Tag: Librarians with Hickeys

May singles: Mason Lowe, The Half-Cubes, Librarians With Hickeys, K. Campbell, The Odds, Eytan Mirsky

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April showers bring May flowers. Well, it certainly has been showering music.  We start with the fuzzy rock of Mason Lowe, who’s got a new album coming out soon and this little song is called “Plastered.” The Flashcubes (Gary Frenay, Tommy Allen, etc) teamed up with Bob Pernice (Pernice Brothers) to form the Half-Cubes as they cover the “Weakest Shade of Blue.” I was very impressed with Librarians With Hickeys‘ jangling gem  “Can’t Wait ‘Till Summer” and I agree with the sentiment. Another strong jangling performance is “Neil & Joni” written, performed, and recorded by K. Campbell in Houston, Texas with backing vocals by Mandy Kim Clinton. It has been ages since I’ve heard Canadian power pop legends The Odds. It seems a kinder, gentler band emerged with all that maturity. Finally, our FREEBIE today is brought to us by the earnest singer-songwriter Eytan Mirsky. I guess he’s been thinking about sexy flight attendants in “Lost You in the Jet Stream.” ENJOY!





Holiday Videos and singles: The Kut, Kai Danzberg, Librarians With Hickeys, The Incurables, Ken Sharp, Radio Days, The Weeklings

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So I let loose the flow of Christmas music again! We start with a re-release The Kut‘s Christmas Single “Waiting for Christmas,” while the reliable Kai Danzberg has two great singles; firstly the jingle-jangling “Making It Shine” and then the energetic “Could’ve Been You” featuring Andy Patchell (and it’s a FREEBIE!) Next, we deck the halls with Librarians With Hickeys and The Incurables, courtesy of Big Stir Records where you’ll find more goodies. Two more new singles are out; Ken Sharp‘s “Mr. Sun” seems to channel the late Davy Jones and Italy’s power-pop powerhouse Radio Days returns with “Mercy Baby” and “1998.” Both are impressive singles, and how could we forget  Lefty, Rocky, Zeek and Smokestack (aka The Weeklings) with “Christmas Day” which has an Elvis Costello/Beatle vibe! Enjoy. We have 3 more weeks of last-minute reviews before our year-end countdown!







Brendan Benson and Librarians with Hickeys

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Brendan Benson

Brendan Benson “Dear Life”

Brendan Benson is a rarity; a veteran power-pop artist still making great music that resonates with mainstream audiences. Even with his stint in the rock band The Raconteurs with Jack White, he’s always touched on the zeitgeist effectively. He’s bent his style to suit current music trends on his opener “I Can If You Want Me To” full of looped samples, dubstep styled beats, and synth effects. But he doesn’t break, and “Good to Be Alive” effectively gets the message out, despite the programmed beats and middle-aged realization “my body’s getting older, but my brain is aging slower.”

Eventually, the guitar hooks find their way to us via “Half a Boy (Half A Man)” a brilliantly arranged single. Next “Richest Man” and “Baby’s Eyes” find Benson coming to terms with the joys of middle age, and both songs are excellent. “Dear Life” and “I Quit” are a lyrically darker, but no less catchy. The apt described “Freak Out” shifts the sound level up a few notches. The album is unpredictable and has enough of “classic” Benson mixed with his more experimental tunes to make it a great listen overall. Highly Recommended.

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Librarians with Hickeys

Librarians with Hickeys “Long Overdue”

Akron Ohio power pop band Librarians With Hickeys start the album with the Velvet Crush-like gem “Until There Was You” full of crunchy jangle and a late ’60s Byrdsian approach to the vocal melody. The band is led by Ray Carmen (vocals, guitar) and Mike Crooker (guitar, vocals), with the addition of Andrew Wilco (bass) and Rob Crossley (drums). Next, “That Time Is Now” builds a wall of harmony with twin Rickenbacker, handclaps, tambourine, and Lisa Mychols(!) backing vocals.

The style shifts a little closer to the early ’80s on “And Then She’s Gone,” and “Next Time” with its reverb chords and brass accents. Fans of REM and Game Theory will flip for “Obsession” and “Poor Reception.” These influences are more pronounced on the album’s second half, but they get down to power pop basics on the catchy “Black Velvet Dress.” Overall a very strong debut that deserves to be heard. Check it out.

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