Favorita "Favorita"

powerpopaholic

Beagle was a major music force in 1992, and brought the power pop sound from Sweden to the US. In 1997, Magnus Borjeson, brainchild of the legendary group formed his new band Favorita. After the album was complete, the record label had problems surviving and never released it to the public. Years later, he started another pop band, Metro Jets – but rumors of a Beagle/Favorita reunion continued to circulate throughout the web. Now, the entire Favorita album, plus a bevy of bonus tracks have been released. Magnus made Favorita, a lot harder in sound than Beagle was, with the buzz-punk guitar of “Unamerican Activities” and the excellent single “I Can Change the World.” Lots of Favorita is wild, manic and full of noise, like “Seven Comforts” but Magnus never gave up a good hook in his music. Like Pulp, Supergrass or Manic Street Peachers, Favorita can hold it’s own to the punk-pop made during the mid ninties. In the middle of the album the melodies start to poke through the noise on “Slowfox and Waltz” and the relaxed ballad “Innocence.” Other songs, like “Now” just demand to be played loud and it’s hard to resist the hook of the great chorus on “Left of right.” Enjoy this recently unearthed treasure while it’s here! Excellent music for fans of hard guitar Brit-pop.

Popsicle Records | My Space | CD Baby | Kool Kat


Listen to “I can change the world (yeah)”

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Milton & The Devils Party "How Wicked We’ve Become"

powerpopaholic

Philadelphia’s Milton and the Devils Party is an enjoyable power pop album that’s a combination of literary angst and melodic cheer. The lyrical smarts here are not obvious, but the band was founded by two English professors, Daniel Robinson and Mark Graybill. The opener “Coward of Conscience” is the catchy jangle-filled alt-rock that I grew up with, and resembles the Smiths, The Decembertists or even The Ocean Blue. The lyrics of the angry “I’ve Had Your Wife” are offset by the changing tempos and is a perfect example of pop music with a “wicked” bite. My favorite on this album is the seemingly biographical “Too Old To Die,” a soliloquy by a mid-aged musician complete with a Morrissey reference. “Perdita” is wonderful ballad with dueling electric guitar harmonies. The bouncy “Muse of Mundanity” reminds me of any great Joe Jackson song from his early period, with even more insight into lonely bitterness. Every track here is good, if you can get past wierd lyrical subtext on songs like “The Gods have given up on Immortality” and historical analogies on “Reformation.” Graybill does a fabulous job on guitars here and Robinsons’ vocals are full of longing and rich emotion. And each song tells a distinct message to the listener clearly. For me it’s more than enough to recommend this album.

Transit of Venus Website | My Space | Not Lame | Kool Kat | Emusic

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The Nines "Gran Jukle’s Field"

powerpopaholic 3 Comments

Okay, the wait is over and The Nines’ new album has arrived. I’m happy to say “Gran Jukle’s Field” has the ability to transform any tough music critic into a drooling fanboy. At this point, it’s safe to say that Steve Eggers and crew have effectively emerged as the vanguard of the power pop movement today. Over the years, the leaders of the genre (including Roger Manning, etc.) all got know each other and contribute to improve each others albums. Not that they need the help, but both Bleu and Jason Falkner contributed to this album and it is as good as a power pop gets. Every song here is a real gem, beginning with the irresistable “Insanity (The Sanest Thing You Got)” with the baroque chorus and harmonies aplenty. Then comes “Don’t Be A Fool” which sounds like a track from ELO’s “Discovery” album, a mix of melody and disco beat that’s smooth as hell. The highlight of the album here is “Dance Just For Me” a very L.E.O.-like love song to a stripper. This song will be humming in your head long after you finish listening. The fun and bouncy “Chantel Elizabeth” is a great The Kinks meets The Sweet hook-filled drinking song. Following that is “I Am Lost” a note perfect Bee Gees tune circa 1974. The song “Virginia” has the XTC-like melodic sound that Eggers brought to the last Nines album, “Calling Distance Stations.” The variety here makes this album succeed as a whole, and “Find Our Way Back Home” is a perfect example. The song is a country music version of the Beatles “All Together Now” sing-a-long tune. Every song here also has amazing repeatability – something most “disposeable” pop music is lacking. The fact is that all the players here have created a hook-filled masterpiece and if you could only get one album this year (why would you?) – this is it.

The Nines Website | My Space | Not Lame | Kool Kat | CD Baby

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Marty Rudnick "More Songs About Cars and Girls"

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Imitation is often called the most sincere form of flattery. Marty Rudnick’s “More Songs about cars and girls” is a gushing love letter to Brian, Carl, Dennis Mike and Al (them Beach Boys). This is a power pop guilty pleasure, given even more credence from the supporting cast here. It’s produced by fan fave Michael Carpenter and includes backing vocals from Tommy Dunbar and Al Chan of the Rubinoos. This is a first class treatment of the material and Rudnick’s tunes are original enough, that you are not busy playing “spot the stolen riff or bassline” and just enjoying the music. Much like contemporaries, Jeffrey Foskett and Jeff Larson he makes this album perfect beach music. Without any bad vibes, all the tunes are light and sunny without a hint of depression to be found (unless you count a cover of Wilson’s “Until I Die”). This is a perfect album to lift your spirits if you’re down, from the light pop of “Lucky Day” to the gorgeous ballad “Only Heaven Knows.” Even a nice group of bonus tracks including vocal versions of the main tune, “Some Summer” and the Beatles “Yes It Is.” And the only thing I can find to be critical about is that it’s not so deep. Even the brothers Wilson added “In My Room” to an album of surf music to give it a small bit of introspection. But that’s being picky here.

MySpace | CD Baby | Moontown Productions | Not Lame | Kool Kat

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Obscure Pop: Utopia "Feet Don’t Fail Me Now"

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Instead of making this a segment of one-hit wonders, I also felt “forgotten” hits could be featured. And Todd Rundgren’s songs fit right into that category. By the 1980s Todd and Utopia joined the New Wave bandwagon and while mainstream chart success eluded the group, they were a primary influence on many 90s bands and helped bring synths into power pop during the 80s. Always with a cult following, the masses might remember him from a minor hit called “Bang the Drum All Day” (peaked at #63 on the charts). “Feet Don’t Fail Me Now” peaked at #82 and “Crybaby” and “Something To Fall Back On” did not chart.

Here is a small sampling of Utopia tracks from the 80s. Enjoy!

Listen to “Feet Don’t Fail Me Now”

Listen to “Something to Fall Back On”

Listen to “Crybaby”

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