Tag: Paul Williams

White Lace and Promises: The Songs of Paul Williams

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White Lace and Promises: The Songs of Paul Williams

Assorted Artists “White Lace and Promises: The Songs of Paul Williams”

Producer Andrew Curry, who has a soft spot for soft rock (Drink a Toast To Innocence) is back with his sites now on ’70s singer-songwriter Paul Williams. While a recognizable musical performer and actor, Williams legacy as a celebrity often overshadows his formidable songwriting talents. After all, he’s won an Oscar, a Golden Globe, and several Grammys. His work includes hits for Three Dog Night, Barbra Streisand and The Carpenters – all part of this covers collection by some talented indie power pop artists.

Several songs are given new life because many are deep cuts that won’t be instantly recognizable. I enjoyed the faster tempo of The Davenports take on “Evergreen” and Zach Jones faithful version of “Someday Man.” Lisa Mychols totally nails “You and Me Against The World” and Cliff Hillis turns the Carpenters epic “Rainy Days and Mondays” into an intimate personal ballad. Minky Starshine has a wicked version of “The Hell Of It” from the Brain DePalma cult film The Phantom of The Paradise.

But the ballads are where Williams songwriting is best known, and Chris Price’s “I Won’t Last A Day” and Andy Reed’s “Rainbow Connection” infuse Paul’s hopeful emotions perfectly. The Corner Laughers do their best to imitate singing muppets on “Movin’ Right Along” and The Test Pressings (John Borack, Robbie Rist and Karen Bassett) do a cheese-filled version of “The Love Boat,” in which Williams only wrote the lyrics. A few songs don’t quite work, but overall a fun compilation with a high batting average. And that’s highly recommended.

Amazon


Many years ago Paul Bertolino covered Paul Williams beautifully. It’s a FREE download that would fit nicely with the collection above. Enjoy!

Film Review: Paul Williams, Still Alive

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Yes, I fondly remember when I was a kid and Paul Williams was everywhere on TV. I never was a big fan of the actor, but loved his music whole heartedly. He was one of the most influential songwriters of the 70s next to Burt Bacharach. Then he vanished with the end of decade and I always wondered what happened to him.

Well that’s partly what the movie is about. Director Stephen Kessler inserts himself in the documentary as a starstruck fan trying to convince Williams that he is a worthy subject to film. And he is definitely worthy of a bio with all the amazing music and stuff he’s done. However the film barely touches this and is more of a documentary of how Kessler became Williams “friend.” He follows him around where Williams makes his rounds as an oldies act and uncomfortably probes Williams’ past drug problems in the 80’s and fall from celebrity status. Other awkward moments when Williams clearly doesn’t want to be on camera takes up too much of the films running time. When things get slow, Kessler gives us some great archival clips and musical performances to keep us interested.

So I recommend this film to anyone who loved Williams with a simple caveat, this isn’t a proper bio but a candid look at his life now and that he’s a better man without all that celebrity crap. Rent it on Amazon or Buy the DVD.