Dr. Cosmo’s Tape Lab and Gregory Pepper

Miracles of Modern Science

Dr. Cosmo’s Tape Lab “Coconut Summer Drop-In 432”

The Coconut Summer Drop-In 432 is brilliant parody-homage of The Beach Boys Party!, Smiley Smile, and Surf’s Up albums with ukuleles, bongos, casiotone keyboards, and gorgeous harmonies. Studio chatter and party atmosphere on the opener “Ready Steady Beach!” ring with authenticity.

Next the brilliant “Too Hot To Sleep” is a slow stoner theme with Spanish verses, and lovely Smiley weirdness. More gems include “She’s Crazy” and “Andiamo” which are catchy and fun. “High Inside (The Lost Frontier)” channels the song “Surf’s Up” perfectly. The album is peppered with atmospheric filler, but for Beach Boys fan this is a special treat. Highly Recommended.

Bandcamp only


Gregory Pepper & His Problems

Gregory Pepper & His Problems “CHORUS! CHORUS! CHORUS!”

I love the honest emotion of this new Gregory Pepper LP. Like a mix of Ben Folds and Weezer, each song is a tightly constructed arrangement with a catchy melody. “Crush On You” is fuzz guitar anthem to teen hormones and the hilarious un-PC bitterness of “Smart Phones For Stupid People” and “I Wonder Whose Dick You Had To Suck” make it stand out (and tons of cursing helps).

The irony of “Chorus! Chorus! Chorus!” is that each song only has a single chorus and the music is so quick (most songs are under a minute and a half) it feels like fleshed-out demos. They Might Be Giants did this on “Fingertips” to comedic effect too, but I’d love to hear a second verse at least. Still — this is a sweet distraction worth getting into.

Amazon

The Power Cords and Dr. Cosmo’s Tape Lab

The Power Chords

The Power Cords “Stray Comets”

Los Angeles indie pop/rock band The Power Cords are Jeff Rosenfeld and Ezra Siegel, who split lead vocals throughout the new album Stray Comets. Starting with the bouncy theme “Puppeteering” it’s catchy 90’s alternative rock that’s easy on the ear. “Panic” is even better with a solid ear-worm in the chorus, with heavy power chords that make it clear how the band got its name. And the bands not a one trick pony, as the compositions vary to keep things from getting too predictable.

The sound shifts to new wave pop on “Luxetine Dreams” with sparkling synths and the mellow mid-tempo melody of “Surface of The Moon” conveys the loneliness of space and rejection. And it shifts styles from vintage rock to power pop with great chord shifts on “1982.” It also has a whimsical Oasis-like theme in “Stuck Here Again.” Highly Recommended to fans of The New Pornographers, Weezer, or The Shins.
power pop

Amazon


Los Breakdowns

Doctor Cosmo’s Tape Lab “Beyond the Silver Sea”

If anyone was to make an audio children’s fantasy I couldn’t think of a more irreverent band with solid 60’s pop style than Doctor Cosmo’s Tape Lab (aka Joe Kane & Stu Kidd). If you liked Harry Nilsson’s The Point! and Yellow Submarine, you’ll find a new favorite here. Starting with narrative by artist Adam Smith in a thick Irish brogue it then opens into the wonderful Crosby Stills and Nash styled harmonies of “City and The Stars.”

The story itself is about a boy named Max in a Sense Factory to make sense of things. The narrative precedes each song, and the story gets more bizarre as it moves forward. But it’s all a vehicle for some great late 60’s pop compositions that resemble bands from The Hollies to The Small Faces to Donovan. With 24 tracks (that’s 12 songs) you’ll have great fun playing “spot the influence” and following Max’s journey into psychedelic bliss. Highly Recommended to lovers of nostalgia and great sixties pop.
power pop

Bandcamp only

Dr. Cosmo’s Tape Lab and Dropkick

Dr. Cosmo’s Tape Lab “Ever Evolving Lounge”
Joe Kane (The Owsley Sunshine, Them Beatles) and Stu Kidd (BMX Bandits, Wellgreen) do a great job capturing the spirit and sound of late sixties bubblegum pop with Dr. Cosmo’s Tape Lab. Fans of The Monkees, The Ohio Express and The Strawberry Alarm Clock will really love this album. The duo faithfully re-creates the swinging sound, but the music itself is something wholly original, so you won’t be simply playing a game of “spot the influence.”

“A Sting In The Tale” has funky beat and a catchy, suggestive chorus perfect for go-go dancing. “Adopt A Rabbit” has plenty of vocal gymnastics and moog effects that one up Syd Barrett, then “Why Did The Chicken Cross The Road?” chugs along like those Turtles hits with silly lyrics and key changes. You can break out the incense for the psychedelic “The Secret Of The Tibetan Grapefruit Is…?” And the fascinating “Trading Time” plays out like a lost High Llamas track. Overall, not a filler track to be found. Highly Recommended to all those with a healthy love of nostalgia and sunny melodies.

Amazon | Bandcamp


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Dropkick “Homeward”
Scotland’s Dropkick delivers their most polished effort to date with it’s strong compositions and heavenly harmonies, it will please fans of The Jayhawks, Wilco, and The Pernice Brothers. “Come Home” starts with simple strums and some steel pedal and sweet West Coast styled harmonies. “When It Starts” has a jarring discordant chord that gives way to brothers Andrew and Alastair Taylor’s sorrowful balladry.Then “Halfway Round Again” bounces in, with its hypnotic, rhythmic riff. The best tune here is the superb “Jump Start” with its soulful organ melody and rich layered sounds.

The remaining tracks on the second half are almost as memorable, the quality musicianship keeps your attention with “Style” the poppiest track on the album and the catchy percussive rhythm of “Wishing” brings a glimmer of optimism to a fairly melancholy album. The band puts its heart on its sleeve here, as one of those great sad albums you listen to in a darkened room.

Amazon | Bandcamp