Jeff Lynne’s ELO “Out Of Nowhere”
As a lifelong ELO fan, it’s a wonderful thing that the 71-year-old, semi-retired Jeff Lynne is still churning out enjoyable music. Like 2015’s Alone in the Universe, this is Jeff’s solo as ELO again (although keyboardist Richard Tandy assists on one tune) and playing every instrument. And while it’s a solid outing, please do not compare it to the highs of the band from 30 years ago. But this version of ELO is like comfort food on a cold night, and we should all savor each note.
The title track is a little a simple melody that recalls those Beatlesque days, but it doesn’t really stick. “Help Yourself” is a bit better, with its layered chorus and Jeff’s timeless mantra “You never change/you just keep on being you/you’ve got to help yourself.” The next few tunes feel like Jeff’s coasting a bit. But “Losing You” is gorgeously composed, it’s slow tempo is reminiscent of “Strange Magic.” Then Jeff comes to life with the rocker “One More Time,” and with it a neat series of synth, piano and guitar breaks. The futuristic fast tempos of “Sci-Fi Woman” and “Time of Our Life” both boast solid verses, hooks and sound like outtakes from the Time album. I have no doubt that some will compare this to the fuller sound and production of the past and come away disappointed. But as a Jeff Lynne fan, it grows on you, like most everything he does. Highly Recommended.
Extra Arms “Up From Here”
Ryan Allen makes this a full band effort by removing his name from the headline, and the band is simply Extra Arms. It’s first-rate punk-pop that fans of Green Day or Superdrag will embrace quickly. The first few tunes are barely scraping a minute and a half each. “F.L.Y.” is a joyous middle age piss and vinegar rant that opens things up quickly. “Secret Friend” churns out the fuzz chords and its another winner that you can sing along to.
Extra Arms heavy and fast riffs layered with Allen’s rough vocal are what power pop bands can aspire to, “Comes In Waves” and “No Enemies” keep the driving guitars and pounding rhythm flowing. The thick bass slows the tempo on “Space Jam,” which buries its jangle under reverb and finishes with a sweet acoustic coda. “Up From Here” is another winner, with the biggest, catchiest hooks on the album (maybe this should’ve been the first track?). This slim 8 track LP has no filler and it’s highly recommended. Play it on a loop for the full effect!
