Tag: Parthenon Huxley

Parthenon Huxley and Matt Tiegler

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Parthenon Huxley

Parthenon Huxley “As Good As Advertised”

Parthenon Huxley, aka P. Hux, has been a reliable musician known for his melodic gifts and his meticulous production work. The gentle strum of the chords for the title track showcases the mature and rich musical palette Partheon uses here. Most of the songs were created during the pandemic years, and the mood is decidedly downbeat. The passionate anxiety of “Mister Black Sky,” seeks to banish venomous politicians from the atmosphere with its hopeful message that “in the light you die” and “Uncivil War” are about the partisan media stoking hate between the factions.

It’s all very understated, but the inventive melody of “Rainbow” redeems the song from easy listening purgatory. The personal ballad “This Song Reminds Me of You” is a lovely sentiment, associating a moment in time with a favorite tune and a Spanish-styled guitar break midway through.  “Human Again” is written in anticipation of COVID restrictions being lifted. “When will normal ever feel like normal?” he asks. Most of these songs do not carry the ELO orchestral style that P. Hux has been associated with, except for the excellent “Bitter Tears.” However, there is enough here to make this highly recommended.

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Matt Tiegler

Matt Tiegler “Hands Free Down Hill”

Matt Tiegler is a multitalented artist from Chicago who writes plays, acts, and occasionally records his own music. Singer-songwriter and multi-instrumentalist Tommi Zender was in charge of producing this new album and collaborated on many songs here. Opening with the bright guitars and vocals of “Dream (Reason for Living),” it has a good structure that sets up the chorus nicely. There is a light mood full of earnest emotion on “I Didn’t Get You” and the jangling “I Want Start A Religion With You.” While Matt’s voice isn’t classically melodic, it suits the quirky subject matter fine.

Tiegler’s great songwriting is what makes the whole album work. The simple love story of “Summer Love Song” and the awkward “Forward” are wonderfully realized. The exuberant power pop guitar on the title track, “Hands Free Down Hill,” will stay in your head, and it would be a much better album with more of these gems. It remains a good album that deserves to be heard.

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Greg Pope and P. Hux

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Greg Pope

Greg Pope “A Few Seconds Of Fame”

Perennial power pop favorite Greg Pope is back! After 2016’s Guiding Star, Pope continues to impress with his crunchy guitar chords and catchy choruses akin to Matthew Sweet. “Forget About You” is a solid opener with the wall of guitars and an earworm melody. Next “She’s Already There” changes tone multiple times, with some classical touches and it makes for a unique listening experience that leads to the chorus.

Pope carefully constructs his songs and adds nice little details, like a harpsichord opening on “Planet Earth” and occasional metal-styled guitar arpeggios sprinkled in other tunes. Highlights include; “Hopes and Dreams and Fears,” “Dreams About You” and the amazing finale “You Got Inside My Head.” Highly Recommended (as usual).

Amazon | CD Baby

P. Hux

P. Hux “This Is The One”

After the brilliant Thank You Bethesda in 2013, Parthenon Huxley is back. He’s been on fans radar for over 30 years as an expert in songwriting, production, and guitar playing. He is also a founding member of The Orchestra and played with numerous famous musicians over the years.

“You gotta vision you can’t let go…” he sings on the title track, a rousing opener full of great energy. But most of the songs are more subdued, like the mellow “Song For James,” written for his daughter Fiona James Huxley, which is like a lost Eagles song. I definitely hear some Joe Walsh influences in the guitar solo. He amps the energy up for the catchy “Just Sayin’,” which sounds like The Cars meet Tom Petty a little. ELO fans will appreciate the strings on the majestic “Off We Go” and the Beatlesque touches on “Inside Your Shoes.”

Another highlight “That’s When I Know” has a familiar rhythm and manages to go into some nice directions with it. The influences on this album are more ’70s soft rock-oriented than his past catalog, but Hux always manages to entertain. A very good album that pop music fans should embrace.

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The Candle Thieves and Parthenon Huxley

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The Candle Thieves “All’s Well That Ends Well”
Peterborough, England’s The Candle Thieves have struck again. Two unassuming guys, lead vocalist Scott McEwan and a dude simply named “The Glock” burst forth with a very glossy brand of heartfelt, optimistic pop. The opening song “Tomorrow Is Another Day” is a full on mix of Beach Boys/Carpenters layered harmonies with a melody as sweet as buttered toast. “Ocean of Storms” is a more standard pop approach with synths and soft falsetto. “Sugarcandy Mountain” is another bouncy gem of a love song, and “Keys To My World” is a measured ballad that almost turns to syrup. Vocally, the duo kind of reminds me of an English version of The Rembrandts.

But without a wasted track, it successfully navigates through an early confidence builder “The Little Engine That Could” to the rousing “Don’t Grow Up Too Soon.” The concept of holding on to childhood so tightly it drives romance away is artfully done and with the inspiring ending “Honey I’m Home,” it brings the listener back from the sugar rush. No filler here and even though I almost missed it, I’m happy to add it to my year end “best of” list.

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Parthenon Huxley “Thank You Bethesda”
Parthenon Huxley or P.Hux as he’s called, is a veteran power pop artist I’ve known for a long time. Earlier this year he produced a new album and one of my fellow readers recommended a review. A new found energy is on the title track, a busy mix of Lou Reed-ish vocal phrasing and bass lines. In fact, Reed’s influence is all over this album. An early highlight is the catchy rocker “Angeleno,” about the search for fame and fortune in L.A.

He moves from from the slow soulful “Luckiest Man” to the smooth pop of “Long Way To Go.” His Beatlesque side comes out on “Roller Coaster” and “A Feeling That Won’t Fade Away.” The tonal shifts almost feel like you’re listening to a singles compilation album, it doesn’t stick to a single mood, but the overall theme is gratitude. This is a terrific album brimming with excellent guitar work and joyous melody. My last “top ten” recommendation of 2013.

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