Tag: Mo Troper

Party Leftovers: Singles that deserve to be heard

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I counted an additional 258 albums that I did not even get to fully examine last year, but rather than come out with my Top 10 Eps of 2023 (that’s next week) I will give you some much-needed singles (some are freebies) to keep you company.

Shane Tumarc (Dolour) sets the stage with a great cover of the Zombies’ “This Will Be Our Year,” the energy of Rock Europa’s “Pick at the Scab” is infectious with a commanding melody line. Brower’s “Confrontation” is very much in the mold of early Frank Zappa with its faux 50’s call and response. Next, Rooftop Screamers has perfected the arena rocker single “Dead In The Water,” with a solid vocal by Rob Daiker. It’s been a good year, and The Armoires give us the gentle opening salvo on “Music & Animals,” a fitting theme for the ASPCA. Finally, Mo Troper had a big hand in 2023 with producing others (including himself), so “For You To Sing” includes friends Brenden Ramirez (Bory) and Blue Broderick (Diners). Fear not, as I have another singles post of 2023 songs that deserve to be heard! Stay tuned.






Chris Lund and Mo Troper

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Chris Lund

Chris Lund “Indian Summer”

Chris Lund (Lund Brothers) releases his sophomore LP after the highly acclaimed debut Great Event Syndrome. Lund’s style is certainly an updated take on late 20th-century rock tropes. “Everything Is Fine” uses everything and the kitchen sink with key shifts, harmonies, and hooks, and the title track “Indian Summer” and “Mary Jane” are catchy throwbacks to The Raspberries and Badfinger. Lund’s skillful guitar leads each tune with gusto and melodic brilliance.

The songs vary in quality after the first three, but the universal themes of girls, groupies, and angst are common themes. The fantastic “Down The Line” would’ve been perfectly at home on a Van Halen album. “Please Me” is a well-written ode to the misunderstood high school dropout, with a soulful guitar break over an acoustic rhythm. Overall, a great album that power pop & guitar fans will really appreciate. Highly Reccomended.

Bandcamp

Mo Troper

Mo Troper “MTV”

Much like last year’s Dilettante, Portland’s Mo Troper likes to capture pop songs spontaneously and often in “demo” form. He takes a catchy bedroom hook on the opener “Between You and Me” and buries it beneath layers of fuzz and percussive distortion. “I’m the King of Rock and Roll” is a little clearer, and says more about his state with its fine guitar solo. “Waste Away” is another quick pop gem that sticks.

But there is more experimentation here, and while dark self-humor is there (i.e. “The Only Living Goy in New York”) it often is at the expense of listenability (“Royal Jelly,” “Coke Zero”). Using a chipmunk vocal filter sometimes helps (“I Fall Into Her Arms,” “No More Happy Songs”) but its charm wears off quickly. The unintelligible “Power Pop Chat” and “Final Lap” make it more of an art statement, and that’s where you’ll either love it or hate it. Still, Mo’s talent shines through each raw unpolished nugget. It’s music that deserves to be heard.

Amazon


Mo Troper and The Amplifier Heads

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Mo Troper

Mo Troper “Dilettante”

After a daunting Beatles cover album, Mo Troper is back to his bedroom DIY fuzzy melodies and Dilettant is more hit than miss over the course of 28 short snippets. The influences are too numerous to mention but the opener “Total Euphoria” sets up a single hook before its gone, and then the driving guitar of “The Expendables Ride Again,” a rant about how ephemeral the music is, and the reaction “What’s the name of your new band? The one with you and my old friends?”

There are thematic gems sprinkled throughout, with others being simple song sketches. “The Perfect Song” is the goal here, one that “gets stuck in my head all day long.” Some artistic anger on “All My Friends are Venmo,” and plenty of highlights that compare well with GBV; “My Master’s Voice,” “Armpit,” “Better Than Nothing” and “Blake and Lanny.” Like a bag of Halloween candy, you may not eat everything but it sure is sweet.

Amazon


Amplifier Heads

The Amplifier Heads “Saturnaliens”

Boston rocker Sal Baglio (The Stompers) skillfully continues his journey with his band The Amplifier Heads as they cruise through their third album on Bar Rum Records. Described as “a  graphic novel for the ears and head” I just start by giving kudos to the cover design. These UFOs would kick Boston’s ass.

The fine opener “Ghost Star Rider” mines that Western motif in the instrumental, and then the raw garage rock of “Rocket Boys” delivers the first salvo. Loving those riffs on “Earth Girls on the Loose,” and “All Fueled Up,” it almost goes full rockabilly with a hint of punk attitude. “GlamOrama,” “Candi Starr,” and “Bast Shit Crazy” are very Sweet-esque tributes, and the band doesn’t ease up on the gas. All lots of fun, but it can be a bit exhausting by the end of the album. Still more hits than misses here, and definitely highly recommended.

Amazon

August Singles: Ex-Norwegian, Ezrat, The Dowling Poole, Bagful of Beez, Tommy Lorente, Mo Troper, I Was King

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Summer is slowly fading, but we have plenty of good music. Ex-Norwegian is back with an eclectic single “Thot Patrol” which combines so many sounds, it defies categorization. Ezrat presents a light indie-pop that floats on by a bed of synths. The Dowling Poole lays it all down with a bombastic rocker backed by lush orchestral strings about fiddling through the apocalypse. Getting tripper is the melodic stylings of Bagful of Bees “Syco” which brings to mind XTC and I’ll be happy to hear the rest of this LP soon. French rocker Tommy Lorente finds a sweet guitar hook in the sparse reggae beat on “A Mes Yeux.” Mo Troper still has some acoustic demos from Natural Beauty and it sounds great, so check it out. We started with an “Ex,” so let’s end with a real Norwegian band I Was A King, who sounds damn good with those jangling pop hooks, hear “happy.”







Super Singles, EPs and Freebies: The Morning Line, Mo Troper, Voltz, Eddie Mooney & The Grave, BPMCollective, Andy Bopp, Michael Carpenter, Sofa City Sweetheart, Vista Blue, Reno Bo

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Glad to bring you some new songs, as we close out July. First is a neat freebie, The Morning Line‘s collection of outtakes. The opener “Straight Lines” is a solid single, and the rest aren’t shabby either. Mo Troper‘s freebie is the grinding grungey single “Ballad of Big Nothing” in the best Posies tradition, with a bit too much texture. Voltz from Sheffield, UK gives us a bit o’ glam mixed with pop on “Glitterbomb.” German band Eddie Mooney & The Grave has an 80s-styled pop gem with the catchy “Telephones.” I was also impressed with this debut EP from Seattle’s BPM Collective; “Adelaide” hooked me right away, and “Mr. Congeniality” has fantastic chord changes. I so much missed the music of Andy Bopp, and his single “Camera” is worth the wait. The first song I ever heard from Michael Carpenter gets a remix treatment, and Sofa City Sweetheart does a sweet Brian Wilson cover. Vista Blue‘s Ramones-styled pop returns with an Olympic-themed freebie and Reno Bo rocks both “Count Your Karma,” and a Todd Rundgren cover. Quiet a nice mixtape we have here.