Michael Rault “It’s A New Day Tonight”
Toronto musician Michael Rault has a great knack for solid ’70s riffs and classic power pop style. Opening with some nice guitar work on “I’ll Be There” it’s like a glorious mix of Badfinger and T-Rex. The careful arrangements and simple structure allow Rault’s melodies to come through. The album takes its inspiration from the act of sleeping and dreaming. “Sleep With Me” is like a lost Emmit Rhodes single with fuzz rhythm guitar, lush harmonies, and a sweeping string section.
“Oh Clever Boy” is McCartney styled gem, and the pace slows up on “Sitting Still” although the neat bassline makes that tune work. Things seem to stall a little on “Dream Song,” but I get that the next few songs act like REM sleep snippets. The full Beatlesque melodies come back on “Out of The Light,” its got a scratchy vibe – like an old 45 you found. “Sleeping and Smiling” has a dreamy 10cc quality and the sprawling closer “When The Sun Shines” has some nice George Harrison styled slide guitar. Overall solid execution and the ear-catching melodies make this the equivalent of power pop comfort food. Highly Recommended.
Daisy House “Bon Voyage”
The Southern California folk-rock duo of Doug Hammond and his daughter Tatiana are back after last year’s successful Crossroads. The vocal dynamics of the songs remind one of the late 60’s harmony bands Mamas & Papas or CSN, but the songs are thoroughly modern and touch folk, rock, and country genres. Bon Voyage continues the band’s sophisticated songcraft on the title track, a strummed gem with a Spanish-styled rhythm. “Stop Looking’ At Me” is a topical song about sexual harassment. You kind of expected Liz Phair to do something like this, but Tatiana pulls this off perfectly. The apprehensive shuffling “Persephone” is along similar cynical lines.
The chamber pop of “A.I. Girls” makes good use of Doug’s higher vocal range and on “Let’s Do it Again” Tatiana channels Chrissie Hynde with its catchy power-pop chorus. Of course the Byrdsian folk jangle returns on “Over The Hill” and the trippy “Like A Superman.” It takes a few chances, as “Heavenly” feels overproduced, but the classic ballad “Til The End Of The World” is near perfection. The songwriting is top notch, along with the multi-layered instrumentation. Highly Recommended.
