Extra Arms and Motorists

powerpopaholic
Extra Arms

Extra Arms “Radar”

Extra Arms, a Detroit band, has always been quite good, and on 2022’s ‘What Is Even Happening Right Now?’ they leveled up. ‘Radar’ continues that trend, and we have a fantastic album here full of infectious power pop hits that will stick in your head.

They named the album after bass player Ryan Marshall’s dog. Why not? They start with the howling feedback of “Be Someone Else,” with a killer beat, and monster energy. Influences are a great mix of The Replacements, Elvis Costello, The Buzzcocks, and The Cars. There is no “doggy-do” here, and the first 5 songs are all killer, including “Everything Disappears,” “All Good Things Take Time,” and “I Don’t Wanna Surrender.” The song “Shut’Em Down” in particular is a relentless, fast-paced assault that is ideal for your running or exercise soundtrack.

There is a breather mid-way on the smooth “Space and Time” with strategic steel pedal accents, and then it gives us an amazing closing rocker, “Mad Dog Blue,” and you can hear Allen struggling with the concept of time passing beneath it all. Overall, a great album, and it makes my top ten list this year! Highly Recommended.

Amazon | Kool Kat Musik


Montorists

Motorists “Touched By the Stuff”

The Motorists are a group of lifelong friends and colleagues from Toronto who, in their catchy and energizing music, combine the rough-edged fuzz of modern rock with the nostalgic jangle of college rock from the 1980s. This sophomore album has more of a power pop edge, with short, catchy tunes that have some elements of new wave mixed in.

“Decider” has that jangly, post-punk, fuzzy melody. “Call Control” is another standout with its bass lead. It’s a fuzzy gem that recalls Echo and The Bunnymen or The B-52’s with its guitar rhythms. But it isn’t that predictable, with different elements of alt-rock and occasional vocal harmonies on “L.O.W,” and “Forced Perspective.” The Sloan-like guitar riffs on “Barking at the Gates” surprised me. No filler here, and worth repeat listens for sure. Highly Recommended.

Amazon

Power Popaholic Interview: The Cyrkle

powerpopaholic

Don Dannemann of The Cyrkle

I had a strong reason for making this interview my longest. The Cyrkle, with Don Dannemann as their frontman, have a long and illustrious history, and they’re still going strong! Hear Don tell the story of how Brian Epstein, the Beatles manager, signed them as his only American band. I ask all about the Fab Four’s tour, and what its like to hang out with the Beatles at the height of their fame. The new album titled “Revival” has been released.

🎸 Read the review here. Listen to the band’s original first big hit here:


The last of the May Singles and EPs: Dolour, Chaft, Strange Neighbors, Captain Wilberforce, Night Spots, Mensaka

powerpopaholic


A new Dolour album, Daylight Upon Magic is on the horizon, so here is the cool video for “Someone New to Fool.” Shane Tutmarc is in fine form here, I can’t wait for this one to release. I was impressed by Chaft before, so now we have a new pair of singles, and I prefer “High” with its swirling guitar rhythm. Another rookie, Strange Neighbors is back with a catchy new single, “Tell All Your Friends” and I think I’ll follow that order! It’s been a long time, but Captain Wilberforce returns with an awesome power pop single, “Holding On” which boasts great hand claps and harmonies. If you’re into that classic retro rock style, The Night Spots serve up some yummy “Dandelion Wine.” Pour me another! Finally, from Rosario Argentina, we have a band called Mensaka, and their new single “Bucle Temporal” translates to “Time Loop.” Even with the Spanish language, it’s an earworm that deserves to be heard.





Quick Takes: Penny Arcade, Peter Freebairn, and Mo Troper

powerpopaholic

Penny Arcade “Backwater Collage”

James Hoare’s (Ultimate Painting) first solo album is under the moniker Penny Arcade. Hoare took his time making this sleepy, hand-stitched record. He had to save these songs from the cutting room floor of several recording sessions. In “Don’t Cry No Tears,” James combines his soft, sad voice with Nathalia Bruno’s smooth, warm vocals. “Mr. Softie” is another winner, a lo-fi psychedelic theme that will stick with you. Get it on Amazon


Peter Freebairn “Silhouettes & Cigarettes”

Aussie crooner Peter Freebairn is special. This 8-track LP, expertly mastered by Victor Stranges, is essential. Opening with “World You Choose,” it’s top-shelf, catchy modern adult pop with Peter’s weary, but endearing vocal. The swirling guitar strums on the ballad “You and I,” have that old-school charm, and there is no filler anywhere here. The catchy rock earworm “I Got Lucky (I Got You)” interrupts a suite of soul-searching gems. Highly Recommended. Get it on Amazon

Mo Troper “Svengali”

Portland musician Mo Troper is likely the most influential power pop artist we have now. After his recent Jon Brion tribute album, Troper Sings Brion, he is back in experimental lo-fi pop mode. Svengali has a few gems tucked away in the feedback and fuzz, like the guilty pleasure “The Billy Joel Fan Club,” and the bouncy, caffeinated “Spark World.” There are plenty of great tunes here, like “Recipe for Loving,” which almost sounds like the Lemon Twigs, and the six-part instrumental potpourri of “Svengali’s Theme.” Like most Troper albums, its a buffet of riches. Get it on Amazon

 

David Woodard and Ward White

powerpopaholic
David Woodard

David Woodard “Get It Good”

David Woodard from Nashville, Tennessee, makes a great impact with Get It Good, which shows off all of his power pop influences. With his signature sweet melodies and harmonies, this eleven-song album features some of his catchiest songs yet.

David’s lyrics aren’t obtuse, he says what’s on his mind, and you get it immediately. He launches things with the biographical jangling gem “Last of the Full Grown Men,” about a midlife crisis and picking up that guitar to take a “break from the insanity.” The mid-tempo “Get it Good” boasts a great bridge full of harmonies, and “I Can’t Make the World a Better Place” gets across the frustrations of the world today and the limits of what a musician can do.

His glorious Beatlesque side comes through on “Flower Power in the 80s” and “I Used To Be Cool.” These great catchy songs contrast with the calm tone and adult-oriented anxiety of “Riptide.” The 80’s rock riffs appear on “Grace Under Pressure” and “Coming to Life.” It finishes with the delicate “Only What Love Requires,” including a subtle piano melody and strings. There are more than enough great songs here to make this one highly recommended.

KoolKat Musik | Amazon

Ward White

Ward White “Here Come The Dowsers”

Ward White weaves together character vignettes voiced by many personas in his new album Here Come the Dowsers, which explores the disillusionment they all feel for the movie business. The concept album is a good way to tell the story from different points of view, and it also gives White a chance to add an emotional twist to each tune. There are several notable tracks here. Starting with “Continuity,” it’s an effective narrative of the life of a stuntman that soars musically. The title track “Here Come The Dowsers” equates the birth of a studio movie product with water divination in the desert of early 20th-century Hollywood. The swaying arrangement has multiple melody lines and harmonies.

“Our Town” is another grand melody about the cutthroat competition, and “Johnny Fontane” is about a producer stubbornly casting for The Godfather. The musical tone recalls Ray Davies and The Kinks’ early 1970s era in spots. “Pick Up Your Face” is a commentary on a starlet’s fleeting beauty, with a catchy keyboard chorus. Although the personalities and lyrics presented can become overly obscure (i.e., Louella Parsons), it doesn’t diminish the musical pleasure. This is an album that requires multiple listens to appreciate. Highly Recommended.

Amazon