NOTE: There is still a huge pile of music to review as the year ends, and as usual, I have fallen behind, so likely I will continue to review 2017 releases well into January. The top 25 list will be coming out approximately the first weekend of the new year.
Lucille Furs “Lucille Furs”
Chicago band Lucille Furs is a pure retro 60’s band in the mold of The Strawberry Alarm Clock, New Colony Six and The Left Banke. “The Fawn of The Teal Deer” is very much like a Zombies tune, with its harpsichord melody and strong charting chorus, and while the initial sound and style are familiar, the band’s compositions are original and unique.
The subtle “Pink Noise” is another highlight that jumps out with tight harmonies and a strong bassline. Things mellow a bit with “Sunset Moon,” its layered melody chased by a Spanish guitar counter rhythm, but the band is at its most baroque on the psyche-pop gem “Our Lady Of Perpetual Frustration.” Then the style shifts a bit on “Alabaster Crayon” sounding like an early Three Dog Night hit. Additional standouts include the Kinksian “Please, Give Her This Letter” with a swirling coda, and the final track “Between Us Two/ I Saw You,” chock full of 12-string guitar riffs. Overall a wonderful little retro discovery and Highly Recommended.
The Mylars “Melody Records”
The Mylars are a super-charged rock and roll outfit founded by vocalist/guitarist Danny Roselle (ex-Crash Moderns) and long-time collaborator, vocalist/bassist Quig. The Mylars clearly have the musical chops and crisp production to get some major label attention. The band has many influences and crosses the line from pub rockers to arena rockers often, so fans of The Goo Goo Dolls or The Gin Blossoms might enjoy them too.
“Forever Done” has the crunch and infectious choral melodies that gets your attention right away. It all clicks with the solid swaggering riff of “What Do You Got To Lose,” along with the anthemic songwriting on “Shine” make it another great single. The bombastic layered guitars lay it on nice and thick for an updated cover of The Cars “Let’s Go,” and I didn’t miss the synths one bit. The chugging rhythm of “Betty, Buddy & Me” reminded me of Fountains of Wayne a little, and since you’ve got two main singer/songwriters the music never gets predictable or stale. While most of the music is straight melodic rock and roll, the ending “Home To You” is a pure power pop gem with handclaps and a great hook in the chorus. No filler here, all killer and it slips into my top ten consideration for 2017 albums of the year.
