Much like their previous two releases, The Green Hills of Earth and The Red Tandy EP, Kiss The Crystal Flake continues the Mother Hips tradition of laid back pysch-pop, that shines with it’s crisp production, California-styled hook filled songs. On “Time We Had”, the third track off the album is an excellent example of this. The Brian Wislonesque vocal melodies, during the chorus is especially nice. “White Headphones” and “Time-Sick Son of a Grizzy Bear” brings us to a slower almost classic Rolling Stones sound, with a glimmer of psychedelic guitar riffs. The Mother Hips best moments come on “No Name Darrell” in my opinion (hear the track on MySpace). The lead singer matches the melodies of his guitar with his vocals to create an enjoyable melodic collision of classic R&B sound with pop catchiness. I’ve been a fan of The Mother Hips for several years after I heard “Life in the City” from Green Hills of Earth album. The genuine pop hooks and quality of music from this band has continued to grow and improve over the years. You would have a very hard time believing that the same band produced this album and 1995’s Back to The Grotto – they are so different. Kiss The Crystal Flake is an awesome album that contains many songs with catchy mouthwatering hooks and innovative guitar work that will appeal to power pop fans and it’s widely available.

Emusic | My Space | itunes | Mother Hips Site

Listen to “Time We Had”

Listen to “TGIM”

Listen to “Not So Independent”

The Glasgow trio Fratellis have summoned forth the old spirit of T-Rex, The Clash and Oasis to give you a smashing debut album. Loud beats with great gobs of melodic hookery is what Brit-pop bands are all about. “Chelsea Dagger” is the catchiest single I’ve heard in years and perfect for your next wild party. The bouncy guitar of “Henrietta” is rock and roll meant for dancing. The theme for most of the songs are basically celebrations of wild times out on the town. The high energy song “Flathead” was picked in the latest ipod commercials. Fratellis has often been compared in the press to The Arctic Monkeys. But unlike the Monkey’s overhyped pop-punk, Fratellis has the talent to back up the cheekiness. “Ole Black n’ Blue Eyes” and “Whistle For The Choir” are good mid-tempo tunes that help tone down the energy of this pub-perfect album. Grab a pint and settle down with Fratellis, you won’t be sorry. On a major label here so you can get it almost anywhere. Visit the band’s site to hear “Flathead” and MySpace to hear more.

See The Fratellis perform “Chelsea Dagger”

Sometimes you cannot dine on a single entree and crave a smorgasboard. In the same way you can listen to your power pop and want a variety of styles and influences. Holmes (aka Roy Shakked) has a feast here sure to please power pop fans (Okay, enough food analogies here). Using the basic structure of The Beatles, and Electric Light Orchestra, Holmes carves out lush orchestral/lounge pop. On the liner notes, he classifies the style categories as: Power Pop, Rock Ya Body, Rock Ya Soul, Heartbreak Ballad and Little Diddy. This is a good guide, but I’ll elaborate here – Holmes uses Cello, Saxophones and Accordian, to put together a beautiful series of ELO-styled ballads like “Nevermind” and “Nothing at All”. He has gathered a dream-team of quality players here, including Lyle Workman (Bourgeois Tagg) and eleven other musicians. “Be Alone” is pop via Fountains of Wayne type rock tune. “Another Week” has melodies that bounce along with a bit of quirkiness similar to Tally Hall (see below). Although the mid-tempo songs are good, they can’t compare to the ballads here. “Gray World” is my favorite tune here, and the ELO comparisons are more subtle homage, than the stylistic note for note copying of Bleu’s L.E.O. Seek this music out and your soul will be shaked and baked by these teriffic ballads (I knew shouldn’t have skipped dinner). Holmes will go on tour to support this album this June. Visit Holmes site to hear the entire album streaming and then order it directly!

Emusic | NotLame | itunes | Holmes Site