Oscar Lang “Chew The Scenery”
Young UK musical phenom Oscar Lang proved his long-awaited indie-rock debut was worth the anticipation. Heavily indebted to Brit-pop’s past, Lang excels at fuzzy hook-filled melodies with buzzing electronic flourishes. After an extended fanfare, it leads into the first single “21st Century Hobby,” focusing on the dark side of social media, and the catchy chorus is layered with guitar lines. Without missing a beat “I Could Swear” bounces along and it’s all very infectious.
“Stuck” then gets even denser and louder with a self-loathing akin to The Dandy Warhols, before it goes full-on dance Madchester funk like The Happy Mondays on “Yeah.” So far we’ve got track after track of energy and excellence until it pauses with the piano ballad “Write Me A Letter.” This demonstrates Oscar’s subtle talent and emotive pull, and as the album continues it feels more relaxed from “Are You Happy?” to “Quarter Past Nine.” As we run out of gas at the end, “Final Call” feels pulled from the Coldplay or Radiohead playbook. Overall, it’s an effective and strong debut that’s highly recommended.
The Orange Peels “Celebrate the Moments of Your Life”
With a title straight out of a commercial, Allen Clapp, Jill Pries, and Gabriel Coan continue to move the band beyond guitarist John Moremen’s influences. Clapp goes for a shimmering jazz-pop sound here, with a mix of arty psych-pop and electro-pop flourishes. Coan’s percussion takes the lead mostly, as Clapp drives the droning synths of “2×2” and the next several tracks meander along a theme of birds.
Clapp does get soulful on the piano ballad “Thank You” and the jangling bounce of “Whenever” is a standout for fans of the band’s classic sound. But this album is more experimental, and as far from power-pop as you can get. Clapp is a genius when it comes to atmospherics, and my favorite track here is the instrumental “Two Shores” — get some good headphones for this one. “The Ghost of You” and “Human” bring to mind Tears For Fears, and the loose, trippy “Mindego Hill” is a gem. The final section of this massive 17 track album is flower-themed as the music is more about ambiance and sonic environment than melody. The band has drifted in this direction since 2020, so it’s not a big shock. However, if you’re looking for those 3-minute earworms I’d visit their earlier works.
