After slowly downloading single tracks, the time has come to reveal the new Bryan Scary album. After roaring out of the gate last year with the debut album, Bryan Scary and The Shredding Tears are ready to really spread their wings. The group has a flair for drama and here it produces a concept album worthy of comparison with mid 70’s Genesis “Lamb Lies Down on Broadway.” By throwing in everything and the kitchen sink in The “Flight of the Knife” it mixes the cinematic elements of Queen and XTC with the lyrical wordplay full of third-person narrative. This is evidenced on the opener “Flight of The Knife” with a variety of prog keyboards that recalls Tony Banks of Genesis. The story is something about a famous airship that visits planets and stuff, just read the lengthy libretto on the site. “Venus Ambassador” is a glowing mid-tempo song that adds classical piano catchiness with cool chord changes. The obvious single here is “Imitation of The Sky” with an amazing combination of piano, guitar riffs and rolling drums that will hook your ear faster than the “Ceiling on the Wall,” complete with a variety of harmonies and overlapping vocals. The supporting songs follow this theme and tell the story. “The Curious Disappearance of The Sky Ship Thunder Man” is the most operatic and is almost a musical show tune – it compares to 10cc’s “I’m Mandy Fly Me” with dazzling musicianship, and sparkling melodies. Then we get “The Purple Rocket” – a Sufaris meets Pink Floyd psyche-pop confection that has echos of Zappa all over it. “Mama Waits” almost sounds like a carryover from the debut album with a rousing circus organ solo. After a prog-rock intro, “Son of Stab” turns into a mashup of The Archies and Syd Barrett. The graceful piano work is awesome on the ballad “Heaven on A Bird” which includes a pysche-pop chorus Jellyfish fans will flip over. Like the last album, Scary uses so many influences, it can’t be pinned down on one type of style. Fans of early Genesis, ELO, Yes, Beatles and Frank Zappa will play this over and over. A truly excellent album that is an easy nominee for best of 2008 so far. Purchase direct from the label here.

Bryan Scary web site | My Space | Kool Kat Musik | Not Lame

Listen to “Son of Stab”

Power pop maestro Tim Boykin has done it again. The Lolas are a band that just keeps getting better with age. “Like The Sun” takes some tracks from 2006’s “Doctor Apache” and added a few newer songs to give the listener a whopping 20 tracks. So it’s almost like a double album. It opens with “Eye Eye” a touch of ELO, Byrds and Beatles that will ring through your head, and stay there. This is followed by the title track, which adds the right about of jangle and harmonies that lead you up the next song “The Laurie Song” – an awesome “Rain”-inspired psyche-pop masterpiece. And the relentless hooks keep on comin’ with the roaring guitars of “Me and Barbara Stanwyck” Fans of their previous incarnation,The Shame Idols will enjoy the great guitar work and indie power on “Going all the Way” – the solo is just awesome. The song “Blue Shadows” has a Beatlesque charm and “Watch The Movie” has Weezers innocent pop sweetness with Brian May styled guitar. Some songs get a bit more rough and garage-y, like “Action Woman” and “Ramon Ghetto Chef.” Toward the ends of album it even has a Sweet cover (“Wig Wham Bam”) and a very Mod-sounding Rolling Stones meet Early Who tune with “I Can Only Give Everything.” The songs go through every incarnation of great power pop from ballad to high powered riff machine and everything in between. With so much here and barely a miscue, it’s an easy choice to nominate this album for my Top Ten of 2008 so far. This album is essential listening – so don’t miss this one. Thanks for the music, Tim.

The Lolas site | My Space | Jam Recordings | Kool Kat Musik | Not Lame

Listen to “Eye Eye”

Listen to “Me and Barbara Stanwyck”

Listen to “Sticker”