EP Reviews: Colorworks, Todd Wicks, Bracket

Colorworks “Dream of Mangoes”

Seattle quartet featuring the vocal duo Bret Dylan (guitar) and Nick Myette (bass) alongside percussionist Andrew Ginn and guitarist/keyboardist David Easton. The sound is very sunny pop with a great melodic sense, after the psychedelic “Daydreams” it veers into the bouncy pop of “Pears & Mangoes” with its sweet harmonies and minor chords. “She Said No” is my fave here; part Zombies, part Rundgren – all catchy goodness. These guys recently finished playing IPO Seattle. Highly Recommended.

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Todd Wicks Dream Cruise “Todd Wicks Dream Cruise”

More traditional rock release from Todd Wicks (Prime Ministers) and the songs focus on universal emotions (obsession, grief, love, resignation) found living in suburban Detroit. Nicely produced, with steady guitar on my favorite track here “Rock Yourself.” Best of all, it’s a FREE download on Bandcamp.

Bracket “The Last Page”

Forestville, California band that gave us the wonderful Hold Your Applause a few years ago, tries an experimental album that is one single track at over an hour and 10 minutes long. It zips through melodies at a quick pace, buzzsaw riffs one minute, Zappa-like instrumentals and multi-tracked harmonies the next. The lyrics say “its a work in progress” at 4 minutes in and it feels like a collection of demos strung together. However some brilliant stuff is buried in here, so be patient. Worth the trip.

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Bracket “Hold Your Applause”

Bracket is a rock band from Forestville, California that gives us power pop in the tradition of Superdrag, Extreme and Sugarbomb or more simply put, Bracket combines buzzsaw punk guitar with heavenly harmonies. The band has been around since the early ’90s consisting of lead vocalist and guitarist Marty Gregori, bassist and backing vocalist Zack Charlos, drummer Ray Castro and guitarist and backing vocalist Angelo Celli. The arrangements have a rich baroque feel, performed with an aggressive guitar attack at the forefront – a trick few bands can do convincingly.

It grows on you like moss, starting with the vocal multi-tracked “Not A Pear” the brilliant harmonies and ukelele strum coming forward. “Caving In” and “The Light” have catchy melodies led by a riff attack in each chorus. “She’s My Eraser” adds a Jellyfish-like composition to the mix. The bands range is also impressive, “Mandy Lynn” is at its most romantic while “The Opportunist” is a fast paced punk effort. However the album is best represented by the pensive, layered songs like “My Phantom Limb” being my favorite highlight. The latter half gets a bit more influence from The Beach Boys Smile-era with “Daddy-in-Law” and “A Striking Disappearance.” Then “Gone” and “Habit” are epic musical journeys along the lines of Queen or Lollipop Factory. The songs seamlessly blend into each other, almost to a fault. But if you liked any of the bands I mentioned above, then Hold Your Applause is required listening. Highly Recommended.

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