Tag: Dowling Poole

The Dowling Poole and Tommy Sistak

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Dowling Poole

The Dowling Poole “See You, See Me”

Willie Dowling and Jon Poole are back, and by combining strong production values and the influences of XTC (specifically, Andy Partridge) continue to bring us great music. The album theme is an unrepentant political protest of the Trump-era. Starting with the title track, “See You, See Me,” Willie laments “the dumbing down of a nation in defeat” by weaving multiple themes together. “The Product” has a more techno rhythm and beat, and with “Hope” the influence of Prince is obvious. Technically the band has never been better,  although the melodic hooks are buried a little deeper than I would like.

“Alison’s Going Home” opens a scenario sounding more akin to Jellyfish with a wonderfully inventive composition about an Afghanistan War veteran returning home and taking in “the armchair medicine” on TV. “Made In Heaven” and “Keeping The Stupid Stupid” about the state of our political mess is right on the nose; “don’t let the facts get in the way… and history repeats.” “The Last Train Home” is a lounge-styled lament about a “Never Trumper,” and stating “when his sanity was normalized, we whispered someone should be notified.”  Highly Recommended (unless you are a Trump fan.)

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Tommy Sistak

Tommy Sistak “Music For Sale”

Tommy Sistak returns with his Beatlesque talents to give us Music For Sale. “Come Find Me” and “Away From You and Me” has that infectious early Merseybeat sound, and it’s a lot of fun. The lead guitars are less prominent here than his last LP Ready Set A Go-Go, while the rattling rhythms and vocal harmonies remain.  The quaint music hall stylings of “A Good Friend” and “Then All The Hearts Were Broken” bring to mind both early solo McCartney and Harry Nilsson.

While derivative, Sistak puts enough of his signature style in it to keep it interesting. Some of the songs also bring to mind The Searchers, like on the standout “With My Imagination.” Tommy plays all the instruments on the LP, with drumming provided by Gerard Pagliuco. On an acoustic version of “Come Find Me” the additional harmonies make this closer to an Everly Brothers single. Fans of this retro-rock style will really enjoy it, so pick it up! It’s music that deserves to be heard.

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The Dowling Poole and Bill Lloyd

powerpopaholic
Dowling Poole

Dowling Poole “One Hyde Park”

The Dowling Poole takes the whimsy and stagecraft of the first album, Bleak Strategies and turns the knob up to “11.” Willie Dowling (Jackdaw 4) and Jon Poole (Cardiacs) have made quirky XTC styled pop with even more layered narrative elements, as the brilliant opener “Rebecca Receiving” is gloomy song about aging played to a bouncy march in a world “shattered and torn.” The manic tempo continues on “Fight, Fight, Fight” with a twisted organ chiming in on the melodic joy of horns, guitars and “ba-ba” harmonies.

“When She Knows, She Knows” is another example of psychedelic Brit madness and “Vox Pops” is full of high melodic sarcasm, with a nice Brian May-like guitar break midway through. The next several track play out like late-era 10cc with “Hope and Glory” and “Bring Back The Glory” having a dream-like quality. “Whatever” actually goes off into a prog-rock trip, before we circle back to the epic title track, with its swelling chorus of “Barbed Wire On The Chelsea Bridge…” Overall no filler, but its also not as immediately catchy as the first album. After repeat listens, you’ll appreciate every “ba-ba” and pop culture witticism. Highly Recommended.

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Bill Lloyd

Bill Lloyd “Lloyd-ering”

We all love comfort food. That’s what country-power pop veteran Bill Lloyd released on Lloyd-ering.  The goal of a covers album is to introduce the music to those who aren’t familiar with the original and/or make it there own. Lloyd definitely accomplishes this with a very eclectic selection of pop tunes.

The joyful update on the Bobby Fuller Four “Let Her Dance” turns into a much needed Lloyd gem. The key here is Lloyd picks songs that are less familiar to the average listener. Excellent covers of the Byrds “The World Turns Around Her,”  The Hollies “Step Inside” and Badfinger’s “Lonely You” are simply perfection. And the instrumental prowess on The Raspberries “Goin’ Nowhere Tonight” begs to be played at full volume. On the ballads, its less so, as both Lennon’s “Across The Universe” and Lovin’ Spoonful’s “Coconut Grove” are songs where the original vocals are more distinctive. Otherwise, this is a sweet collection while we await Lloyd’s next LP full of originals. Highly Recommended.

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https://www.youtube.com/watch?v=HhxMp3GKyQY