Oberon Rose “Tell Me About It”
I was extremely proud to have Oberon Rose play Power Popaholic Fest a few years ago, and now Tommy Oberon takes his band and ups the ante on a brilliant sophomore LP. Older rock influences (Beatles, Pink Floyd) are happily played alongside newer ones (The White Stripes, The Flaming Lips.) The opening title track is an infectious rocker that shimmers to life with its flowery production and psychedelic flourishes. This is followed by “No Stranger” as it continues to impress with its driving rhythm and sing along chorus.
Tommy’s guitar solo is truly amazing on the epic ballad “Life In A Box,” one of the best tracks here. The flashes of experimental alt. rock concepts like the ambitious march of “Battle Hymn (Of The Magi)” work so well, you can sense the band is firing on all cylinders here. And it isn’t afraid to change tone on “A Place In The Sun,” and get pastoral on “The Way To Avondale” with its gentle harmonies. The band closes out with the very Sloan-like “Drawn and Quartered” and the slow-burning finale “Twice Bermuda.” Strong work from Tommy Oberon, with Chris Listorti (bass)and Mike Keyes (drums.) Not only highly recommended, but it makes my top ten list for 2018.
Anton Barbeau “Natural Causes”
While Barbeau is a prolific and tireless musician, picking through his catalog for the good stuff can be challenging. But on Natural Causes, it’s easy — as “Magazine Street” is a jangling pop treasure, with a strong bass line and hook in the chorus. “It’s The Coffee That Makes The Man Go Mad” has Anton’s quirky lyrics and instrumentation with some nice harmonies. Some of these tunes are from his past catalog of work, but there is a good amount of polish in the production that makes this his most accessible album in years.
“Disambiguation” and “Magic Sandwiches” both are good distillations of the Barbeau artistic aesthetic, and I like to compare it to Adrian Belew in some other universe. Not everything here sticks, but enough does. More standouts include “Just Passing By” and “Down Around the Radio.” This is the Anton Barbeau that I’ve been waiting for.