Eric Barao “Obsolete” EP
The follow-up album to Eric Barao’s self-titled debut album is finally here and he’s pulled out the big guns in the studio. Mike Viola (Candy Butchers) and Roger Joseph Manning Jr. (Jellyfish) are supporting Eric and all the recording, mixing and production techniques were done in the late 60’s style similar to The Beatles White Album. Jellyfish feels like a big influence throughout, with lots of instrumental flourishes, Queen-like guitar solos, and soft vocal harmonies.
“Nothing to See” slowly builds up from its orchestral prelude to its easygoing chorus that worms its way into your head effortlessly. The title track is an instantly accessible gem, with the pounding piano bed that jauntily gets to our chorus sung by Viola perfectly as he pleads “I’m not obsolete!” Both these tracks have wonderful guitar breaks that compliment the songs. “Unhappy Ending” starts with a Big Star-like riff before heading to Barao-land, layered full with synth effects and mellotron. “Bad For You” stands out because its dramatic and dark, almost like a Broadway villain theme. Next, “My Pussy-Puss” is an overly baroque tune, you almost expect a double entendre here with Roger J Manning Jr.’s multi-tracked vocals. Overall a fantastic EP that stands as one of the best of the year so far.
I Know Leopard “Love Is A Landmine”
Sydney indie quartet, I Know Leopard is a rare breed of retro pop. They look like a cosplay version of Abba but their sound is an amalgam of ELO, Split Enz, 10cc, and Erasure. The title track is mesmerizing with the perfect amount of synth, piano, guitar, and heartbreak. “Heather” is another neon-drenched love song that sounds like a lost ’80s hit. The synths dominate the remaining tracks and bring with it a lounge-like club atmosphere.
Lead singer Luke O’Loughlin’s soft and pained vocals take center stage and brilliantly envelopes you on “All That She Cared About,” “Blame It On Me” and “Seventy Lies.” With Bassist Rosie Fitzgerald adding the anchor to each song, the harmonies and grooves are wonderful. Some songs feel like filler (“Mums and Dads of Satanists”) but once this band adds more hooks to its repertoire, watch out. Definitely, a band to keep your eye on. Highly Recommended.
