Dear Stella and Gretchen’s Wheel

Dear Stella

Dear Stella “Time Zones” EP

Austrian Stefanie Drexler (aka Dear Stella) is a fresh face on the power-pop scene, but behind the smile is a crafty music veteran who’s worked with stars Kai Danzberg, Bleu, Eric Barao, and Scott McPherson. Her impressive vocal range is similar to Lisa Mychols or Kelly Jones on this highly polished debut. Not quite power pop, this is closer to pop with some rock elements.

Opening with the magical “Time Machine” (co-written by “Bleu” McAuley) it’s a tasty musical treat in the Jellyfish mold, full of orchestral swirls and harmonies. Next, “As a Child” (co-written with Matt Appleton) has a bright melody with varied instrumentation, as it opines on the loss of childhood innocence. “The Last Kiss” (co-written with Eric Barao) is a song full of contrasts; it’s a sad soulful song that boasts rich bright orchestration. The next several tunes are about letting go of relationships, very much like the themes that Kai Danzberg has explored in his recent work; “What’s the Meaning of Love?” being a standout. Danzberg adds his vocals to the finale “Let Him Go.” Overall, a terrific debut. Highly Recommended.

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Gretchen's Wheel

Gretchen’s Wheel “Such Open Sky”

The talented Lindsay Murray has been a musical force for several years now, and although her style has morphed over the years, the ethereal voice and guitar crunch has always been a potent combination. The opener “You Should Know” is a dark, compelling melody with flowing minor chords. “Interloper” starts strong, akin to a Fleetwood Mac mixed with Alannah Myles – it’s a good balance of soft vocal and hard-edged guitar.

“Infernal Machines” is another big standout, and Murray soars here. There are many stylistic subtleties throughout as Murray tends to have her instrumentals lead the verse, but the hook sometimes can get buried. Additional highlights include the melodic majesty of “Sleight of Hand” and “Shapeshifters.” This album is also her most consistent vision, so you should check it out.

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Singles, Tributes, and Freebies: Hot Summer, The Poppermost, Emperor Penguin and Orbis Max, Gal Gun, Gentlemen Rogues, Coke Belda, Bob of the Pops

Hot Summer a new group by The Shins’ Jon Sortland and Brian Belier. “Fire And Ice” is indirectly related to the great disparities between political parties and a byproduct of shut-in pandemic isolation. Sounding a bit like The Eels to me, Hot Summer certainly is mesmerizing.

The great Joe Kane goes back to 1964 and the British Invasion with The Poppermost. It’s simply Fab! Let’s hope an album follows soon.

Emperor Penguin and Orbis Max combine for this terrific FREE single! An upbeat gem. What is not to like here?

I know little of Chicago band Gal Gun, but they’ve got some solid music here with fuzz guitars and catchy melody. Fans of Superdrag and Velvet Crush will dig it. Visit the singles of the previous months, especially “Premium” from September.

I haven’t heard from Gentlemen Rogues in a long time, so it’s good to see them active again. Nice aggressive guitar pop, with punk-inflected energy. Check it out.

Coke Belda digs deeper in the Bee Gees back catalog and it’s a reminder of how great the Gibb brothers were as songwriters. “Islands in the Stream,” originally sung by Kenny Rogers and Dolly Paton is presented here as a fine duet between Coke and vocalist Sara Depp. More Bee Gees love on Volume 3.

Bob of the Pops (Robyn Gibson and friends) plays hits obscure and common for Volume 5(!) This FREEBIE is brilliant and Robyn’s voice is perfectly suited to The Hollies “King Midas in Reverse” and Jeff Lynn’s ballad “Midnight Blue.”

The Blank Pages and Kurt Baker

The Blank Pages

The Blank Pages “Is This Real?”

In today’s political chaos New Jersey’s Blank Pages start their new album with “Authenticity,” clearly stating that the truth is under assault, as we struggle to make others trust what is “real.”  “Hang Up” speaks to the isolation we feel, and the melodic “Your Generation” hopes our younger people can “save us all.” Bandmates Greg Potter (guitar, keys, lead vocals,)  Jason Brown (bass,) and  Ed McCaffrey (drums) craft songs with an intimate, friendly approach.

Standouts include “Nagging Feelings,” and “Uncomplicated.” The band resonates emotionally, but the social commentary songs (“Robots Will Not Win”) aren’t as memorable. The guitars come alive on “Laugh,” a terrific tune played with gusto. Some nods to ’80s pop are sprinkled throughout, so fans of The Police, Bourgeois Tagg, and Joe Jackson will enjoy this. Check it out.

Amazon | Kool Kat Musik

Kurt Baker

Kurt Baker “After Party”

Kurt Baker’s back! After a few years on other projects, Kurt returns to power pop form with help from songwriter Wyatt Funderburk. The opener “New Direction” is a catchy start full of effortless hooks. Geoff Palmer (The Connection) on guitar, Kris Rogers on keys, and Craig Sala on drums make the group complete. Each track is quick and punchy, like an Elvis Costello/Donnie Iris hybrid as the hits pile up quickly; “I Like Her A Lot,” “Over You,” and “Used To Think” with its Beach Boys-inspired backing chorus.

The sweet ballad “Waiting For You” boasts some nice harmonies. The punk guitar fuzz shows up when needed and doesn’t take over the songs, plus the style varies to some degree with the new wave “Keep Dreaming” and lounge jazz of “A Song and a Drink.” But it’s the guitar gems here that standout; “She Don’t Really Love You, Dude” and “Should’ve Been The One.” A great album that deserves many repeat plays. Highly Recommended.

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New Book Coming Soon!

This is it, folks! The culmination of 15 years worth of research, interviews, and music critiques. I am nearly finished with a NEW book that will be the “modern guide to power pop music.” This book exclusively looks at power pop bands from 2006 up till today. It is LOADED with reviews, rare artist conversations, and more. But I need your help finishing this… (pick your favorite cover)

 

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    Mom, Richard Turgeon, and Geoff Palmer & Lucy Ellis

    Ice Cream Hands

    Mom “Pleasure Island”

    This trio from Sweden has a lot going for it. The guitars sound like a mix of The Raspberries and The Cars, the songwriting is also pretty great with hooks all over the place, especially in singles “Better Than You” and “Ordinary Girl.”  No filler here, it’s a terrific celebration of retro power pop at its finest. Fans of The Bay City Rollers, Nick Gilder, and The Records will enjoy each cut.

    Out of the three guys (with obvious pseudonyms) the vocals are the band’s only weakness. Even double-tracked, the lead vocal is very nasal and seems better suited for new wave more than power pop. It prevents this debut from taking a top spot, but thankfully the vocals are receded in the mix compared to the guitars. Still, this album is highly recommended.

    Bandcamp

    Richard Turgeon

    Richard Turgeon “Sea Change”

    Richard Turgeon has been working at a manic pace compared to his peers. On top of regular album output, he’s produced multiple singles. Sea Change explores themes of transformation, from COVID to political revolution. Opening with the anthemic rock of “Never Leaving California” it resonates with influences from The Who to Pearl Jam.

    The percussive “Summer Revolution,” “Still Not Ready To Die” and “Car Crash” are also standouts. The hooks and harmonies are added to the excellent “Higher,” and “Sunset” recalls Richard’s earlier works. Not everything sticks, but enough does and the production is highly polished. Despite the volume of work, Turgeon never compromises quality. Highly Recommended.

    Kool Kat Musik

    Geoff Palmer & Lucy Ellis

    Geoff Palmer & Lucy Ellis “Your Face Is Weird”

    Geoff Palmer (The Connection) has found an ideal collaborator with Lucy Ellis (Lucy & The Rats) as they create a series of songs that combine power pop with a rootsy rock feel. The opener “In A Town This Size” has very much the Connection-styled chugging guitar lead and climbing bassline, with Geoff’s low gruff tones contrasted to Lucy’s light sweetness.

    The big single here is “SWIM” featuring a catchy chorus and makes the best use of both artist’s style and talent. Occasionally they harmonize, but they are more effective trading verses within a song. Overall a fine short album that fans of both Geoff and Lucy should check out.

    Amazon | Kool Kat Musik