Powerpopholic

The Nines "Gran Jukle’s Field"

October 12, 2007April 1, 2018 powerpopaholic 3 Comments

Okay, the wait is over and The Nines’ new album has arrived. I’m happy to say “Gran Jukle’s Field” has the ability to transform any tough music critic into a drooling fanboy. At this point, it’s safe to say that Steve Eggers and crew have effectively emerged as the vanguard of the power pop movement today. Over the years, the leaders of the genre (including Roger Manning, etc.) all got know each other and contribute to improve each others albums. Not that they need the help, but both Bleu and Jason Falkner contributed to this album and it is as good as a power pop gets. Every song here is a real gem, beginning with the irresistable “Insanity (The Sanest Thing You Got)” with the baroque chorus and harmonies aplenty. Then comes “Don’t Be A Fool” which sounds like a track from ELO’s “Discovery” album, a mix of melody and disco beat that’s smooth as hell. The highlight of the album here is “Dance Just For Me” a very L.E.O.-like love song to a stripper. This song will be humming in your head long after you finish listening. The fun and bouncy “Chantel Elizabeth” is a great The Kinks meets The Sweet hook-filled drinking song. Following that is “I Am Lost” a note perfect Bee Gees tune circa 1974. The song “Virginia” has the XTC-like melodic sound that Eggers brought to the last Nines album, “Calling Distance Stations.” The variety here makes this album succeed as a whole, and “Find Our Way Back Home” is a perfect example. The song is a country music version of the Beatles “All Together Now” sing-a-long tune. Every song here also has amazing repeatability – something most “disposeable” pop music is lacking. The fact is that all the players here have created a hook-filled masterpiece and if you could only get one album this year (why would you?) – this is it.

The Nines Website | My Space | Not Lame | Kool Kat | CD Baby

Marty Rudnick "More Songs About Cars and Girls"

October 12, 2007July 6, 2024 powerpopaholic

Imitation is often called the most sincere form of flattery. Marty Rudnick’s “More Songs about cars and girls” is a gushing love letter to Brian, Carl, Dennis Mike and Al (them Beach Boys). This is a power pop guilty pleasure, given even more credence from the supporting cast here. It’s produced by fan fave Michael Carpenter and includes backing vocals from Tommy Dunbar and Al Chan of the Rubinoos. This is a first class treatment of the material and Rudnick’s tunes are original enough, that you are not busy playing “spot the stolen riff or bassline” and just enjoying the music. Much like contemporaries, Jeffrey Foskett and Jeff Larson he makes this album perfect beach music. Without any bad vibes, all the tunes are light and sunny without a hint of depression to be found (unless you count a cover of Wilson’s “Until I Die”). This is a perfect album to lift your spirits if you’re down, from the light pop of “Lucky Day” to the gorgeous ballad “Only Heaven Knows.” Even a nice group of bonus tracks including vocal versions of the main tune, “Some Summer” and the Beatles “Yes It Is.” And the only thing I can find to be critical about is that it’s not so deep. Even the brothers Wilson added “In My Room” to an album of surf music to give it a small bit of introspection. But that’s being picky here.

MySpace | CD Baby | Moontown Productions | Not Lame | Kool Kat

Obscure Pop: Utopia "Feet Don’t Fail Me Now"

October 11, 2007October 11, 2007 powerpopaholic 2 Comments

Instead of making this a segment of one-hit wonders, I also felt “forgotten” hits could be featured. And Todd Rundgren’s songs fit right into that category. By the 1980s Todd and Utopia joined the New Wave bandwagon and while mainstream chart success eluded the group, they were a primary influence on many 90s bands and helped bring synths into power pop during the 80s. Always with a cult following, the masses might remember him from a minor hit called “Bang the Drum All Day” (peaked at #63 on the charts). “Feet Don’t Fail Me Now” peaked at #82 and “Crybaby” and “Something To Fall Back On” did not chart.

Here is a small sampling of Utopia tracks from the 80s. Enjoy!

Listen to “Feet Don’t Fail Me Now”

Listen to “Something to Fall Back On”

Listen to “Crybaby”

Preview: Jackdaw4, The Nines and Favorita

October 9, 2007April 1, 2018 powerpopaholic

These albums will be coming out later this month, but after hearing some advanced tracks on MySpace — it looks like these will be tough to beat for best power pop album of the year. Prepare to be blown away by these when they arrive:

Jackdaw4 MySpace Page – Album out 10/22
The Nines MySpace Page – Album out 10/??
Favorita MySpace Page – Album out 10/24

Also coming soon will be the Powerpopaholic Album of the Year Poll. YOU, viewer will get to vote on the best Power Pop album of the year! Winners will get rankings on the final list.

Doug Bryan "Mad Love"

October 9, 2007July 6, 2024 powerpopaholic

There is a lot to love about Doug Bryan’s “Mad Love” — Bryan was leader of the Austin, TX based band Big Boss Groove and when it broke up, he concentrated on film editing. But after a meeting with Squeeze’s Glenn Tilbrook in 2005, Bryan got the creative juices flowing again. The result is this album. Bryan’s lyrics and storytelling ability are quite good and worth the repeat listening. “Long Gone” is a perfect example of this. It’s basically a scripted movie in under four minutes to a rock beat. Much like Tilbrook’s “Up The Junction” in storytelling, Doug has the goods. “Brand New Heartbeat” is chock full of cultural references. The production is DIY but very well done, much like The Breetles. “Hattie’s Coming Home” has a good low key guitar and a multi-tracked chorus that kicks butt. The sound is closest to other indie faves, Anton Barbeau and Johnathan Coulton. On some songs Doug is joined by his wife, Jill on backing vocals. “Corporation of Love” is a great Beatlesque pop tune with plenty of hooks and those great chord changes. A few songs here sometimes get a bit too sappy, “This Heart of Mine” has so much treacle, you could pour it over pancakes. “She’s in Love” is another winner, a fast paced guitar tune with energy, like a TV theme song…hmm. “These Final Hours” is a beautiful little Paul Simon-like lounge tune that ends the album. It’s a good outlet for Doug’s musical outpourings and you’d be missing out if you didn’t sample some of this. One last note, I love the album cover here, chock full of stuff I grew up with and loved (Doug and I show our age with that stuff).

MySpace | CD Baby | Moontown Productions