Tag: Dropkick

Alex Fleuris and Dropkick

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Alex Fleuris

Alex Fleuris “A Lifetime Of Bullshit”

French rocker Alex Fleuris (Crusaders of Love) moved to Montreal to record an album and got all the demos done but along the way, life happens (Covid, day job, etc.) so rather than wait, Alex decided to release these songs, and he did everything here except a few drum tracks.

Starting with “Don’t Care About Nothing” it has that Phil Spector wall-of-sound approach, with a sweet jangling guitar break.  The Raspberries-like “I Should Have Never (Got In The Way)” has a driving riff and compelling melody. Alex’s skill here is on full display, and “Word Gets Around” is a multi-layered tune, and like the others, the solo bridge is exceptional. “Street Girl” feels like a lost ’80s pop hit, and the ender “Memories of a Sad Clown” is another example of epic classic rock songwriting.

Now this would be so much better with some professional mixing and mastering, but that said I think there are some excellent songs here. Maybe some enterprising record company will take it to the next level. As it is this is music that deserves to be heard.

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Dropkick

Dropkick “The Wireless Revolution”

Andrew Taylor returns to his main band, after a few new projects and collaborations. Dropkick operates at the intersection of mellow Americana and jangling power pop, and after nearly a dozen albums (including lockdown sessions) Dropkick moves forward in Byrdsian fashion. The Wireless Revolution notes in the opener “Don’t Give Yourself Away” that “this place feels different than before,” all to the confident melodic strums. But not much has changed as far as musical quality.

Taylor has a knack for smooth melodies, and his songs are consistently great. “Telephone” is the first big standout here with a strong chorus, and even the better “Unwind” adds those delicate harmonies to the mix. The other bandmates get props too, Ian Grier and Alan Shields on tracks like “The Other Side.” Overall Dropkick does great work here, “Wouldn’t Know Why” is another highlight with a fantastic bridge. And this is another highly recommended album.

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New singles for February: Mike Viola, Lemon Twigs, Popsicko, Matweeds, Dropkick, Hot Nun, Wesson

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Rejoice! A new Mike Viola album will soon be upon us! The first track “Paul McCarthy” is a not-so-subtle look at the life of a certain Beatle. The Lemon Twigs also have an advance single release, and “Corner of My Eye” features a heart-breaking lead vocal. Big Stir releases a new single from the late 90’s band Popsicko, and “Ashtray Mouth” was written by frontman Keith Brown. RumBar Records release the rare Boston punk pop band Matweeds only recorded material, a “lost” classic for sure.  The prolific Dropkick is also back (does Andrew Taylor ever sleep?) and we’ve got the advance “Telephone.” After scoring in our top ten last year, Jeff Shelton is back with the heavy riffs of Hot Nun again, although this track feels really closer to The Well Wishers style. Finally Brit alt. rocker Chris Wesson is a new discovery for me, and he deserves to be heard by you.







Ho-ho-holiday music: More presents under the tree for y’all

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More brand new Christmas music. Love the collaboration by Coke Belda & El Inquieto Roque here, more traditional goodies from Dropkick, and Riverboat Gamblers, We have the youth vote with The Linda Lindas, and the sexy “Hey Santa” by Cindy Lawson. The Light Music Company is Mr. Martin Newell (The Cleaners From Venus) of Essex and Ms. Rachel Love of Sussex, whose combined talents have concocted this small oeuvre of their compositions to help facilitate your enjoyment of the festive season. Before we get too dignified, The Stompers gives us what we really want for Christmas, and punk princesses The Dollyrots do the “Chipmunk Song” — OK? A last-minute addition is Kai Danzberg‘s “Last Christmas” with a different melody.

 









While not a Christmas tune, this is a rare one by Jamie Hoover (Spongetones) hosted by fellow blogger Richard Rossi. Lots of fun!

May EPs: The Martial Arts, Cliff Hillis, Dropkick, Old Town Crier, Joe Dilillo

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The quirky under-rated Martial Arts does what it does best. Brilliant modern pop in “Guilt By Association” and “Bethany” with memorable choruses, and “The Wild Humdrum” is a Sparks-like gem that is just too much fun. Cliff Hillis gathered his “Brunch Sessions” inspired by this past year of social distanced shows, and I just love the acoustic version of Nik Kershaw’s “Wouldn’t It Be Good.” So UK band Dropkick has been super busy this year, dropping a Greatest Hits LP, and releasing expanded editions of their first 2 LPs. A FREE sample of “Obvious” is here for you to pick up. Old Town Crier aka Jim Lough makes us an old-fashioned blues pop EP; “Don’t Go” is a keeper. Unsung heroes are what power pop celebrates, and we should celebrate long-time producer-engineer Joe Dilillo coming from behind the soundboard to the microphone with “Loser Girl,” a great ballad with help from the Lickerish Quartet. More details on Joe at 50thirdand3rd.

The Vapour Trails and Andrew Taylor and the Harmonizers

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The Vapour Trails

The Vapour Trails “Golden Sunshine”

The echoing jangle of the Vapour Trails new LP shares those neo-hippie vibes, as this Scottish band feels more like it belongs on the streets of Haight-Ashbury than Aberdeen. The title track, “Golden Sunshine” is a cascading series of dream-like guitar arpeggios with muscular wah-wah riffs close behind. Fans of The Byrds, Beatles, and Buffalo Springfield will really enjoy this music. It’s psychedelic with a capital “P” on “Dr. Barnes” with its sitar and tambourine rhythms.  Another gem here is “Lonely Man” with its catchy melodic composition and “Different Girl” dazzles with its harmonized verses.

It’s the unique vocal arrangements of male and female voices that make The Vapour Trails standout from the crowd. “Sometimes (Thinking of You)” is a great example of this, with a simple acoustic guitar and layered acapella. In addition, each song has a compelling approach, either “Strange” with its trippy jangle rhythm or the stunning Rickenbacker melody of “Behind You.” The styles and mood shifts often enough to keep things unpredictable, additional highlights include “You Wonder Why?” and the epic closer “Seabird.” Fans of the classic California sixties pop sound should not miss this one. Highly Recommended.

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Andrew Taylor and the Harmonizers
Andrew Taylor and the Harmonizers

Andrew Taylor and the Harmonizers “Lockdown Session: May 2020, June 2020”

What started in April with Andrew Taylor (Dropkick) as a Covid-19 lockdown songwriting session in Scotland during April – has expanded to a monthly full-band effort. Andrew gets help from Alastair Taylor (Guitars,) Ian Grier (Bass, Keyboards,) and Iain Sloan (Pedal Steel, Guitars). In the May sessions we start with the workmanlike pop of “St. Leonards,” and those harmonies and steel pedal chords lead the way. Other highlights include “I Wouldn’t Be Anywhere Else,” “Turn Around,” and “Change of Heart.” The country-folk jangle is easy on the ears and the musicianship is solid, even if the songs tend to blend together a bit.

The June Sessions are more varied in style, and “I’ll Never Win” adds a little synth to the catchy melody. Between two slow almost somnambulistic ballads, we get the optimistic “For This To Pass,” and it’s great to hear those electric guitar riffs. “Ploughing On” is closer to Dropkick’s normal sound. The final song “You’re Not Right” (written in 1997!) is another highlight. These sessions are all a “name your price” download, so there are no excuses. Check it out!

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