Best Compilations of 2023: International Pop Overthrow Vol. 24 and Embers of Aloha

IPO

Assorted Artists “International Pop Overthrow Vol. 24”

Every year, Dave Bash reliably puts out this 3-disc overview of old and new power pop talent. There are always unexpected gems that I never see promoted anywhere else, and that’s one of the best reasons to pick this up. Unlike past volumes, the quality is truly spread across all three discs. Here are some highlights for me:

Disc 1: Opening with The Cowsills on “Ya Gotta Get Up!” is proof that power pop never goes out of style. Sunbourne Rd gives us “Pioneers and Natives,” with its strong psyche-pop vibe, The Parlophonics’ brilliant pop of “Reading Kerouac,” Tyler Graham’s “If It Were Up To Me,” and the 80’s-like strums of 6Kitty’s “Do I Walk.” One apparent thing is that this is not strictly power pop but a huge selection of pop styles.

Disc 2: The jangling dream-pop of Pikal’s “That’s Not Me” or Plasma Chasms’ “Chasing Ghosts” follow a path closer to full psychedelic prog. The optimistic “Yesterdays and Silly Ways” by Thomas Charlie Pedersen is also a standout. Brian Larney & Dean Falcone have the riffs on “Love Signs,” as well as The On and Ons’ “Don’t Wanna Talk About It.”

Disc 3: The 80-rock stylings of Robin Schell’s “Eleven” and Jody & The Jerms’ “Insatiable” both have great hooks. The Love Gamblers’ “Without Love,” Stephen’s Ruin “Lorraine,” Broken Sound’s “Sky Girl,” and Lizard Music’s “Keystone Cops” also all had me very impressed. Without a doubt highly recommended, and we look forward to next year’s compilation.

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Embers of Aloha: A Maui Wildfire Benefit Project

Assorted Artists “Embers of Aloha: A Maui Wildfire Benefit Project”

The people who have suffered because of the Maui wildfires will receive immediate assistance thanks to this musical initiative. The people of Lahaina and the communities located in West Maui will appreciate your generous donation, which will help provide relief to those affected by this terrible calamity. Thanks to my friend, Michael McCartney, for bringing this to my attention.

While most of these songs have already been released, some of them are exclusive to the collection. Featured highlights include Dana Countryman, Star Collector, Timmy Sean, Tammy Ferranti, David Myhr, John Hunter Phillips, and The Hurricane Beach Band (doing an awesome Beach Boys-like track). With 42 tracks, you can’t go wrong. Highly Recommended.

Bandcamp only


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IPO Vol.23 and This is Rock ‘N’ Roll Radio compilations

Why compilations? There is no better way to get an “instant” power pop collection in your head than with these 2 terrific collections from trusted curators with years of experience. If you are looking to keep up with all the new music that’s out there and don’t have the time and money to know “who’s good?” then these power pop compilations are essential shorthand for the rest of us.

 Dana & Carl Present: This is Rock 'n' Roll Radio Vol. 5

Various Artists “Dana & Carl Present: This is Rock ‘n’ Roll Radio Vol. 5”

These guys are still at it?… This Is Rock ‘N’ Roll Radio” hosts Dana & Carl’s newest compilation (Volume 5) does not disappoint. From the sunny surf harmonies of Laurie Biagni’s “Hey Mr. DJ” to the alternative rock buzz of Jeff Shelton’s Deadlights, this collection has a big range of styles and sounds. Some traditional power pop stalwarts, like Chris Von Sneidern’s “Goodnight Sailor,” are a welcome treat, along with newer bands like In Deed with “Peace & Quiet.” A solid 27 tracks and a few station IDs make this one a keeper.
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Mike Campbell & The Dirty Knobs

Various Artists “International Pop Overthrow: Volume 23”

Every year David Bash takes great care to introduce new musical talent with his IPO festival and companion soundtrack. With Volume 23 (!) you get a 3-CD set with 68 tracks. Start with disc one and the 60s sunshine pop of The Tambourine People, it’s a sugary pop gem, akin to The Peppermint Rainbow. The Vinylos uses horns to deliver “The Rain Comes” very similar to the recent Ken Sharp, and Black Mail House has a similar horn-led tune “There’s Only One Way Out Of This.” Other standouts here include Golden Richard’s “Shake Your Hair” and Blake’s “Vinyl Junkie” which is a fitting bio of a music geek.

On disc 2, there is more of an alternating structure between seasoned pros like David Brookings (“One of Us Is Crazy”) and newcomers like Elphonic (“Rapid Transit”), and it’s literally hit or miss with the newer bands. Luckily, the batting average is high. Standouts for me were Lisa Marie Claire’s folky “Paper Letter” and Andrew Stonehome’s “Heartbreaker.”

Disc 3 is the most diverse of artistic styles, starting with the Beach Boys-like “Summer Camp” by Fredrick Julius, and the Beatlesque Sunbourne Rd’s “Dear Jo” and Parlophonic’s lovely “Feel The Light.” The most out-there track this year is the rap (!) by Morty Shallman “Party All Night At Sunset,” and I think LMAFO better watch out! Standouts include Glowbox’s “Test of Time” and Barmudas “Dry January.” Overall, there will be faves for everyone on each disc. Enjoy!

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IPO returns to NYC

It’s been a long time, but it was great to get out and see live music again. The International Pop Overthrow festival returned to New York City this past weekend at Arlene’s Grocery. A lot of familiar faces were there over the weekend; Slybooks, The John Sally Ride, Wendy Ip, Bubble, Eytan Mirsky, Meyerman, The Anderson Council, and The Grip Weeds. The crowd was really into it this year, and as always David Bash was an excellent master of ceremonies. David continues to globe-trot with his festival, heading to Boston next week. If he comes to your town don’t miss it!

International Pop Overthrow Vol.21

Annie Dressner

Various Artists “International Pop Overthrow Vol. 21”

I’ve been reviewing IPO compilations since Volume Ten, and its tough to come up with any new superlatives for International Pop Overthrow CEO David Bash and what he means to the power pop genre. It’s also notable that in an age of disposable digital downloads, he stubbornly creates a great tangible CD product that is well designed, researched and curated. This year the geniuses at Omnivore Records will be distributing it, so don’t miss out! As is customary, we get lots of new talent alongside old favorites as they stretch the boundaries of what power pop is (or is not). Here are some of my favorite tracks on each disk:

Disc One
Some good introduction tunes start the set, like Kai Danzberg’s “Welcome To The Show” and the syrupy sweet “Together Forever” by Justin Levinson. The deep chords of the slide guitar open Danny Wilkerson’s “You Still Owe Me A Kiss,” and some new artists I liked here include “Read 1 For You” by Searching For Sylvia and “CC It’s Not Me” by The Paper Jets.

Disc Two
A great opener by The Caper Clowns “Pretty & Underwear” is followed later by French power popper Tommy Lorente’s gem “Arthur.” One of the most impressive tunes on this whole set “Come With Me Now” is from David Minchin of The Innocent, as he channels The Raspberries perfectly. You do get some modern influences like The Fulco’s “Tell Me” with a small rap verse and the girl-group pop with Irene Pena’s “Pieces Of You.” Other new bands I enjoyed include Razz Band “Time Marches On” and Hux & The Hitman “How Can They Do That.”

Disc Three
The baroque ’60s of Green Seagull’s “(I Used To Dream) in Black and White” start off the most retro-sounding disc in the set. I really enjoyed The Tearaways innocent mid-tempo love song “I Could Love You Forever” and Emperor Penguins “Jensen Interceptor” reminded me of Love & Rockets. The reliable Plasticsoul’s “Monkey On A Stick” and David Dattner’s “Pinned” shred the chords very well.

With so much good music here it’s easy to find your new favorite band, even though I’ve reviewed many of the artists here. Highly Recommended (as always).

Get it at Omnivore Records

 

International Pop Overthrow Vol.20

IPO Vol.20

When I started reviewing IPO compilations, it was always a special time of year to listen to the new talent that IPO’s David Bash found throughout the globe. And over the past 20 years, IPO has grown to encompass 14 festivals all over the world. From New York to Tel Aviv it has become an institution in the power pop milieu, and a rite-of-passage for many artists seeking a dedicated fan base.

Disc 1:
The Top Boost starts us off with the impressive “What If She Loves You,” but many more good songs are here, my early favorites include Lannie Flowers “Kiss A Memory,” Diamond HandsJust Another Day” and the Beatlesque “I Don’t Know You Now” by Slyboots. Some interesting debuts too; The Harriets “The Hangers On,” the jangling Lunchbox “Everybody Knows” and  The Shamus Twins “You’ll Never Take Her Heart.” If you enjoy 10cc, you’ll love “My Soft Rock Girlfriend” by Blake Jones & The Trike Shop.

Disc 2:
The jangle-tastic Jimmy Haber’s “Chelsea” injects some fresh energy here, but the rookies are what stand out a bit more. Steve Rosenbaum gives us the rare love song for married folk “Kiss My Wife,” the new band Nine Violets “I Will Let You Down” is a catchy gem, and The Tearaways do a damn fine turn on “That’s Rock!” Many bands have those classic ’60s influences, like The Vinylos, Shplang, and New Mystery Girl. Others lean more towards modern folk-pop like Sue Hedges “Two Nearly Touching Hearts,” or Swiss rockers Jengi get more garage-style on “Rod Stewart.”

Disc 3:
The variety is more apparent as the discs are pretty equal in quality, even though by the time we get to the third disc the names are less familiar. Starting with the great harmonies of Crickle’s psyche-pop “Penelope Please” and then Caper Clown’s bouncy “Pockets,” both sound very fresh. More standouts include Leslie Pereira and The Lazy Heroes “Fly Like A Bird,” the very cool sound of The JetBeats “Top Of The Line,” and the glammy Viewers Of “Who’ll Be The One.” Some selections do push the boundaries of the genre, where you really can’t say they represent power pop at all. But the musical quality is what makes this collection an improvement over last year. Highly Recommended.

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