Tag: Fastball

Dan Israel and Fastball

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Dan Israel

Dan Israel “Social Media Anxiety Disorder”

Minneapolis singer-songwriter Dan Israel is back with his 15th studio LP, and he’s better than ever. While always a reliable roots rocker in the tradition of Tom Petty or Steve Earle, on Social Media Anxiety Disorder he hits it outta the park. “Be My Girl” is a gem that blasts out the horns and guitar riffs with abandon and a solid hook that will stick in your head quickly.

Next “125” is a mellow psych-pop tune that comfortably grooves, and “Just Can’t Take It” is a catchy gem that sounds like Bob Dylan playing with Mark Knopfler. “I’m Still Lost” is a soulful examination of anxiety and facing it head-on. “Another Day” and “Alright” are uptempo rockers that resonate, and he revisits the earlier theme on “Just Can’t Take It Revisited,” and its a clever deconstruction. No filler here, each song brilliantly captures Dan’s emotions and insecurities. This LP is built for multiple listens and highly recommended.

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Fastball

Fastball “The Help Machine”

Platinum-selling band Fastball is known for smart catchy power-pop and its latest LP is another strong effort that leans heavily on the great songwriting from Miles Zuniga and Tony Scalzo. However, the musical hooks so prominent on past albums are in shorter supply here. While the quality of the music remains excellent, the mood is mainly dispirited.

The world-weary “Friend or Foe” projects a sense of angst with all the uncertainties of life. Scalzo’s “White Collar” is an early highlight, with some terrific shifting chords and tight harmonies, along with its organ melody. “Redeemed” is a bluesy mid-tempo gem that plays like a sermon with a jazzy guitar solo. One of the few uptempo tunes “The Girl You Pretended To Be” is like a bouncy early Elvis Costello song with a steel pedal country vibe. But most of the songs are lovely ballads like “I Go South” or “The Help Machine,” which focuses on that empty existential feeling as Zuniga croons “I don’t want to spend my life chasing money.” A downer, but so well done. Highly Recommended.

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Reissues: The Posies and Fastball

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Some of the greatest power pop ever was produced in the 1990’s. Omnivore has recently released expanded editions of these classics. 

The Posies Dear 23

The Posies “Dear 23” Expanded Edition

The major label debut from The Posies became an instant classic and put The Posies on the map. Like a modern-day version of The Hollies, the ambitious duo took notes from their Merseybeat forefathers and combined it with a Big Star-like attention to detail wrapped up in a baroque pop package. Remastered from the original analog masters; one CD containing the original album, plus enough bonus material to fill out the rest of the CD; and an additional CD of demos and other bonus material. Nearly all of the bonus tracks on this new reissues have never been heard before!

Omnivore Direct | Amazon

The Posies Frosting On The Beater

The Posies “Frosting On The Beater” Expanded Edition

In the early ’90s, the Seattle grunge movement took over the nation’s airwaves, pushing other genres aside. The Posies answer to this was to add their trademark melodies and smart lyrics to all the current angst. The wall of distorted guitars and thick drum beats is a direct contrast to Dear 23, but the songwriting got even better and remains the band’s highwater mark. Similar remastering set up; one CD containing the original album, plus enough bonus material to fill out the rest of the CD; and an additional CD of demos and other bonus material.

Omnivore Direct | Amazon

Fastball “All The Pain Money Can Buy” 20th Anniversary Edition

Fastball gave us an excellent example of when power pop and the nation’s musical zeitgeist intersected. The #1 hit “The Way” exploded on the radio, propelling All The Pain Money Can Buy to Gold status in only three months and Platinum another three months later. The release also received two Grammy® nominations, and the band won four Austin Chronicle awards for the album. This remastered 20th-anniversary edition contains the original 13 songs, plus 9 bonus tracks including rare B-sides, compilation tracks, and 4 previously unissued demos.

Omnivore Direct | Amazon

Fastball and Raspberries

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“Fastball”

Fastball “Step Into Light“

One of the most successful and consistently great power pop bands that emerged with the turn of the century has been Fastball. And the band’s latest does not disappoint. Guitarist Miles Zuniga and bassist Tony Scalzo have been the steady force that keeps things together, each share songwriting duties and both have different styles that complement each other. Scalzo with his hook-filled simplicity and Zuniga with his roots-influenced emotion. And its this variety, with the impressive composition and catchy melodies that make this album a gem.

Starting with the driving “We’re On Our Way,” it brings to mind past radio-ready rockers the band is so well known for. “Best Friend” is another great song, with its optimistic riff that asks, “Wouldn’t you like to be my best friend?” Next, the moody acoustic guitar melody of “Behind The Sun” shows off those crisp harmonies. But my favorite here is the ear-worm “I Will Never Let You Down,” with its earnest twangy lead and sing-along chorus.

It then takes a detour with “Love Comes In Waves,” with its quick-tempo riffs reminded me of the band Shoes, and then we are back to the classic Fastball sound with “Just Another Dream.” Overall not a single wasted note, even when Scalzo lets loose with the indulgent “Secret Agent Love” that feels like it was as much fun to play as it was it listen to. And that’s another key to this album. It’s a damn good listen all the way through with fresh sounds everywhere. Makes my top ten album list of 2017! Super highly recommended.

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The Raspberries

Raspberries “Pop Art Live“

“…the house lights went down, we looked at each other and said the words that we never thought we would ever say: ‘We’re at a Raspberries concert.’ Then it began . . . ” —Ken Sharp and Bernie Hogya from the liner notes to Pop Art Live.

On November 26, 2004, the stage at Cleveland’s House of Blues was set for a reunion most thought could never happen—the Raspberries Live In Concert! It had been over 30 years since the original four members of Raspberries last played together, Pop Art Live captures the opening night as the band powers through 28 tracks of hits and a few covers. Mixed by long time Raspberries’ associate Tommy Allen, the band sounds amazing as they recreate the sound that carried the power pop torch during the early 1970’s. This performance led to the successful reunion tour in 2005.

The hits are all here from “Go All The Way,”“I Wanna Be With You,” “Let’s Pretend,” and “Overnight Sensation (Hit Record),” “Tonight,” “Nobody Knows,” plus several Beatles covers and the Who’s “I Can’t Explain.” Another treat is The Choir’s “It’s Cold Outside,” which was a band most of the original Raspberries came from. Another great feature is the lesser known hits here like “I Saw The Light” and “Come Around And See Me.” Founding members Eric Carmen, Wally Bryson, David Smalley, and Jim Bonfanti pull out all the stops to deliver the definitive live experience and triumphant return of these legendary power pop pioneers. My vote for best “live” album of 2017!

Amazon | Kool Kat Musik