Tag: Cotton Mather

Tuesday EPs: Cotton Mather, Orouni, You’re Among Friends

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Cotton Mather

Cotton Mather “Young Life” EP

Following Cotton Mather’s Wild Kingdom album from April, bandleader Robert Harrison’s ambitious goal of his “Songs From The I Ching” project is near the halfway point. The project includes writing 64 tracks, one for each hexagram of the I Ching, the ancient text which he refers to as an “extraordinary book about ordinary life”

Young Life E.P. adds six more originals to the project and its sadness is apparent as these are the final recordings with the band’s late bassist, George Reiff, who’d been with them since the Kontiki days.“Mighty Girl” is a standout with a jangling riffs and poignant chorus. “Dutch Light” continues the somber tone, with the sole rocking songs here “Eleanor Plunge” and “Shepherds Purse.” Harrison’s music is consistently excellent and highly recommended.

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Orouni

Orouni “Somewhere In Dreamland” EP

French band Orouni isn’t power pop, but it is a lot of fun to listen to. I enjoyed “Makeshift Fans” from their 2014 album Grand Tour. This EP was a little more mainstream reinterpretation with French-British artist Emma Broughton (Bon Iver, Lisa Hannigan) providing the lead vocals. The distinct percussion is what stands out, “Speedball” is a quick bouncy tune, and “Unca Pugilator” has catchy synth chorus with Emma’s light as air vocals. This short EP is definitely worth exploring.

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You're Among Friends

You’re Among Friends “One Day You’ll Look Back” EP

This Cleveland rock band has been described as “bluesy power pop,” but it sounds to me a little bit like a really loose version of Steely Dan, the jazzy “I’m Happier Now” and funky wah-wah chords on “Back To Work Tomorrow” are worth exploring. The production is a little muddy, but the band does a good job in composing each song. And you can explore the band’s entire output on Bandcamp and you can name-your-price.

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Plasticsoul and Cotton Mather

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Plasticsoul

Plasticsoul “Therapy”

Steven Eric Wilson took his sweet time to deliver Plasticsoul’s follow up to Peacock Swagger. The opener “My Heavy Soul” is the calm before the storm, the title track screams out with Wilson’s trademark heavy riffs. “They All Died Pretty” is another melody thick with layered guitars and “In Her Raincoat” adds layered harmonies to the Cheap Trick meets Big Star-like jangle.

For all the greatness of the best Oasis song Noel Gallagher never wrote “Come Down From Your Raincloud,” it takes a few curious twists. The forgettable bossa nova tune “The Girl of Many Tribes,” and the long “King of Hash” resemble Anton Barbeau’s experimental side. Thankfully the fast paced “Monkey On A Stick” brings things back with shades of Led Zepplin, and the fantastic “Keeping A Light On” and “Biff Bang Pow” take it to the next level. Overall, worth the wait and makes my nominee list for best power pop album of 2017. And hopefully, it won’t take another 8 years to deliver another album like this one. Highly Recommended.

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Cotton Mather

Cotton Mather “Wild Kingdom”

Robert Harrison’s mystical songwriting quest to create 64 songs that correspond with the 64 hexagrams of the 3,000-year-old Chinese book “I Ching” continues from last year’s The Death of Cool. The new LP’s opener “The Cotton Mather Pledge” is unapologetically power pop, with a fantastic guitar riff alongside its fuzzy synth and strutting vocals. The songs all vary in style, like the pop hook of “Hide yourself from me…” in the chorus of “Fighting Through” to the brooding, bass-led “High Society” where the instrumentation reaches a blistering piano crescendo.

Overall no real duds, and plenty of great catchy rock in “Better Than A Hit” and “Girl With A Blue Guitar.”  A few songs make an effort to tell a bigger story, like “King William” with its Lennonesque approach or the slow psyche-pop march of “The Army” deserve multiple spins to stick. And that may be the biggest complaint here, as good as it is – no song stands out or digs into your head immediately. Still, a very highly recommended album.

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Cotton Mather and Lazy Lies

powerpopaholic
Cotton Mather

Cotton Mather “The Death of Cool”

Cotton Mather’s Austin-based main man, Robert Harrison is back in a big way, converting his vision of the “I Ching” into a musical box set and The Death of Cool is his first volume in this highly anticipated release. Opening with “The Book of Too Late Changes” proves Harrison hasn’t lost a step in 15 years, with its crashing drums and sharp guitar riffs worthy of classic Who or The Raspberries. The tempo shifts with the somber country ballad “The Middle of Nowhere,” but the tone adjusts with the bouncy “Candy Lilac” full of irresistible musical touches and its sparse jangling rhythm.

One thing to note is that Harrison doesn’t stay with a certain style for long, but keeps the melodic content high for each tune. The jazz horns make the Lennonesque “Life of A Liar” erratic but very interesting. The impressive chamber pop of “The Land of Flowers” is a real gem with its gentle backing harmonies and “Waters Raging” is another highlight sounding a bit like Squeeze with its strong horns and psyche-pop flourishes. This is essential listening for power pop fans, and deserves repeat listens and stands right behind Kontiki, I look forward to the next chapter of Cotton Mather. Highly Recommended.

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Lazy Lies

Lazy Lies “Lazy Lies”

Thanks to Ray (Kool Kat) for this find. The Lazy Lies are a band from Barcelona, Spain with a sound straight out of the British Invasion circa 1965. The main vocalists are the duo of Montse Bernad and Roger Gascon and the opener “(Things Will Eventually) Backfire” is classic Beatlesque fun with a catchy Rickenbacker melody and clean harmonies. “Who’s That Sally” allows the duet to sing about a Beatle paramour who had songs written for her.

Another standout is the plinking piano of “Beautiful Morning,” a fresh, sunny chorus designed to put you in a good mood and “Feel The City Alive” is like finding a lost Monkees tune. When Montse sings alone her vocals are reminiscent of Dusty Springfield, as heard on “The Great Desire.” I feel the limitations of the period style hold this band back a bit. Still, if you are looking for a Fab Four fix, this will scratch your itch nicely.

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