some songs will remind me of Australia’s Taxiride, (“Walk Away” and “Watch The World”) full of confidence and energy. Every song here sparkles with quality and professionalism, so there are no throw away tracks here either. A drawback for me is the lack of any type of ballad, as the album is on “full speed” through all 12 tracks. However, this is glossy power pop with modern 21st century sensibility — a true bid for pop radio success.

2nd Day Crush web site | My Space | CD Baby


Listen to “Watch the World”

1970s Pop agony from days gone by


I saw this on the Bolus Blog a few days ago. It listed You Tube Videos for the most painful pop music ever. I disagree here, as all these are basic “one-hit wonders” from the seventies that became extremely uncool to listen to soon after they fell off the charts. To some this is a guilty pleasure, but to most who lived through 1970’s pop music this is torture by extreme pop schmaltz. It’s difficult to differentiate between true badness and an acquired taste.

White Plains “My Baby Loves Lovin”
Terry Jacks — Seasons in the Sun
Bo Donaldson & the Heywoods — Billy Don’t Be a Hero
Captain & Tenille — Muskrat Love
Tony DiFranco & the DiFranco Family — Heartbeat (It’s a Love Beat)
Bobby Goldsboro — Honey
Sammy Johns — Chevy Van
Debbie Boone — You Light Up My Life
The Buoys — Timothy (written by Rupert Holmes, a pop ballad about cannibalism?)
Rupert Holmes – Him (I kinda like this one)
Rupert Holmes – Escape (The Pina Colada Song)
Tony Orlando “Tie a Yellow Ribbon”
Charlene “I’ve Never Been To Me”
Coven “One Tin Soldier”
Starland Vocal Band “Afternoon Delight”
Vicki Lawrence “The Night The Lights Went Out In Georgia”
Paper Lace “The Night Chicago Died”

Now if we started talking about painful songs with the worst lyrics… It’s a whole new list – I’ll start it with:
Donna Summer “MacArthur Park” (someone left the cake out in the rain) and I like the Richard Harris non-disco version better.