Tag: Joy Buzzer

Joy Buzzer and Willie Dowling

powerpopaholic
“Joy

Joy Buzzer “Pleased to Meet You”

The band was founded in 2021 and features Kevin Lydon on lead vocals, with Jed Becker on guitar and writing the tunes; KG Noble on guitar and vocals;  Nick DeMatteo on bass and vocals, and Mark Brotter on drums. The opener is the band’s first single “Judy Judy Judy,” with its catchy chorus and Jed Becker’s layered guitars recall 80s classic hooks, and the solo break even touched on prog/psyche rock. Kevin Lydon’s vocal perfectly fits and help give the band its signature sound.

It amps the energy up even more on “You’d Be Surprised,” a Beatlesque gem akin to The Weeklings. “Jeanette” brings us back down to earth, as a mid tempo tune with unexpected key shifts and stellar harmonies. There is something here for every power pop fan, from heavier rockers like “The Secret Word” and “You Don’t Even Know My Name” (which was voted coolest song by Stevie Van Zandt’s Underground Garage) to lighter pop gems like “Mamaroneck” and “All These Yesterdays.” The quirky and catchy come together on “Try Not To Be An Asshole,” a personal favorite of mine. While a few songs seemed formulaic, I couldn’t find a bad song here. When its all killer and no filler, it’s definitely on my top ten list for 2024. Super highly recommended!

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“Willie

Willie Dowling “The Simpleton”

Willie Dowling (Dowling Poole, Jackdaw4) goes solo here and displays his formidable melodic talents. The songs are almost prog-pop with dramatic builds on “Let Us Begin” including an operatic piano solo loaded with violins, about a slowly unfolding armageddon. The story continues “Long Drop Down” a compelling tale of a poisonous world “where the liars and the cheats prevail.” Dowling’s influences remain Roy Wood, XTC, 10cc, and a sprinkling of Sparks theatricality. Unlike his other works, most of these songs are piano led, and it sounds similar to a stage show soundtrack.

The concept album follows modern political nihilism, the title track “the Simpleton” is a bio of a TV pundit with a solid cascading melody followed by the dramatic chorus of “Sadie Goldman,” a lost soul that follows a road to illusion. “Down the Slide” continues the story of the evil corporate media; “don’t you let the truth get in your way.” It ends with the beautiful ballad “In The Ocean,” and while Willie’s musicianship is stellar, the distinctly bleak worldview might put off some. But if you are a fan of the band Skeleton Staff, you will definitely love this. Highly Reccomended.

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Late July: Wifey, The Junipers, The Glad Machine, Joy Buzzer, The Chesterfield Kings, Cherry Fez

powerpopaholic

A lot is going on this month. The Brooklyn power pop band Wifey is one of the best-kept secret cool bands. They performed their new single “DiMaggio” at The Broadway (thanks to Steven Korn for the video). Bands that have been quiet for a while have new material, like The Junipers‘ “Annie Almond,” which sounds very much in the mold of the Euphonious Trolley EP, one of my favorite recordings from this band. Plus, after last year’s top-ten EP, The Glad Machine is back with a new single, “So High.” It’s a catchy gem that weaves guitars and harmonies together really well. Next, Joy Buzzer an up-and-coming band that was often seen at IPO last year, is back, with a rocking single “You’d Be Suprised.” And I’m not surprised — that they got signed by Wicked Cool Records. New Jersey veteran rockers The Chesterfield Kings also return with “Fly The Astral Plane,” a groovy throwback to the late 1960s. Finally, Cherry Fez is “Superexcited,” to deliver this new single, and I’m impressed with the combination of pensive vocals and frantic percussion – a great single all around. So much good music. So little time. Enjoy!