Brandon Schott and One Like Son

Brandon Schott

Brandon Schott “Crayons & Angels”

Brandon Schott has always been an artist who knows better than most how to set the mood. After the great Verdugo Park EP, he’s expanded this into a full album with the help of Andrew Curry, Andy Reed and Jason Wormer. The childlike innocence of the instrumental “Dandelion” leads into the album’s biggest song “Henry,” a richly layered portrait of a boyhood optimism, complete with harmonies, horns and toy piano. “Cerulean Seas” is another like-minded song that sails along, as most compositions here are strongly influenced by Pet Sounds and Sir McCartney. Another gem is “Every Little Song,” a beautiful duet with Kelly Jones, where the melody twists with each key change.

Plenty of instrumental filler is found between many songs, tying the theme together but I suspect they are more snippets that didn’t fit elsewhere (“Sunglow”) and this make the albums middle a bit lightweight. However many strong compositions remain like “Seeing You In Stereo” and “Dear Daisy” is a catchy guitar led melody. The grand “Wisteria” is an exceptionally good atmospheric instrumental, and the wonderful “Dandelion Rain” is the best love song I’ve heard this year. Add to this the Elvis Costello cover “Riot Act” and you’ve got a winner. Highly Recommended.

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 One Like Son

One Like Son “Classic”

While the novelty of a debut recorded on an iphone has passed, One Like Son (aka Stephen Poff) continues to pump out some great music from his Montgomery, AL studio. “As Seen on TV” has that big repeating riff, and a memorable melody. “Down To Hollywood” follows the Cheap Trick template, and the casual “Summer Days” reminded me of Extreme’s acoustic pop. Overall, the music seems more hard rock oriented than past releases.

“A Praise Song” is like a superhero theme from a Christian rock band, with its buzzsaw sound and an infectious bounce. Not everything flows as smoothly; some metal guitar indulgences are tiresome (“Borderline” and “It Knocks Me Out”) and the lack of any ballads makes this 13 track album a heavy lift. Stephen does sprinkle in some good songs, like the mid-tempo “Five Good Years” and energetic “Whispers” to end things. Give it a try, and you’ll find a favorite tune within.

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The Jeanies and One Like Son

The Jeanies “The Jeanies”

The Jeanies are a Brooklyn four piece band that bring back the savory sound of 1970s power pop and succeed so well here, you’d swear this was a “lost” release from that era. Cut from the same cloth as Phil Seymour, The Raspberries, The Rubinoos and The Shoes the opener “I Seen Her Dance” is a catchy single that sets the stage for the album. Songwriter and lead vocalist Joey Farber has an earnest moving vocal and “I Think You’re The Wrong One” is another classic gem that deserves to be heard.

Farber’s solid riffs are joined by guitarist Jon Mann, as they spin a great muscle-chord analog sound on “The Girl’s Gonna Do.” You’ll also hear the influences of 50’s Doo Wop, R&B, and basement DIY style throughout the album. At times the production adds a bit too much echo (“Believe Me Jenny”) but that’s more a personal pet peeve. The lyrics all evoke the anticipation of meeting the perfect girl… until the next one comes along. It is fairly consistent,  hard charging rock with a mid-tempo pause on the love song “I’ll Warm You.” Fans of this particular vintage power pop should not miss this one. Highly Recommended.

power pop
Bandcamp | Kool Kat Musik

One Like Son

One Like Son “New American Gothic”

Last year this Montgomery, Alabama band released a mind bending song a week for 52 Weeks. This year lead singer-songwriter Stephen Poff has compiled his favorite 13 tracks from that project into New American Gothic, making his band’s work a lot easier to digest.

“New American Gothic” is a solid power melody resembling Cheap Trick, Goo Goo Dolls and Gin Blossoms with strong riffs about today’s modern family. “Nice Guys Finish Last” sows similar ground with a synth line running though the song. One of my favorites here is “Hero Down” with its epic power ballad chorus about the death of Superman, it builds with layers of piano and guitar reminding me of Queen. The band tries to go more punk pop on “’Til it’s Over,” but it really excels at melodic hard rock anthems like “Falling From My Arms.” The subjects eventually head out to space with a trio of rockers “Gravity,” “Interstellar” and the Star Wars tribute “A Galaxy Far Away.” You can imagine Darth Vader might have said of One Like Son,“The force is strong with this one.”
power pop
Bandcamp | Amazon