Remasters and Rarities: Jim Basnight, Bill Lloyd and The Keys

Jim Basnight

Jim Basnight “Pop Top” (Remastered)

“Pop Top” was Jim Basnight’s first solo album, originally a cassette-only release in 1992, and his first CD album release in 1993.  The tracks came together while he was on tour with the Moberlys, and working with a variety of collaborators (including REM’s Peter Buck) deliver fine examples of the late ’80s and early ’90s pop-rock. “My Vision of You” is an effective jangling tune, with emotional verses and a solid chorus. “Asphalt Field” is a narrative pop-rock song that reminds me a bit of Midnight Oil, and the rollicking “Opportunity Knocks” has a wicked piano blues riff similar to The Rolling Stones, and it’s really catchy. With 18 tracks, this compilation hits a lot of different moods and styles.

Jim works his magic on most of these tracks; notables include “Blue Moon Heart,” “One Night Away,” “Hello Mary Jane,” “Evil Touch,” and “Restless Night.” Overall plenty of worthy tracks makes this highly recommended LP. This has never been released digitally for downloads or streams and has been long out of print, until now. Check it out!

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Bill Lloyd

Bill Lloyd “Feeling The Elephant” (Remastered)

Between 1983 and 1986 before he joined the country duo Foster and Lloyd, Bill Lloyd put together a series of power pop songs in the tradition of Dwight Twilley and released it as Feeling The Elephant in 1987. It was reissued in 1990, where it found its audience — but power pop fans can really appreciate the music with this newly remastered version of the album. The chiming guitars of the opener “This Very Second” are bright and hook-filled, and the Big Star-like crunch of “Nothing Comes Close” is timeless perfection. The big single here “Lisa Anne” is very much in the mold of Marshall Crenshaw and the jangling “It’ll Never Get Better Than This” is another gem here.

A few songs actually are dated by the period but still, sound fantastic like “I Wann Sit And Watch The Credits Roll” and the hard rock “All At Once You Are Unzipped.” Overall not a wasted note here and it holds up extremely well. If you ever wanted to find a place to start the deep dive into Bill Lloyd’s power pop this is the place. It should be an essential part of your music collection.

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The Keys

The Keys “Unlocked”

There are several “lost” power pop treasures of the 1980s, but The Keys are of particular importance. In the wake of the punk revolution in the UK, The Keys first album from 1981 is the definition of “a lost classic” of the power pop genre. Similar in approach to Elvis Costello and The Beat, the band was signed by A&M Records, and produced by upcoming star Joe Jackson, but despite the critical acclaim it only sold a few thousand copies, and it remains a find for rare record collectors and was never reissued on CD. The band dissolved in 1983 without a follow-up to the debut.

But in the year prior to the breakup, The Keys made some recordings in London between 1981 and 1983. These 12 tracks are now unearthed today and fit in perfectly with their first LP. The band has a slightly more muscular sound with “Crying Out For Love” and “Don’t Do That.” The recordings aren’t that high quality, but the talent remains impressive. Unlocked is a release of Rollin Records, but there seems to be only limited distribution, and I can’t find a place in the USA that has it. So just like the debut, it’s another mad dash to find it. But if you do it’s a worthy companion.

Rollin Records UK | Discogs

Spring Singles: The Lickerish Quartet, Johnathan Pushkar, Kai Reiner, Squire, Nerd Magnet, the Vinyl Skyway, Richard Turgeon, Kerosene Stars, Nick Frater

As the season struggles to change, some of our favorite artists are making new music sure to warm the soul. Power pop royalty The Lickerish Quartet is back with their 3rd EP, and the lead single is aptly titled “Fortunately.” Johnathan Pushkar sojourned in Sun Studios, Memphis, and covered Elvis in worthy tribute. It’s been a long time since I heard Kai Reiner, and he’s dusted off and remastered “Cold Summer” from 2008, a worthy single, and London’s Squire reminiscences about “The Place I Used To Live,” but I like the Mod melody “The Young Idea” even better. Nerd Magnet gives us a joyous “Another Round,” and even if you don’t speak Japanese you’ll dig the power-pop vibe here. A band that really changed has been the Vinyl Skyway, as they focus on an acoustic ballad “Recover.” Richard Turgeon continues to put out catchy, crunchy rock, and his latest singles “I Never Loved You” and “Better With You” are the yin/yang of a relationship. Kerosene Stars avoid romance but sing about the “Purpose of a Friend” with an ’80s new wave feel. Finally, Nick Frater, who kicked ass in 2021 with a top-rated album, has some fun doing an entire EP of Rutles stuff.



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Vanilla and Buzzard Buzzard Buzzard

Vanilla

Vanilla “Sideshow”

Jayson Jarmon, Sean Gaffney, Mark Simmons are back after a retro-pop diversion into 1966, with Sideshow. The opener “Sorry” is a bright hook-filled gem that bounces along with its rhyming verse.  The 90’s jangle of “Milkmen” is a fast tempo gem along the lines of  XTC circa Oranges and Lemons. The music is frequently poignant, “Best Days Gone” are a comment on the sad state of the music industry, where artists beg for listeners to “play me, pay me,” but “I Shall Be Re-Released” brings us some hope, as those great songs will never die.

Not everything is great, “It’s Drunk and I’m Raining” is a so-so novelty rocker along the lines of the Bonzo Dog Band. The band does much better with the lush pop of “Misery Loves Company,” and “The Truth Is Never True.” And there are more than enough gems here to make this a highly recommended pick. Definitely give it listen.

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Buzzard Buzzard Buzzard

Buzzard Buzzard Buzzard “Backhand Deals”

Buzzard Buzzard Buzzard. Say it three times into a mirror and the ghost of Marc Bolan appears! Not really. But this cheeky band from Cardiff, Great Britain is a true joy to listen to.

The bubblegum glam opening “New Age Millennial Magic” is catchy and addictive, but the lyrics have a distinctly dark side if you pay attention. “Good Day” may sound like happy pop, but “if you believe in something/we’ll let you die for nothing.” It’s punk nihilism with a happy smiling face. And the sound recalls a glorious mix of T.Rex, Queen, and Supergrass.

Lead vocalist Tom Rees has great range, proving it with “Break Right In,” a bright charmer about a small ray of optimism in the face of adversity. He also does well with the ballad “Yourself,” and the bass-driven “You” gives advice to “look out for yourself.” Next “Feel the Change!” boasts a wicked piano, bass, guitar combo that sticks in your head. Overall, a highly recommended album.

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Eytan Mirsky and Ex Norwegian

Eytan Mirsky

Eytan Mirsky “Lord, Have Mirsky!”

Eytan has been a master storyteller and on “I Don’t Wanna Brag” Eytan’s self-deprecating persona gets a needed boost of confidence. It’s a simple, low-key start to the album, but on “Half Hearted” he breaks out the hooks and brass, and it’s another Mirsky classic. About a girl who can’t get over a former lover, and can’t commit to a relationship. It’s uncommon to hear this from the male POV. “The Waiting Is the Easiest Part” is a lyrical nod to Petty, but the sincerity is what is so endearing.

“Don’t Be Afraid” is another plea to commitment, and stop playing “those silly games” and some great slide guitar rounds out the melody. This theme is present in several songs, and Eytan brings it all together, notably on “What Took You So Long.”

“It’s Alright to be Alone” is a great reassuring blues tune for the dude to “take some time to clear your mind.” “Your Getting On Me” is a power-pop gem that blasts out with handclaps and a sweet guitar solo. “Smart to Be Stupid” is a father’s advice to his son about not elevating an argument, and playing “dumb” in some situations. Overall, a very entertaining album, but if you have any issues Eytan tells critics in “Watching From The Balcony,” where he notes “if I don’t entertain you, you don’t have to watch this show.” But you’ll want to. Highly Recommended

Amazon | Kool Kat Musik


Ex-Norwegian

Ex-Norwegian “Spook Du Jour”

The trio of Roger Houdaille, Michelle Grand, and Giuseppe Rodriguez is back as Ex-Norwegian. Spook Du Jour continues their vague neo-glam pop with solid classic influences. “Teen Bakery” chugs along with an echoing beat as “Vicious Cycles” and “Paging Lisa” feel like updated Kinks tunes for the new century. The emotional “Ciancia” has a loose composition with its cavernous approach, and “Burn It” boasts another catchy chorus with a sweet guitar break. 

The arty post-punk style of “Thot Patrol” takes over mid-way through the album and lingers. The Berlin-era Bowie influences are visible on “For Your Conveniences,” “Crazy Paving,” and “Fresh ATM,” and while very good, it doesn’t have the hooks we heard earlier on. Still, this remains an album that deserves to be heard and enjoyed. Check it out.

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The Power Popaholic Interview: Anton Barbeau

Anton Barbeau

Aaron has a lengthy chat with prolific indie-pop artist Anton Barbeau. We discuss the new album “Power Pop!!!” and its songs, along with the definitions of the genre, several of his past albums, and his songwriting process. We also talk about his newly released collaboration with Scott Miller (Loud Family) and Julian Cope.