Amy Rigby “Hang In There With Me”
Amy Rigby has been a sane musical voice of truth since her debut in 1996’s Diary of a Mod Housewife. Early in her career, she worked with her husband Will Rigby (dB’s) and then collaborated with Wreckless Eric (who she later married in 2008).
Hang in There With Me focuses on mortality, aging, and youthful missteps looking back over the years. “Hell-Oh Sixty” really lays it out plainly, but without bitterness or regret. She explains each decade with verses that define her feelings at the time, all accompanied by a powerful guitar strum. Rigby embraces this “cool” persona throughout the entire album. The theme is that no matter how old you get, the question remains, “Should you quit, or at least slow down?” The music asks again on “Too Old To Be So Crazy” and channels brilliance with “Dylan in Dubuque” as she sings “Sometimes I play the martyr, but I mostly play myself.” Plenty of solid songs here make this definitely music that deserves to be heard.
Colman Gota “Don´t stop playing guitar”
Colman Gota from Spain took four years to create this new album with producer John Pfiffner, which also his debut on Kool Kat Musik. Gota’s energetic guitar work is a supported by a catchy “na na na” chorus on the opener “Big In Taiwan.” The frantic pace continues on “Always Late,” and the title track “Don’t Stop Playing Guitar,” Colman keeps things lyrically simple but remains nuanced. Unlike past albums where he emulated Tom Petty’s style to a degree, here he leans on the big riff and chorus much more.
Another notable track, “Crack the Code” is a question of communication with your partner, and “Paint It White” adds some horns to the mix, and the arrangement is richer for it. His batting average is higher here than in the past, and with 17 tracks this feels like a double album. Other highlights include “Enemy,” “Two Chords and a Lie,” and the twang infused gem “Way Around It.” Overall a very nice representation of Gota’s talents and it definitely is highly recommended.
