Brad Brooks “God Save The City”
Brad Brooks’s latest album was in process when he got a cancer diagnosis that nearly ended his career, and he channeled that renewed passion into each note. The title track rocks with gusto, sax solos, pounding drums, and guitars riffs drive the glam-styled melody. Then it transitions to ’70s influenced blue-eyed soul on “Feel The Might” and “Why Do You Hurt.” Fans of Motown pop and Hall & Oats from that era will enjoy this.
Brooks sings with an authenticity that resonates. “Strange Fruit Numb,” continues the funk and groove, akin to a lost Lenny Kravitz hit. The rock-style returns on “Lee Marvin’s Uzi” a strong layered composition, and other highlights include “Angel of Angles” and the brilliant melody on “Do The Same For Me.” Brad deals with his mortality directly on the piano ballad “Scared Was I.” Highly Recommended.
Joey Molland “Be True To Yourself”
At 73 years old Badfinger’s Joey Molland is the sole surviving member of the band’s power-pop legacy, and he’s teamed up with famed Ringo Starr producer Mark Hudson. The collaboration is so natural, I wonder why this didn’t happen many years ago. An added bonus is the star-studded support in the studio; Steve Holley (Wings, Ian Hunter), Jason Scheff (Chicago), Micky Dolenz, and Julian Lennon.
Molland sounds good for his age, and the approach on “This Time” is chocked full of great sonic details; overdubbed harmonies, horns, and a bluesy guitar solo that fits like a glove. Like Ringo’s recent past successes, Hudson’s slick production lifts these songs to greatness, for example, “Better Tomorrow” is a catchy gem that looks to a positive future, as Joey is an eternal optimist. But the shining jewel here is the Beatlesque “Rainy Day Man,” with its winning riffs and backing harmonies. This is the best Molland song I’ve heard since his Badfinger days.
There are little “easter eggs” all over the album for fans, with familiar guitar signatures and flourishes. “All I Want To Do” is the type of song we wished Paul McCartney would do again. “I Don’t Wanna Be Done With You” is yet another great highlight. On the ballads, Joey’s grizzled age comes out a bit more on “Heaven” and “Shine,” but the songwriting is consistently excellent all around. This successful comeback is worth more than a Highly Recommended status, but a spot on the year’s top ten. Don’t miss it!
Joey Molland also did a recent interview about his years in Bandfinger and his bandmates.