Some typical strangeness from India. Obviously they take “I wanna hold your hand” and add new lyrics. Does everyone have to shake their head so violently? I was waiting for the Beatle-wigs to fly off! More new reviews coming Monday!
Willie Herath "Cohgie Never Landed"
If you’re into something quirky, Willie Herath may be your poison. Taking a cue from alternative punk-pop group, The Presidents of The United States, Willie starts the album with a pair of acoustic riffed simple songs with an absurdist edge, “Sticky Flip-Flop” and “Electric Sun.” Both songs tread on the same goofy ground and are catchy as well. But it’s not as hard edged as The Presidents and closer to Weezer in spirit and tone. The ballad “Come Home” proves to the listener that Willie’s got a real voice with a soaring chorus, it also proves to be the best ballad here. “Drive” mixes the two styles with a very Red Hot Chili Peppers mid-tempo beat. Sometimes the melodies work, other times they feel like filler toward the latter half of the album. There are some good songs here, “Shake it Up Baby” makes good use of Herath’s vocal range and “Dig it on” has some good energy and is very enjoyable in a Southern Culture On The Skids kind of way. More consistency would help, but his style is organic and a lot fun. Fans of Weezers’ blue album will find a lot to like here.
Willie Herath’s website | My Space | CD Baby | Itunes
New Artists: Stealing Jane and Ian Walsh
Sometimes I hear some new talent worthy of some attention. Stealing Jane is a alternative rock/pop/ska band with more than a passing resemblance to Maroon 5. It’s got the latin beats, impressive vocals from Bryce Larsen and a sharp horn section that moves things along. The energy of this band is excellent and will carry it a long way. However, I feel some of the lyrical content and melodies are not always that catchy, and the horns and Larsens voice often compete for your ears attention span. But on the mid tempo number “Take it Easy” – it all jells together and the song is excellent. Check it out.
Stealing Jane Website | MySpace
Ian Walsh is a new stand-out singer/songwriter in the the alternative rock genre. Similar in vocal stylings to Tonic frontman, Emerson Hart, mixed with Goo Goo Dolls Johnny Rzeznick, Ian’s got the chops and the melodic sense to do great things. The songs are strictly by-the-numbers alternative rock, but some great guitar work makes itself evident in “Supposed to Be” and the excellent ballad “Goodbye” is well written and performed with gusto. The other standout song is another ballad “Familiar Place” with some interesting melodic turns in the chorus. This song really shows great potential. I look forward to more songs with a harder edge from Ian. This is a perfect example of real talent that goes unheard and those clowns on American Idol don’t deserve all that PR exposure. Ian Walsh does.
Ian Walsh Website | My Space
The Trolleyvox "Your Secret Safe/Luzerne"
Let me start by saying The Trolleyvox are consistently good. They have produced four albums, each with the smooth professional vocals of Beth Filla, and the Byrdsian guitar work of Andrew Chalfen. And to add to this rarity, we have a double CD album. The discs are musically from different worlds, “Your Secret Safe” is power pop, and “Luzerne” is ambient folk instrumentals. If you’re familiar with this blog, you’ll understand as I will put aside “Luzerne” and talk about “Your Secret Safe.” After the success and positive critical reception of the last album “The Karaoke Meltdowns,” the Trolleyvox have accelerated to the forefront of the Philadelphia indie scene. Chalfen’s songwriting and pacing has only improved with time here. Unlike earlier records, the melodic guitar stylings are more prominent and early Peter Townshend seems a bigger influence than Roger McGuinn. This is evidenced by an awesome cover of “Our Love Was” (from The Who Sell Out). Beginning the album with “I Call on You” it sets the tone as jangle pop similar to REM, Dream Syndicate or especially, The Blake Babies. The band’s combination of moody sixities guitar and free form lyrical approach works well for songs like “Rabbit in the Sun” and “Jean Jacket.” Both are standouts here and with great hooks that warrant repeat listens. Beth’s vocals are hypnotizing and carry every tune along. There are plenty of nods to psych-pop lite with the understated brilliance of “Fume of Sighs” – a gentle mid-tempo song with wonderful harmonies and lyrics, it’s my favorite song on this album. Toward the end of the album it mellows a bit with songs like “Can you find a way down?” and the 11 minute jam of “Cricket in Euphoria” after which you could easily put on the “Luzerne” CD and sip coffee and read a novel in your favorite Starbucks. It beats the “song of the day” any day of the week.
My Space | Emusic | Not Lame | Kool Kat Musik | Transit of Venus
Listen to “Jean Jacket” from “Your Secret Safe” CD
Listen to “Call on You” from “Your Secret Safe” CD
Jackdaw4 "Bipolar Diversions"
This was a very hyped release – and for good reason. It isn’t the second coming of The Jellyfish, but it’s pretty damn close. The opening number “SOOMA (All this Vision)” is pure genius. My imagination runs wild with this humorous take on corporate hubris. To me, it’s the opening number in “Steve Jobs, The Musical” and will run through your head for weeks. “Frobisher’s Last Stand” has the perfect hooks and minor chords that take the Jellyfish/XTC sound to a new level. This track also reminds me of the latest Honeydogs album. The McCarnety light flavor of “Jesus Wants My Soul Back” then leads to “Bipolar Diversions” which is such a massive mash-up of melodies that it would make 10cc blush. “My little Gangster” continues with equal parts Todd Rundgren, Styx and Queen. The production on the entire album is flawless as well. Like Bryan Scary’s album last year, you may give up trying to spot the influence and enjoy this carnival of sounds. Speaking of carnival, the goofy “Heimlich’s Manoeuvres” takes the concept a bit over the edge, like listening to Pink Floyd’s “The Trial” with another song slowly fading in. “Illuminati” is the note perfect missing track from Jellyfish’s “Split Milk.” My favorite track (it’s hard to pick) is “The End of The Party” a perfect mix of melodic hook and hard rock riff. Even the last track “Sleep” is a lullaby that Roger Manning could not have done better himself. Every track is relevatory, without any weakness and will have you crying for more. Thank you Willie Dowling, chief singer, songwriter and producer of “Bipolar Diversions,” one of the best of the year – easily.
Jackdaw4 website | My Space | Not Lame | Kool Kat Musik | Itunes