Bye Bye Blackbirds and Astral Drive

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Bye Bye Blackdirds

The Bye Bye Blackbirds “August Lightning Complex”

The Bye Bye Blackbirds really hit an emotional and musical home run with Boxer At Rest. Their 6th album, August Lightning Complex continues their journey. The production continues to be compelling, as leader Bradley Joel Skaught, utilizes each band member judiciously; Kelly Atikins, Jozef Becker, KC Bowman, Lenny Gill, and Aaron Rubin. One can hear many folk influences, Big Star, Neil Young, Bob Dylan, and the addition of Kelly’s vocal recalls a similar dynamic to The Armoires.

Starting with “Want Show As Young,” the riffs and brass work seamlessly to drive the melody. Good start, but the early standout here is “Mechanics,” with great harmonies and a hook that really sinks in. “Something From The Old World” has a thematic element that reminds me of those late 60’s Sly Stone classics like “Everyday People.” The mid-point instrumental of the title track is a marker where the approach changes. “We Got Lost” is another great track, with an epic melody akin to Wilco, full of its sustaining guitar fuzz. “Favorite Stars” has plenty of guitar muscle and the aspirational harmonies again mesmerize. The album then goes into the jam 9-minute+ “Marching” where it loses its way a bit, but it comes together on “Don’t Wait.” Highly Recommended.

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Astral Drive

Astral Drive “Astral Drive”

Phil Thornalley’s new Astral Drive album follows up from his last self-titled debut release. The new eleven-song follow-up still is heavily influenced by Todd Rundgren but with Phil’s optimistic attitude and stellar production, it’s poised to take you on a pleasant ride.

“I Can Dream” opens with a bright, lush piano single and from there Phil follows his muse, as “Waterfall” continues the happy vibes and irresistible energy. “Star Gazing” and “One Big Love” seem to channel the A Wizard /A True Star era of Todd with its spacey, hippy lyrical theme. The Todd-worship comes back on the lush cover of the Nazz “Open My Eyes.”

But Phil broadens his sonic scope beyond those mid 70’s influences. “Water Lillies” boasts some soulful harmonies, and “For the Dreamers” is a terrific single that bounces along and pays tribute to anyone who dreams big.  The trippy “Wish U Well” is a personal message for anyone who enjoys his music, it’s the musical equivalent to a big hug. Highly Recommended.

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Musicians, We Want You!

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Seeing what the people of Ukraine are going through every day in 2022 is heartbreaking!  Thus the need to do something, anything, to provide any amount of financial aid to this war-torn country!  This project was inspired by a recent conversation with Thrift Store Halo’s Frank Gradishar and Ray Gianchetti at Kool Kat Musik, who will also be involved.  The idea is to have bands from around the world offer up previously unreleased tracks to make this collection really special.

100% of the profits from the release will go to a legitimate charity (i.e. Amnesty International) to ensure that the monies go to the proper people.  So, if you are a band seeing this and would like to contribute a track, please contact Ray here. As of today, no deadlines have been set for submissions but if you want to participate, please commit as soon as possible.

“GREAT MUSIC FOR A GREAT CAUSE!”  More details to come.

Anton Barbeau and Scott McCarl

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Anton Barbeau

Anton Barbeau “Power Pop!!!”

It seems few artists who are tagged with a label of power pop want to question the reason why. But not Anton Barbeau. The cult pop figure has been a mainstay of the genre since 1995’s “Waterbugs & Beetles,” and now he’s built an album that both attempts to explain why, and rebel against it. On the title track he states  “Puts down your guns, you culture cops, there ain’t no crime like Power Pop.” It’s a commentary that discusses the culture around power-pop (with name-drops like “Yellow Pills”.) Is it mockery? Maybe, but it also seeks answers. The new wave-styled melody starts to define it on “The Sound” with a trippy psyche-pop rhythm that leads to a distorted guitar solo. As long as you don’t take it too seriously, it’s a lot of fun.

Barbeau does vary his sound, the hyper-honky-tonk “Hillbilly Village” and The pastoral piano ballad “The Drugs” is a fun hazy memory of a stoner (narrated by Bob Dylan impersonation). Another song that catches my ear is “Never Crying Wolf Boy” with its synth-laden rhythm, and haiku-like lyrics. “Julian Cope” is about meeting your heroes stoned, and getting all “smiley” with them. There are weird fillers throughout, and the use of 80s-styled synth and percussive effects make some of the album’s second half sound like a 1980s-action movie soundtrack (“Running On The Edge of The Knife”). Overall, a very good album that rewards the listener with some catchy tunes amidst the weirdness. Ironically his last album Oh The Joys We Live For is technically more of a polished power-pop album, but this is also recommended, just don’t expect it to be easily accessible.

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Scott McCarl

Scott McCarl “Play On”

A one-time member of power-pop pioneer The Raspberries, Scott McCarl has remastered his long out-of-print solo album from 1998. Scott joined the Raspberries right before their final album, Starting Over, and you get more of his considerable talent on Play On. While it was long after his time with the band, it proves that McCarl’s knack for Beatlesque power pop hadn’t dimmed in the slightest. Backing musicians include the Rubinoos, Hilly Michaels, and Lux Interior’s brother, Michael Purkhiser.

“I’ll Be On My Way” is about the end of a relationship, along with “Fallin’ In Lovin” which has a flowing melody, and timeless jangle that sticks in your head. “In Love Without A Girl” is a great Raspberries-styled track that stands the test of time. “Go Down Swinging” is a lost country-rock gem that really deserves airplay, and the lost 1970 demo “I Hope” was done prior to joining the band (it’s most likely the track that got him the gig). “Doin’ It Right” is a superior Beatles fan song, and while not everything here is perfect there is more than enough to make this a highly recommended album.

Amazon

Lannie Flowers and Cheap Star

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Lannie Flowers

Lannie Flowers “Flavor Of The Month”

During the recording of Lannie’s masterful Home album, he would drop a free single each month through the Sypderpop website through 2019.  These finely produced demos were designed to lead us straight to Home and were much more power pop in style. Lannie had the entire COVID year to remix these songs to perfection. The hooks here are massive and make it the “missing” piece between Circles and Home.

Every song hits its mark, and the quality of songwriting isn’t a surprise either.”Don’t Make Me Wait” is a great opener, Lannie’s emotional ache comes through in the verses, and the harmony drenched chorus. The brazen psychedelic Beatle-isms are all over the Peppery “Lost In A Daydream” and “Good.” Next, “Summer Blue” has a smooth tempo suitable for the beach, and it’s an easy radio-friendly single.  “Where Did All The Fun Go” is a sweet tune about getting back to living for today, and the title track is just as infectious. Another standout is “Anything But Love,” which channels Lannie’s soulful vocal. Since each song was carefully curated as a single, there is no filler here. A quick and easy pick for 2022’s top ten. Very highly recommended.

Amazon | Kool Kat Musik

The Cheap Cassettes

Cheap Star “Wish I Could See”

Power pop band Cheap Star boldly ups its game with its latest release. Lead singer Remi Vaissiere and drummer Brian Young (The Posies/Fountains Of Wayne) are joined by Jon Auer (The Posies) and a collection of superstar guests; Brendan Benson (The Raconteurs), Gary Louris (The Jayhawks), Matthew Caws (Nada Surf), Roger Joseph Manning Jr. (Jellyfish) and Mitch Easter. The sound overall is very much in the vein of The Posies, with potency and crisp production style. 

The production starts with the understated “Lifetime,” but quickly impresses with its dynamic indie-pop style on “Flower Girl.” Next, a transcendent “You Don’t Want To Change” is a nod to Louris and his style, while “Wish I Could See” is a catchy as hell rocker with fabulous harmonies thanks to Benson. Other highlights include “Holding On,” “Under The Synapse,” and the cool sadness of “What It’s Like.” Vaissiere and Auer’s vocals match well, and the collective musicianship is worth multiple listens. Highly Recommended.

Kool Kat Musik