The Legal Matters and Your Academy

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The Legal Matters

The Legal Matters “Chapter Three”

There are very few artists I know that consistently come out with great music (Nick Piunti and Sloan are good examples) and The Legal Matters is one of them. The Legal Matters is essentially a supergroup, featuring Andy Reed, Chris Richards, and Keith Klingensmith. In Chapter Three, the band’s songwriting takes center stage, as the sound is pretty nailed down with crisp, perfect harmonies akin to America or late-era Beach Boys. At their most dynamic, the melodic “Light Up The Sky” is everything that makes The Legal Matters a power-pop powerhouse. “Independence Well Spent” is a Jellyfish-like study in contrast of light and dark moments in the instrumentation, and “The Painter” is about creativity and inspiration within the mind of the artist and it features some great hooks in the chorus.

Brilliant uplifting music is the band’s stock-in-trade, but they don’t stay in that lane. “Pain” is a challenging ballad, written from a unique point of view where “I need the pain to know I’m alive.” Another highlight is the bouncy “Please Make a Sound,” with a compelling, urgent chorus. They go off-script again for “The World Is Mine” and it plays like a perfect stage villain theme, it’s not overtly political but you get all the clues in the lyrics. Not a note of filler, but the challenging nature of some songs further expands the band’s stylistic range. The songwriting process itself is the subject of “A Memory of Sound” chock full of sonic goodies, and it ends with the angelic harmonies of “Passing Chord.” Highly Recommended and another predictable top ten pick for best album of 2021.

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Ex Norwegian and Friends

Your Academy “Your Academy”

Jonny Norris, bassist for Memphis power-pop band Crash into June reconnected with guitarist Chris Gafford and drummer Dan Shumake, both of whom were spending time with the most recent reincarnation of The Scruffs. After agreeing to play together again they recruited lead singer Brandon McGovern, who recently toured with Dwight Twilley. Guitarist Adam Hill, a bandmate of Brandon and Big Star Archivist joined as the final member of the group. Their goal was nothing less than the resurrection of Memphis power pop glory.

While Your Academy boasts a lot of talent and a fine pedigree the opener “Why Don’t We?” is fairly generic, sounding like the Gin Blossoms mixed with The Well Wishers. “Heaven Knows” is a better tune, and namedrops a lot of musicians from “Chris Bell” to “Guided By Voices,” plus it’s got a solid hook. The Big Star influence is felt on “Sunrise,” and “Better Alone Together” is about Alex Chilton’s relationship with Lesa Aldridge. The songs seem to check all the boxes (ringing guitars, driving melodies) but they don’t really stick in your head for long. A solid standout; “Talent Party” is a great tune about Memphis garage bands of the 1960s (with more music trivia in the lyric). “Bluff City,” boasts strong guitar work and drumming, and “Our Love Matters (TCB)” is a little pandemic-inspired song with a Lucky Charms reference. Some of the production here also feels a little too compressed and could’ve been expanded more (like on “Sunrise.”) Overall, a good album that deserves to be heard.

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Dolour and Teenage Fanclub

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Dolour

Dolour “Televangelist”

Shane Tutmarc, multi-talented singer-songwriter of Seattle band Dolour has been busy during the pandemic and last year’s highly recommended Royal We album. The lockdown provided him plenty of time to develop this power-pop gem.

The opening title track is a catchy synth melody with influences from the late ‘70s ELO and Supertramp with its layered guitar rhythm, bells, and handclaps. Next, “It Would Be A Delight” directs energy to get away “instead of giving in to the doom and gloom.” Shanes smart vocal phrasing is brilliantly cheerful, and even the bouncy horns of “Summer Rain” speak to the open and easy-going time. The choral harmonies are clean and subtle, and “A Sight For Sore Eyes” is a great mid-tempo ballad, but it’s the positivity running through the album that draws you in. “Pick Up The Phone” is another highlight, with its strong hooks and as things gradually slow down, you get a full instrumental version of the entire LP. After a few listens, you realize how tightly composed, well-written and detailed each tune is. Highly Recommended and earns a nod for my best of 2021 list.

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Teenage Fanclub

Teenage Fanclub “Endless Arcade”

Endless Arcade follows Teenage Fanclub’s 2016 album Here, an album that shows just how much the band has mellowed over the past 30 years. Bassist Gerard Love left the group in 2018, leaving Norman Blake (vocals) and Raymond McGinley (guitar) to hold up the fort. The infectious but relaxed sounds of “Home” call back to an earlier time, when an extended guitar jam was a common occurrence in a song (Steely Dan anyone?) but in 2020 it feels like a distinct statement. It’s a lot less “teenage” and more “old age” for this Fanclub.

The theme of bittersweetness is laid bare in the title track and the keyboards of Euro Childs add a nice twist to the traditional composition. “Warm Embrace” echoes the Mod-era sound of The Who, with great harmonies and strong drum support. The insecurity of “Everything Is Falling Apart” features a compelling rhythm, and the wistful “The Sun Won’t Shine On Me” is a recognition of age that’s beautifully done. Unfortunately, they don’t hit those high marks again. The repetitive themes of time on “Back In The Day” and “The Future” make these dudes sound older than The Moody Blues. Fans and completists will definitely embrace this, but it would be nice to have the band sustain enough energy for an entire album.

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Cheap Trick and Chris Church

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Cheap Trick

Cheap Trick “In Another World”

What else can I say about the longest-living power pop band? These guys have nothing to prove on their 20th album, so I will gloss over the fact that the album cover’s generic checkerboard style didn’t thrill me (even though it’s a Nielsen trademark). And at first, it seems the band is just going through the motions. But as we’ve mentioned before, Rick, Robin, Tom, and Daxx haven’t lost a step and they sound like they are really having fun here.

 “The Summer Looks Good On You” hits you between the eyes as a big hook-filled theme designed to be played loud. This is followed by the bouncy keys of “Quit Waking Me Up,” a cheery song clearly meant to lift the spirits of the COVID weary. “Another World” has those majestic qualities that make a Cheap Trick power ballad unique, and then comes the 80’s styled hard rock throwback “Boys & Girls & Rock N Roll.” Rick Nielsen proves resourceful with the catchy riffs on “The Party” and “Light Up The Fire.” Added highlights include “Here’s Looking at You,” and a cover of John Lennon’s “Gimme Some Truth.” Highly Recommended (what else?)

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Chris Church

Chris Church “Game Dirt”

North Carolina’s Chris Church follows up his rocking Backwards Compatible with a more personal album. His Big Stir label debut features songs that are short and sweet, but like a 12-year old’s stream of consciousness, it zig-zags all over the place. A great example of this is on “Falderal” where the melody shifts with each key change, and then it’s over. “Fall” sets the stage with an oppressive minor key as Chris sings about setting unrealistic expectations. The one-word song titles are clever, showing a subtle emotional progression.

There are some real gems are here, the blues-oriented “Lost,” catchy lead riff on “Hang,” and the majestic piano-guitar combo on “Sunrise.” Some of it gets lost in the mix as the percussion dominates some tunes too much (“Trying”) and the sound is akin to Matthew Sweet mixed with The Gin Blossoms at times. Still, a mighty fine album that deserves to be heard.

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Singles and EPs: Dany Laj, The Foreign Films, Jim Trainor, The Bishop’s Daredevil Stunt Club, Super 8, David Woodard, Rob Kovacs

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April has been a monster month for music. The pent-up output from artists can no longer be held back and a flurry of singles and EPs are here now. Dany Laj and The Looks have a new single and a new sound, with a pop-folk spin. The new album Ten Easy Pieces is expected on June 11, 2021. Bill Majoros is back with The Foreign Films’ new single “The Fortune Teller (Pretty in the City),” a sweet mid-tempo love song, with little ELO flourishes.  Meanwhile, Jim Trainor and The Bishop’s Daredevil Stunt Club put the power into their pop singles, with the latter “Tremor Control II” oozing Queen-like cool and Glam rhythm. Paul Ryan (aka Super 8) gives us a very John Lennonesque ballad “All My Worries” and David Woodward‘s new EP Butterfly Effect is a sharply written gem with highlights like “About New York” and “Ghosts.” Rob Kovacs is not power pop, but a pianist with a great pop sensibility. Check out “Fizzle” with its light vocals,  the pastoral “Momentary Bliss,” and the artistry of “Here In The Future.”








Jon Flynn and The Sails

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Ex Norwegian and Friends

Jon Flynn “Citrus”

Jon Flynn goes solo as his band Diamond Hands preps for a new LP. While the overt-retro influences are toned down, Jon proves a fine singer-songwriter in the tradition of Marc Bolan, Liam Gallagher, or Gaz Coombes. Starting with “Somewhere to Run,” it features a laid-back Brit pop rhythm and a sneering lead. And the hooks are in abundance with a modern flair with “Go On” and the catchy breakup song “Back To You,” as Flynn finds his melodic sweet spot.

While it’s a slow build, the song “Praying Man” is worth it as Flynn builds this blues pop burner to perfection with great harmonies. The best thing about Citrus is that it never loses steam and his compositions get better the more you listen to them. The moods shift from the strutting beat of “Wonderful” to the power-pop bounce of “Doin’ What You Do.” And while most of this music is subdued and dark, it shines a light on Flynn’s talent and range as an artist. Highly Recommended.

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The Sails

The Sails “Bang!: The Sails Best of 2006 to 2020”

Lots of great music “sails” under the radar and most readers of this site recognize this. One criminally underrated band is The Sails (multi-instrumentalist Michael Gagliano,) a UK retro artist who wears his 60’s influences on his sleeve. “BANG!” And “The Slow Down” showcases the Merseybeat and Pysch-pop skills, but the collection of songs gets better the further along we go.

“The Man Who Broke In Half” is like a lost James Bond movie theme, full of great thematic elements, and the jangling Beatlesque gems “In My Head” and “Peter Shilton” keep building excitement with each chorus. The retro greatness continues throughout each of these 15 tracks. There is enough of a modern sound update to “Chocolate” where both the classic composition and buzz guitars deliver power pop perfection. “I’m Only Bleeding” cribs The Beatles “Rain” but updates it in several ways. And it ranked #1 “Coolest Song of The Year” on Little Steven’s influential “Underground Garage” for 2010, and “Liar” ranking #2 in 2011. A great collection that should not be missed! Highly Recommended.

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